Hänsel und Gretel, Glyndebourne | reviews, news & interviews
Hänsel und Gretel, Glyndebourne
Hänsel und Gretel, Glyndebourne
Laurent Pelly's environmental staging gets its first recycling
![](https://theartsdesk.com/sites/default/files/styles/mast_image_landscape/public/mastimages/f3bfb5a54f8a48fb2e8b2f50d8f9d3a9.jpg?itok=0qR80lBH)
Glyndebourne’s Hänsel und Gretel comes in a large cardboard box, with plain brown wrapper, duct-tape and a barcode. There’s a public health warning, too: sugar and spice and all things nice come at a price. The evil witch Rosina Sweet-Tooth is nothing more, nothing less than rabid consumerism masquerading as a smart lady in a pink two-piece suit. Yes, Laurent Pelly’s 2008 staging was/ is the first environmentally aware Humperdinck. It had to come. For revival read recycle.
Glyndebourne’s Hänsel und Gretel comes in a large cardboard box, with plain brown wrapper, duct-tape and a barcode. There’s a public health warning, too: sugar and spice and all things nice come at a price. The evil witch Rosina Sweet-Tooth is nothing more, nothing less than rabid consumerism masquerading as a smart lady in a pink two-piece suit. Yes, Laurent Pelly’s 2008 staging was/ is the first environmentally aware Humperdinck. It had to come. For revival read recycle.
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