Reviews
james.woodall
He looks the part: straggly, desert hair and haunted fizzog. He sounds the part: opening dry rhythmic strumming over unchorded strings; acrobatic trills; percussive attack. Flanked on the left by two singers, Kiki Cortinas and Simón Román, and a shadowy dancer, Paloma Fantova, and on the right by second guitarist El Cristi and percussionst Israel Suárez, this flamenco stalwart decked out the Sadler’s Wells stage with the requisite musical equipment.Tomatito (real name José Fernández Torres) is famous for being Tomatito. His is not a big name outside his frame of reference, though he’s Read more ...
Matthew Paluch
“Possibly the least ‘deep’ ballet I’ve ever made” - these are the words that David Bintley uses to describe his latest full-length work Aladdin, and they make rather a discouraging start to any evening. "Light" isn’t necessarily bad – work created in such a manner can often end up communicating something deeper come their unveiling.Aladdin has been a long time coming, with the composer Carl Davis initially mentioning it to Bintley in 2006. The work was eventually created for the National Ballet of Japan in 2008, another reason (according to Bintley) for any obvious weaknesses the production Read more ...
Demetrios Matheou
With the customarily narrow perspective that informs much film distribution in the UK, we might be forgiven for assuming there is just one subject in Brazilian cinema: crime; in particular, the drug-related gang wars in the favelas. We certainly haven’t seen much to suggest otherwise, since City of God.Of course, with 100-odd movies released each year, there is a far greater breadth at play. Like their counterparts throughout Latin America, Brazilian filmmakers are adept at depicting their fluid, culturally and socially diverse societies on screen, often in films that defy genre or any such Read more ...
Laura Silverman
Terence Rattigan's beautifully spoken characters are a passionate lot in this gripping story of a father's fight to prove his son's innocence. Lindsay Posner's production of the 1946 play succors and seduces its audience with an unstoppable determination to prove that right will be done. Its methods may not be subtle, but its effects are no less stirring.How often the audience is reminded that a boy stealing a five-shilling postal order is such “a little case”: no matter for the Government, nor the media nor a family to fret over. And yet, how evident it becomes that the principles at stake Read more ...
fisun.guner
You might phrase the question rhetorically: “just what do artists do all day?” Or you might ask it in the spirit of genuine enquiry: after all, to many, the artist is an exotic creature whose mystery is still to be fully penetrated. Either way, it’s pretty clear that though it may not be “a proper job”, artworks don’t make themselves. The title was enticing, but, in fact, What Do Artists Do All Day? turned out to be, well, just another low-key television profile of an artist: the relatively little-known Royal Academician Norman Ackroyd. But it’s good the title didn’t suggest any of Read more ...
howard.male
How much more of a melancholy experience walking round this exhibition would have been if its subject hadn’t just sprung a new album on us that’s so suffused with energy and life. It’s meant that the exhibition's title - David Bowie Is – feels like a genuine statement of fact rather than just wishful thinking, at least in the literal sense. However, metaphorically speaking, the title would have still held since Bowie's influence as a multifaceted creation is still everywhere in our culture. There is much – in fact almost too much – to enjoy in this show. But let’s get a couple of Read more ...
Jasper Rees
When the NASA space shuttle Challenger fell out of the Florida sky on the morning of 28 January 1986 after 73 seconds, killing all seven astronauts, the Nobel-winning theoretical physicist Richard Feynman was the only independent scientist appointed to the investigating panel. He duly made a nuisance of himself, asking awkward questions, ignoring protocols, disobeying instructions and generally making damn sure the appliance of science would dig up the truth protected by vested interests. Feynman has been portrayed onstage by Alan Alda, and on the radio by Alfred Molina, but when you want Read more ...
judith.flanders
“As Gregor Samsa awoke one morning from a troubled dream, he found himself transformed in his bed into a monstrous insect.” In one of the most famous opening lines in literature, Franz Kafka gives birth to a startling hallucinogenic premise. And Arthur Pita’s very clever dance drama produces something of a similar jolt in its precision and strangeness.Simon Daw’s sparely elegant set presents the two halves of the Samsa household – on one side Gregor’s clinical white bedroom, looking like the “before” picture in a German Expressionist film of an insane asylum; on the other, the Samsas’ kitchen Read more ...
igor.toronyilalic
Zipangu. What a name for a piece of music. Such a strange and suggestive collection of vowels and consonants. Such a musical string of sounds. A fascinating name. The name, in fact, the programme told me, for Japan during the time of Marco Polo. The life of the composer of the work, Claude Vivier, is fascinating, too, in a grisly way. While completing an opera about a young man who stabs a stranger to death, Vivier was murdered in his Paris flat by a rent boy. Incredible story, incredible-sounding work; you can see why programmers are increasingly attracted to Vivier. I just wish I enjoyed Read more ...
Adam Sweeting
This story is mostly familiar from Alfred Hitchchock's 1938 movie, starring Michael Redgrave and Margaret Lockwood. Among the things it's best remembered for are the comic double act of Basil Radford and Naunton Wayne, playing the cricket-obsessed Charters and Caldicott trying to get home to England from somewhere in pre-war Europe to watch a Test match, and Dame May Whitty as the titular missing person, Miss Froy.This new BBC version, dramatised by Fiona Seres, lacked fanatical cricket supporters, though it was more faithful to Ethel Lina White's original novel, The Wheel Spins, which didn't Read more ...
emma.simmonds
In Post Tenebras Lux (light after darkness, in Latin) Mexican writer-director Carlos Reygadas casts a spell which transforms the ordinary into the extraordinary. The human condition is eye-poppingly explored in this ambitious, sometimes puzzling work of visual poetry, buoyed by the innocence of children and mired in the contrasting anxieties of their parents. Whether it's sexual neurosis, the natural world, or kids at play it's all too beautiful. Confounding, intoxicating and hugely rewarding, Post Tenebras Lux won Reygadas Best Director at the 2012 Cannes Film Festival. This is cinema as Read more ...
Lisa-Marie Ferla
I must confess that I do not understand the zombie as pop culture phenomenon. Why otherwise sensible people would dress up as shuffling, mindless automatons interested only in the consumption of human brains for an annual “zombie walk”, or why somebody would rewrite Jane Austen to give the undead a co-billing is beyond me. As far as the former is concerned, certainly, it seems as if the zombie meme is a satire that has eaten itself.There are also very limited ways that the zombie narrative can play out - we’ll see how Brad Pitt handles it in the big screen adaptation of World War Z when it Read more ...