Living Architecture | reviews, news & interviews
Living Architecture
Living Architecture
Alain de Botton writes of his plans to bring designer architecture to the people
Monday, 13 September 2010
Alain de Botton: 'The salvation of British housing lies in raising standards of taste'
Judging from the success of interior design magazines and property shows, you might think that this country was now as comfortable with good contemporary architecture as it is with non-native food or music. But scratch beneath the metropolitan, London-centric focus, and you quickly discover that Britain remains a country deeply in love with the old and terrified of the new.
Judging from the success of interior design magazines and property shows, you might think that this country was now as comfortable with good contemporary architecture as it is with non-native food or music. But scratch beneath the metropolitan, London-centric focus, and you quickly discover that Britain remains a country deeply in love with the old and terrified of the new.
Our dream was to allow people to experience what it is like to live and sleep in a space designed by an outstanding architectural practice
Explore topics
Share this article
more Visual arts
Fantastic Machine review - photography's story from one camera to 45 billion
Love it or hate it, the photographic image has ensnared us all
Yinka Shonibare: Suspended States, Serpentine Gallery review - pure delight
Weighty subject matter treated with the lightest of touch
Jane Harris: Ellipse, Frac Nouvelle-Aquitaine MÉCA, Bordeaux review - ovals to the fore
Persistence and conviction in the works of the late English painter
Sargent and Fashion, Tate Britain review - portraiture as a performance
London’s elite posing dressed up to the nines
Zineb Sedira: Dreams Have No Titles, Whitechapel Gallery review - a disorientating mix of fact and fiction
An exhibition that begs the question 'What and where is home?'
Yoko Ono: Music of the Mind, Tate Modern review - a fitting celebration of the early years
Acknowledgement as a major avant garde artist comes at 90
Unravel: The Power and Politics of Textiles in Art, Barbican review - the fabric of dissent
An ambitious exploration of a neglected medium
When Forms Come Alive, Hayward Gallery review - how to reduce good art to family fun
Seriously good sculptures presented as little more than playthings or jokes
Entangled Pasts 1768-now, Royal Academy review - an institution exploring its racist past
After a long, slow journey from invisibility to agency, black people finally get a look in
Barbara Kruger, Serpentine Gallery review - clever, funny and chilling installations
Exploring the lies, deceptions and hyperbole used to cajole, bully and manipulate us
Richard Dorment: Warhol After Warhol review - beyond criticism
A venerable art critic reflects on the darkest hearts of our aesthetic market
Dineo Seshee Raisibe Bopape: (ka) pheko ye / the dream to come, Kiasma, Helsinki review - psychic archaeology
The South African artist evokes the Finnish landscape in a multisensory installation
Add comment