Philharmonia Orchestra, Petrenko, Royal Festival Hall | reviews, news & interviews
Philharmonia Orchestra, Petrenko, Royal Festival Hall
Philharmonia Orchestra, Petrenko, Royal Festival Hall
Petrenko's thrilling Shostakovich strips away all ambivalence
Friday, 13 November 2009
Vasily Petrenko: the Russian Scouser storms London
It is quickly apparent when you are in the company of exceptional talent. In even the most hackneyed repertoire nothing is quite as you expect it to be: there’s a charge in the air, phrasings take on a different urgency, textures are opened up and newly revealed. And on this night, certain revelations concerning Shostakovich’s 5th Symphony were, under the exciting baton of Vasily Petrenko, no longer conjecture but irrefutable fact.
It is quickly apparent when you are in the company of exceptional talent. In even the most hackneyed repertoire nothing is quite as you expect it to be: there’s a charge in the air, phrasings take on a different urgency, textures are opened up and newly revealed. And on this night, certain revelations concerning Shostakovich’s 5th Symphony were, under the exciting baton of Vasily Petrenko, no longer conjecture but irrefutable fact.
more Classical music
Ridout, Włoszczowska, Crawford, Lai, Posner, Wigmore Hall review - electrifying teamwork
High-voltage Mozart and Schoenberg, blended Brahms, in a fascinating programme
Sabine Devieilhe, Mathieu Pordoy, Wigmore Hall review - enchantment in Mozart and Strauss
Leading French soprano shines beyond diva excess
Špaček, BBC Philharmonic, Bihlmaier, Bridgewater Hall, Manchester review - three flavours of Vienna
Close attention, careful balancing, flowing phrasing and clear contrast
Watts, BBC Symphony Orchestra and Chorus, Bignamini, Barbican review - blazing French masterpieces
Poulenc’s Gloria and Berlioz’s 'Symphonie fantastique' on fire
Bell, Perahia, ASMF Chamber Ensemble, Wigmore Hall review - joy in teamwork
A great pianist re-emerges in Schumann, but Beamish and Mendelssohn take the palm
First Persons: composers Colin Alexander and Héloïse Werner on fantasy in guided improvisation
On five new works allowing an element of freedom in the performance
First Person: Leeds Lieder Festival director and pianist Joseph Middleton on a beloved organisation back from the brink
Arts Council funding restored after the blow of 2023, new paths are being forged
Classical CDs: Nymphs, magots and buckgoats
Epic symphonies, popular music from 17th century London and an engrossing tribute to a great Spanish pianist
Sheku Kanneh-Mason, Philharmonia Chorus, RPO, Petrenko, RFH review - poetic cello, blazing chorus
Atmospheric Elgar and Weinberg, but Rachmaninov's 'The Bells' takes the palm
Daphnis et Chloé, Tenebrae, LSO, Pappano, Barbican review - lighting up Ravel’s ‘choreographic symphony’
All details outstanding in the lavish canvas of a giant masterpiece
Goldscheider, Spence, Britten Sinfonia, Milton Court review - heroic evening songs and a jolly horn ramble
Direct, cheerful new concerto by Huw Watkins, but the programme didn’t quite cohere
Marwood, Power, Watkins, Hallé, Adès, Bridgewater Hall, Manchester review - sonic adventure and luxuriance
Premiere of a mesmeric piece from composer Oliver Leith
Add comment