Reviews
Matt Wolf
J + K = zzzzzzz in this snooze-inducing latest instalment of the once-fun Men in Black franchise, which finds Tommy Lee Jones looking as pained as Will Smith does fretful, and who can blame them? Long in the making but limited in terms of rewards, Barry Sonnenfeld's film doesn't display much conviction for the story it wants to tell (and certainly has no reason to go the all-too-ubiquitous 3D route). Some will applaud the insertion of a Brit (Emma Thompson, of all people) into events and others may relish a villain who reads like the love child of Mickey Rourke and Russell Brand, but the Read more ...
Charlie Swinbourne
"37 Plays. 37 Languages." This is the tagline for the Globe Theatre's Globe to Globe season, hosting theatre companies from every corner of the world. The season may be international in outlook, yet the language used to perform this version of Love's Labour's Lost is at once home-grown, yet very different from the words of Shakespeare.His comedy is performed here in sign language, with no spoken words at all, just musical backing from a live band on stage. The genius of Deafinitely Theatre's interpretation of this play (and something that marks it out from their past work) is that there is no Read more ...
Fiona Sturges
Ooh look, she’s at it again. Fresh from hurling insults at David Starkey (well, he started it) and provoking the ire of historian Alison Light - who presumably didn’t make it through BBC casting - for daring to try on a bonnet on the box and thus “cheapening history”, Dr Lucy Worsley is back on our screens, doing ninja kicks in Puritan dress, trying Restoration gowns for size and shamelessly discussing Samuel Pepys’s “emissions”.Worsley, who is Chief Curator at the Historic Royal Palaces, is one of a number of increasingly visible female academics (see also Amanda Vickery, Bettany Hughes and Read more ...
Andrew Perry
When these blazin’ psychedelic jazzers first landed here from Austin in 2007, there’d already been four or five years’ worth of herky-jerky cod-post-punk-reviving going on, way past the point of overdose, but White Denim were different, and obviously worth making an exception for. Initially a trio, comprising James Petralli (guitar/vocals), Josh Block (drums) and Steve Terembecki (bass), their early gigs here were explosive, crystallizing the genre-transcendent ideal of the original post-punk era, blasting through everything – 1960s beat, funk, Tropicalia, Krautrock, folk – with Texas-fried Read more ...
aleks.sierz
As the Olympic Park rises out of the desolation of East London, British theatre is also being regenerated by the sports fest that looms increasingly large on the horizon. Although it has recently lost its local authority funding, Edward Hall’s Swiss Cottage venue is no slacker when it comes to ambitious work. Having commissioned upcoming talent Mike Bartlett to adapt Hugh Hudson’s 1981 film, Hall has already secured a West End transfer for the play, in advance of its opening last night.Alluding to a line from that most English of inspiring poems — William Blake’s “Jerusalem” — Chariots of Read more ...
emma.simmonds
With its precocious youngsters, enchanting title, wonderful wit and delight in hand-crafted detail, Moonrise Kingdom is every inch a Wes Anderson film. This year’s Cannes opener is steeped in The Royal Tenenbaums’ director’s faux-naïf, frivolous worldview, with nearly every one of its magical frames carrying his signature. He has always presented adult strife as if seen through a child’s fertile eyes - spinning the prosaic, dark or melancholy into something altogether more quixotic. Anderson’s films are poised and peculiar, with their thrift-store chic and deadpan protagonists. Grim reality Read more ...
Thomas H. Green
There is a shouty lady outside the Theatre Royal in Brighton who takes strong objection to us attending tonight’s Brighton Festival performance of Matthew Herbert’s One Pig. The show is based around the life and death of a pig, from birth to plate, and includes pork being cooked. We are, she tells us as we enter, “hypocritical vegetarians with the blood of farm animals” on our hands. Matthew Herbert is not a vegetarian but she has hit on a crux contradiction about the evening (albeit in the unfortunate manner of Crazy Cat Lady off The Simpsons). Yet Herbert’s work is surely about Read more ...
Anne Blood
After a £9.2 million renovation of its new home on Ramillies Street by the Irish architects O’Donnell + Tuomey, the Photographers’ Gallery re-opened to the public on Saturday with a slick new look and an expertly curated exhibition of works by the veteran Canadian photographer Edward Burtynsky. Although just before the renovations began there were whispers among the photography community that the Gallery had begun to lose its relevance and critical edge, the new space and exhibition programme will surely allay any such fears.The original Victorian warehouse has been extended by two storeys, a Read more ...
Tom Birchenough
In the Globe to Globe season, the Caucasus is proving as fruitful a ground as any for new views on old texts. Georgia’s Marjanishvili company, under director Levan Tsuladze, proved the region has a special style with their version of As You Like It, no less strongly than Armenia’s King John had a couple of days earlier.Tsuladze emphasised the ensemble nature of the action, using a small front stage space, and keeping actors on stage in the wings most of the time. It’s played almost as a play within a play, complete with stage curtain for the court scenes, before we move into the forest, where Read more ...
David Benedict
There comes a point in almost every great soprano’s career when she tells the world that Tosca, the Marschallin or Isolde be damned: what she wanted to sing all along was The Great American Songbook. This announcement tends to be made - how shall I put this? - later rather than sooner. In Jessye Norman’s defence, in 1987, just five years after her landmark, ultra-luscious recording of Strauss’s Four Last Songs, she recorded a disc of Gershwin, Richard Rodgers et al. Yet since that recording included her terrifying, never-to-be-forgotten cover of Billy Joel’s “Just The Way You Are” ( Read more ...
philip radcliffe
It’s ironic that Oscar Wilde should escape to the Lake District in 1891 to write a play satirising London society, his first success in the theatre. He took such a shine to the region’s place names that he used them for some of the characters – Berwick, Carlisle, Darlington, Jedburgh. They do seem to lend themselves to titles - we could have had Lady Coniston or Lord Buttermere or Countess Rydal Water. But we got Lady Windermere, which has become part of the language, with that fan, a present from her husband on her 21st birthday, when the play opens.The four-act play is like a Carlton House Read more ...
judith.flanders
Ballo della Regina is a strange piece, for many reasons. A piece of minor Balanchine, it was created late in life for a dancer he clearly admired but who was not core to his vision. Strangest of all, he used music by Verdi, a composer whose music he had only choreographed to in his very early days as a journeyman opera-house ballet-master, when he did not get to choose.So what does the piece tell us? Very little, really. Staged by Merrill Ashley, its original lead, it is efficient, neat, well-rehearsed. And I can see no real purpose to it. The curtain rises on a heart-liftingly familiar Read more ...