Carl Barât, Scala | reviews, news & interviews
Carl Barât, Scala
Carl Barât, Scala
Post-Brechtian posturing with some rousing tunes too
![](https://theartsdesk.com/sites/default/files/styles/mast_image_landscape/public/mastimages/ca78d0151e88522851eb7a5354e9bc70.jpg?itok=U3xqGbcX)
It is not easy to kickstart a fresh musical career after you've been in a painfully fashionable – and intermittently brilliant – band. It is even harder when this is your second bash at starting out again. And harder still when a couple of months ago you trousered enough money to keep you in leather jackets for a lifetime by briefly reforming that original band for a pair of festival cameos. Yet last night erstwhile Libertine and ex-Dirty Pretty Thing Carl Barât did enough to suggest that, if he digs his heels in, his personal rock drama might have a memorable third act yet.
It is not easy to kickstart a fresh musical career after you've been in a painfully fashionable – and intermittently brilliant – band. It is even harder when this is your second bash at starting out again. And harder still when a couple of months ago you trousered enough money to keep you in leather jackets for a lifetime by briefly reforming that original band for a pair of festival cameos. Yet last night erstwhile Libertine and ex-Dirty Pretty Thing Carl Barât did enough to suggest that, if he digs his heels in, his personal rock drama might have a memorable third act yet.
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