Reviews
Ismene Brown
So much is wrong with Derek Deane’s arena Swan Lake, as if he read a poem and rewrote it as a press release. If you want big fat images of swans, 60 white-feathered girls in precision-tooled lines, this is for you. Take your photos on your phone, take them home and say, “I was there.” If you want to feel the private passion of the story, surrender to the music and the peculiar fantasy, to examine your own motivations and ability to choose love, forget this - go elsewhere.I've attended this 16-year-old production again and again, faithfully searching every time to find what others effusively Read more ...
Sarah Kent
The Alternative Guide to the Universe, an exhibition of work mainly by self-taught practitioners, encourages one to speculate on the merits of orthodox art and science compared with the wild schemes pursued by these eccentrics and visionaries, some of whom are inspirational while others bludgeon you with their offbeat ideas. Bodys Isek Kingelez builds immaculate models of imaginary buildings that make Dubai’s waterfront hotels look positively boring. Resembling a rhino horn, Dorothe, 2007 (pictured below right, courtesy André Magnin, Paris) arcs into the sky, one facade zigzagged by Read more ...
Adam Sweeting
The idea of writing nine 30-minute dramas (or more like 26 minutes when you take the ads out) about the thrills and calamities of first-dating might have been asking for trouble, but seems to be working out unexpectedly well so far. The crafty part about the concept (dreamed up by Bryan Skins Elsley) is that instead of having to explain the setup and establish the characters' relationships, you just watch two strangers starting the process from scratch, so they're doing the job for you.After a persuasive start on Monday with David and Mia, starring Oona Chaplin and Will Mellor, the ante edged Read more ...
fisun.guner
“Charming” is undoubtedly a double-edged word. Along with its perfumed allure, it carries a whiff of insincerity, of something slick and not quite earned. Add “whimsical” and you know you’re in danger of saccharine overload. Chagall is both, plus he’s one of the most popular artists of the 20th century. Does it get any worse?Marc Chagall was born Moyshe Shagal in Vitebsk, a region now in modern-day Belarus with a big Hassidic population. And though he absorbed some of the ideas of Cubism during his three years in Paris as a young man, his paintings are infused with the mystical and the Read more ...
Jasper Rees
Nobody said it was easy being an infant prodigy. Take Hugo, ranked in the top 0.4 percent of the population. He knows everything there is to know about train engines, train stations, rail networks etc, has them committed to his photographic memory. At 10 he is, basically, on some sort of spectrum, and he knows that too. “This is my brother Oscar,” he said. “He’s a more normal child.”Is it just coincidence that Child Genius (****) kicked off on the day Michael Gove announced details of the new I-level? Gove would approve of the star participants, who are all strong on maths and facts. They Read more ...
Jasper Rees
How writers change their tune. When Robert Capa died in Vietnam in 1954, having trodden on a landmine, Ernest Hemingway was chief among those paying tribute. “It is bad luck for everybody that the percentages caught up with him,” he wrote. “It is especially bad for Capa. He was so much alive that it is a hard long day to think of him as dead.” Spool back, however, to Omaha Beach, 69 years ago to the month, when they came under enemy fire. Hemingway sought cover in a ditch and later accused Capa of putting him in danger so that he might “take the first picture of the famous writer’s dead body Read more ...
Kieron Tyler
The likelihood of leaving a screening of PARADISE: Love without feeling either queasy or at least a little off balance is low. This realist-styled portrayal of middle-aged Teresa’s excursion to Kenya to seek intimacy and, inevitably, sex is awkward viewing. Some scenes are so uncomfortable to watch that their imprint will be permanent. PARADISE: Love is made all the more an assault on perceptions of acceptability by being entirely unjudgemental. Reactions are entirely up to the viewer. Director Ulrich Seidl offers no helping hand.Teresa (Margarethe Tiesel) is Austrian. She’s 50, a single Read more ...
Lisa-Marie Ferla
In the end, it was always going to come down to the last episode whether The Fall was powerful female-driven drama or, to quote another writer for theartsdesk, “misogynistic torture porn”. That conclusion, however, was as elusive as the ending of Allan Cubitt’s thriller; cunningly set up as if to strongarm BBC Two into a second series before the announcement was made.The Fall has avoided many of the cliches of the traditional whodunnitPerhaps part of the confusion was mine, given that once upon a time Gillian Anderson played my first feminist hero. Having done the awkward stage door meet Read more ...
Matt Wolf
People genuinely care about words in Josh Boone's directing debut, Stuck in Love, and that's as might be expected from a film that went by the name of Writers when it premiered in Toronto last autumn. So the first thing to be said is that this likable American indie is nicely written (a rarity in itself these days), notwithstanding an ending that trades heavily on the inevitable uplift that is the Hollywood norm even in such low-budget climes.And it's even better acted across the generations by an attractive cast, all of whom fully inhabit the cautious, often anxiety-laden byways of love and Read more ...
Tim Cumming
This is the third Songlines Encounters festival at Kings Place. Wednesday’s programme featured Balkans, Polish and Georgian music, Thursday had Egyptian Baladi Blues and Louisiana’s Sarah Savoy, and Friday featured West Africa, Spain and Palestine.Malick Pathé Sow opens with a short solo set on the Senegalese ngoni, the hoddu, singing in a high, clear, declaiming style, the big, deep ghimbri-like bass notes of the large hoddu punctuating and emphasising the verses. Then he is joined by Senegalese kora player Bao Sissoko, with touches of percussion on the calabash, for a song representing “the Read more ...
Tom Birchenough
Given the breadth of Marcus du Sautoy’s cultural scholarship, it was a small surprise that British poet Andrew Marvell wasn't name-checked at the start of the presenter’s new three-parter Precision: The Measure of All Things. “Had we but world enough and time,” the great Metaphysical wooer called to his Coy Mistress, touching directly on the subjects of episode one, “Time and Distance”. Time was equally of the essence for du Sautoy, who barely caught breath in his (more respectable) urgency to explain everything behind his subject, and how it touched on the world we live in. The unforgiving Read more ...
aleks.sierz
One of the promises of artistic director Nicholas Hytner when he took the helm of this flagship 10 years ago was to stage new and innovative musicals. His problem, of course, is that these don’t grow on trees. So after the triumph of Jerry Springer: The Opera in 2003, we had to wait eight years for London Road, the venue’s next British hit. In the meantime, the United States has occasionally plugged the gap — and now provides this current musical, in the shape of a critique of American capitalism by New York’s the TEAM.First seen here in 2011, at Edinburgh, Mission Drift is about the pioneer Read more ...