Cory Arcangel, The Curve, Barbican | reviews, news & interviews
Cory Arcangel, The Curve, Barbican
Cory Arcangel, The Curve, Barbican
Ten-pin bowling explored in ones and zeroes
Wednesday, 09 February 2011
Cory Arcangel is firmly keeping all his balls on the groundCourtesy of the artist, Lisson Gallery, Team Gallery and Galerie Thaddaeus Ropac
It is probably a worrying sign when the computer games of your youth become the historical butt of a conceptual art joke. Digital artist Cory Arcangel, who appropriates video-game technology, repurposes and redesigns it, has installed 14 10-pin bowling computer games in the Barbican's Curve gallery, and if you remember the earliest, an Atari, you're almost certainly as obsolescent as it is.
It is probably a worrying sign when the computer games of your youth become the historical butt of a conceptual art joke. Digital artist Cory Arcangel, who appropriates video-game technology, repurposes and redesigns it, has installed 14 10-pin bowling computer games in the Barbican's Curve gallery, and if you remember the earliest, an Atari, you're almost certainly as obsolescent as it is.
This, we imagine, is truly the height of electronic skills; how can it ever get better? And yet we are constantly proved wrong
Share this article
more Visual arts
Moon Is the Oldest TV review - a fitting tribute to a visionary modern artist
Authoritative documentary that defines the genius of Nam June Paik
Sarah Sze: Metronome, Artangel at Peckham Rye station review - an installation of visual complexity and physical simplicity
The detritus that accumulates in our over-stimulated brains
Isaac Julien: What Freedom is to Me, Tate Britain review - a journey from making documentaries to making art
A film-maker goes from speaking to the street to addressing the museum
Hilma af Klint & Piet Mondrian: Forms of Life, Tate Modern review - the hidden depths of abstract art revealed
A world famous modernist and a little known painter, two Titans of abstract art juxtaposed
Grenfell by Steve McQueen, Serpentine Gallery review - a stirring memorial for the tower block inferno
Anger and compassion combine to make for an unforgettable experience
Earth Spells: Witches of the Anthropocene, RAMM, Exeter review - this local exhibition deserves a national audience
Bringing the dark arts into the light
Ai Weiwei: Making Sense, Design Museum review - a deep sense of loss permeates this show
Installations in which anger and sadness camouflaged by beauty
Berthe Morisot: Shaping Impressionism, Dulwich Picture Gallery review - lightning speed brushwork by an Impressionist maestro
An Impressionist painter's view from inside the boudoir
After Impressionism: Inventing Modern Art, National Gallery review - an impressive tour de force
But many names are missing from this international survey
Wilhelmina Barns-Graham: Paths to Abstraction, Hatton Gallery, Newcastle review - secret worlds revealed
A journey of artistic and personal discovery like no other
The Ugly Duchess: Beauty and Satire in the Renaissance, National Gallery review - put in context, a much-loved picture reveals its complexity
An aged, would-be seductress is reunited with her reluctant partner
Mike Nelson: Extinction Beckons, Hayward Gallery review - spooky installations by a master of detail
Nelson's worlds within worlds invite you to disappear down the rabbit hole
Add comment