Founder rate ends 9th September.

We’re rebuilding theartsdesk to secure the future of real arts journalism. Be part of it by subscribing: if you do it now, the founders’ rate of just £40 yearly is yours FOR LIFE!

SUBSCRIBE NOW 

Albums of the Year 2017: Rising Appalachia - Alive

Prozac for the soul

share this article

Sister soul free-folk with a banjo bass

2017 has been a time of change if not turmoil, on both personal and political stratospheres. So the music of two sisters whose jam is made up primarily of protest and healing songs, is the perfect antidote.

When chaos abounds, the relentless positivism of this music from the new age RISE collective, soothes like prozac for the soul. Based between Southern Appalachia and New Orleans, Leah and Chloe Smith are independently produced multi-instrumentalists who take inspiration from their home and history as well as their travels. The result is a mesmirising mash-up of free folk, acoustic dance beats and local traditional sounds played out on fiddles, banjos and bass alongside djembes, kalimbas and didgeridoos as well as spoons and washboards.

Alive, their seventh studio album, is a collection of live tracks from US tours over the past two years. It opens with "Lean In", an intimate acoustic duet that embraces us into a hypnotic realm of strum, sway and balladry that is yanked into some bluegrass with “Cripple Creek” before getting earthy and inwards with “Medicine”, dedicated to all the herbalist and wild food foragers within ear shot, singing "stand firm in loving defiance, make art your alliance, give voice to the fire" to a relaxed reggae rhythm.

“Closer to the Edge” challenges diaphanous vocals with bongos and tambourines; notes of gospel can be heard in “Novels of Acquaintance” and “Mississippi” while “Occupy” is a rousing stomp of a track. The duo's lightning fingered banjo is made even more electrifying with the atmosphere of live gigs – claps and yowls from the audience alongside wordy intros about the “sexy summer thunder”, in the slow and bluesy "Swoon", for example.

But you don't have to be a hemp-chafed-yoghurt-weaver to get these girls' musicality. Its earthy bass drives a groove from deep within; the frisky banjo gets you up on your feet and ready to riot, and the sisters' honeyed harmonies melt together like whisky and honey, all to enlightening effect.

Two More Essential Albums from 2017

Bjork: Utopia

Ed Sheeran: Divide

Gig of the Year

Martha Wainwright at the Roundhouse

Track of the Year

Lorde: "Green Light"

Add comment

The content of this field is kept private and will not be shown publicly.
Name that you would like to appear as the author of the comment
You don't have to be a hemp-chafed-yoghurt-weaver to get these girls' musicality

rating

4

explore topics

share this article

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us 
in this mission.

Subscribing to the site will help us in our coming 
redesign and expansion.


If you do this before the 9th September this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

more new music

The return of a punk-era landmark of British art rock
With a danceable rock feel she displays her burgeoning creativity
The garage rockers don't do themselves justice on new album
Andy Dragazis’ musical alter-ego offers nods to legendary arranger and producer Charles Stepney
The welcome return of a foundational album of electronic minimalism
Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed