Founder rate ends 9th September.

We’re rebuilding theartsdesk to secure the future of real arts journalism. Be part of it by subscribing: if you do it now, the founders’ rate of just £40 yearly is yours FOR LIFE!

SUBSCRIBE NOW 

CD: Kate Rusby - The Frost Is All Over

It ain't Christmas without Kate

share this article

Kate Rusby in Snow Queen mode

Kate’s no stranger to the Christmas collection – Sweet Bells from 2008, and While Mortals Sleep from 2011 both focused on South Yorkshire-inspired carols and seasonal songs, and the Kate Rusby at Christmas DVD from 2014, filmed at Harrogate Hall, put listeners firmly in the picture, with the Barnsley Nightingale supported by her excellent band, featuring partner and guitarist-singer Damien O’Kane, and a five-piece brass section.

That soft northern brass sound features again on “Bradfield”, the mellifluous opener for The Frost Is All Over, a plump, pillowy arrangement that fits her voice very well. There are three songs from Cornwall's vernacular traditions among the South Yorkshire tunes, and among them, “Cornish Wassail” is intimate and soothing, quite at odds with the shouty robustness of many a wassail recording or live rendition, while the banjo and accordion accompaniment on “Dilly Carol” (aka “Green Grow the Rushes, Oh”) is a perfect wrapping for the gift of her voice, one of the best-loved in the contemporary English tradition. Some critics may think her over-sweet, but there’s not any added sugar, just natural fruits.

"Mount Lyngham” features Damien O’Kane’s dynamic acoustic guitar riff propelling Kate through a new version (her fourth) of “While Shepherds Watched Their Flocks”, while the album’s one nod to Christmas pop comes with a rather subdued, brass-lined "Winter Wonderland".

There’s nothing here to frighten to reindeer, or disturb the older relatives – A Kate Rusby Christmas album is a well-seasoned thing of beauty, and a thoroughly reliable way to sink deep into the season with the older, local spirits of a South Yorkshire Christmas, the closing title song a breathy beauty with soft brass tones and accordion as accompaniment.

A Kate Rusby Christmas album is a well-seasoned thing of beauty

rating

4

share this article

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us 
in this mission.

Subscribing to the site will help us in our coming 
redesign and expansion.


If you do this before the 9th September this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

more new music

A breathless half-hour takes in screaming, stop-start song structures and the odd hint of reflectiveness
The American singer's eighth album is rife with downtempo ruminations on love
A thrilling blast of deep rooted culture and devout belief
Two decades on from Patti Smith and the original pink sheep, the anniversary edition proved again that Latitude's real headliners are rarely at the top of the bill
From Korean bluegrass to gigantic Ugandan xylophones, the global diversity of musical life is here
A championing, but also perhaps a dilution, of South African innovation
The return of a punk-era landmark of British art rock
With a danceable rock feel she displays her burgeoning creativity
The garage rockers don't do themselves justice on new album