Video Exclusive: Hauschka live in Nairobi

Exclusive first showing of this brilliant 40 minute concert film

share this article

Hauschka at work

Regular readers of theartsdesk will know that we have a lot of time for Volker Bertelmann, the composer-pianist-producer better known as Hauschka. Adapting styles from rigorous minimalism through romantic compositions to club-inspired electronica, he has ploughed his own furrow through postclassical and leftfield music.

So we were very happy when, to trail a show he's doing tomorrow night at London's Bishopsgate Institute with regular collaborator violinist Hilary Hahn, and his new remix album, he offered us the first showing of this 38 minute concert recorded in Nairobi, Kenya last year. It features Bertelmann on prepared piano and Sven Kacirek on drums, percussion and electronics, and it is, frankly, brilliant.

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.

rating

0

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing! 

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

more new music

Stunning, originally shelved, American version of Pil’s first album resurfaces
Beautifully crafted, but not quite timeless
Despite welcome Caribbean flavours most songs lack real weight
A return delivered with growth, vulnerability, and a renewed artistic spark
Never mind the snow, this Danish city festival celebrates unfettered internationalism
Electroclash original remains direct, filthy and more than relevant
Exhaustive, stylistically varied, box-set memorial to the fabled Bowery venue
An ode to reinvention that's not quite a pop album but not a film score either
The Belfast master of slow, sad club sounds is on peak form