mon 25/11/2024

CD: Richard Thompson - Acoustic Classics | reviews, news & interviews

CD: Richard Thompson - Acoustic Classics

CD: Richard Thompson - Acoustic Classics

Thompson goes solo for a deft career retrospective

Six-string maestro: Richard Thompson

There are two Richard Thompsons – the deft acoustic magician and the electric guitarist shaking the rafters and the bones of the most committed air-guitar headbangers. He's unique in that no other guitarist could kick out the jams on the electric and seduce and beguile with the acoustic the way Thompson does.

While his records are band affairs, his stage work encompasses band and solo acoustic tours. I recall seeing him in a small club in Paris, in the early 2000s, playing one of the best acoustic sets I’ve ever heard, and though it’s more than 30 years old now, one of my favourite Thompson albums is Small Town Romance, recorded live and acoustic in New York soon after his final split from Linda.

Acoustic Classics is his first solo acoustic studio album, ranging through his career with Linda and his many solo albums – opening with 'I Want To See The Bright Lights Tonight', closing with the beautiful 'Dimming Of The Day', and in between, offering the likes of 'One Door Opens', '1952 Vincent Black Lightning', 'Beeswing', and 'When The Spell Is Broken'.

It’s fascinating to hear what he does with a heavy electric song like 'Shoot Out The Lights', where he brings band dynamics to six strings in a bravura solo arrangement. It can’t match the sinister power of the original, and lacks the brutal punctuation of drummer Dave Mattacks’ slow, heavy tattoo of a beat, but it’s a fascinating alternative approach, and it’s this quality that suffuses the whole album.

I’m not sure it approaches the intimacy of a great live solo set – I think I would have preferred these reversions to have come from an intimate little gig like the one I experienced in Paris – but the artistic commitment and technical achievement is palpable. Acoustic air guitarists will be in heaven.

It’s a fascinating alternative approach, and it’s this quality that suffuses the whole album

rating

Editor Rating: 
4
Average: 4 (1 vote)

Share this article

Add comment

The future of Arts Journalism

 

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

newsletter

Get a weekly digest of our critical highlights in your inbox each Thursday!

Simply enter your email address in the box below

View previous newsletters