Reviews
aleks.sierz
Loneliness is hard to put on stage. There is something about the feeling of unwanted urban solitude which is so repetitive and, let’s face it, boring, that writing a play about it risks sending the audience into the night before the story is properly over. So the first thing to say about Lucinda Coxon’s play, which was first staged in Bath a year ago and now makes a welcome appearance in London, is that it is compelling and never boring. In fact, it has that strange kind of intensity that leaves you feeling completely shell-shocked at the end of the evening.Set in a single room somewhere in Read more ...
joe.muggs
Well, there we go. Another series of The X Factor about to splutter and crunch to a halt. Seventeen-year-old shouter Amelia Lily has been voted out despite actually turning in the finest performances of the night, leaving delightfully rough-round-the-edges girl group Little Mix and lovable Scouse cheeselord Marcus Collins (pictured below) in the running to “win an amazing recording contract” - in the full knowledge that, given the last couple of years' evidence, pretty much anyone in the final six or so contestants is guaranteed a contract and a good shot at chart success.Unpicking the layers Read more ...
alexandra.coghlan
It’s typical: you wait ages for a Belshazzar’s Feast and then two come along at once. And judging by the performance delivered by Ed Gardner and the BBC Symphony Orchestra and Chorus last night, Andrew Nethsingha and his massed Cambridge choirs will have their work cut out to follow it next week at the Royal Festival Hall. Throbbing with dance, gaudy as an Eastern bazaar painted by a second-rate Victorian artist, Gardner’s Belshazzar was a wash of Technicolor extravagance among the twee reds and greens of Christmas classical programming.And speaking of gaudy – it was quite the curiosity that Read more ...
howard.male
“It’s cultural imperialism,” a middle-aged gentleman felt compelled to say to me, presumably because I was the bloke with the notebook. “Then all pop music is cultural imperialism,” is what I should have fired back at him, had I not been so immersed in the transcendental racket of tussling brass and distorted guitars that had almost made him inaudible. But instead I took the scenic route of pointing out that this legend of 1970s Ethiopian jazz would hardly have spent the last seven years playing with these white Dutch musicians if he had felt he was being exploited.As I finished the case for Read more ...
alexandra.coghlan
It’s got Daniel Auteuil striding moodily (yet approachably) through the Provençal countryside so it must be Pagnol, right? Up to a point. He is best known to us as the author of Jean de Florette and Manon des sources. On paper, this is vintage Marcel Pagnol – a remake of the writer-film-maker’s 1940 film La fille du puisatier, faithful down to large chunks of dialogue – but on screen this is a rather different creature, and it’s clear that there’s a new eye behind the lens. That eye belongs to none other than Auteuil himself. At a distance of some 50 years, the actor has chosen to make his Read more ...
Graham Fuller
“This story is not my child, or my godchild. It is not a work of fiction. It is a diary of suffering,” a title says at the beginning of Raúl Ruiz’s magnificent Mysteries of Lisbon. A sombrely beautiful 19th-century costume drama spanning decades and continents and featuring tortured lovers, deathbed confessors, abandoned sons, femmes fatales, sniping aristocrats, Napoleonic-era firing squads and duellists, Ruiz’s labyrinthine, flashback-laden movie makes for a peculiarly heady blend of Romantic epic-cum-soap-opera and Modernist disquisition on narrative self-reflexivity. And it is, to these Read more ...
david.cheal
It’s easy enough to diss Coldplay: they make music that’s hugely successful (boo!) and not terribly challenging; they’re middle class – a heinous crime in a form of entertainment that’s steeped in notions of “authenticity” (hence the enduring love affair between music critics and the oafish Oasis – hey, they take lots of drugs and they used to steal car radios!); and as people they just seem a bit nice, to the point of dullness. I’ve done the dissing thing myself often enough: there’s that way of saying “Coldplay” that sounds both slightly sneery and slightly shamefaced, in the same way that Read more ...
graham.rickson
Honegger: Une cantate de Noël, Pastorale d’été, Symphony No 4 London Philharmonic Orchestra and Choir, New London Childrens’ Choir/Jurowski (LPO)Arthur Honegger’s best-known work is his short, mechanistic portrayal of a steam engine, Pacific 231. It’s a brash, brilliant study of rhythm and tempo; the speed of the musical pulse actually slowing as the train gets faster. Alas, it’s not included on this LPO disc, but we do get the unexpectedly delightful Pastorale d’été, a seven-minute bluesy haze of a piece which suggests an unlikely meeting between Gershwin and Vaughan Williams. Honegger Read more ...
Kieron Tyler
“They’re some of the greatest pop songs ever written,” declares Sir Elton John. He’s right. The Bee Gees – Barry, Maurice and Robin Gibb – are responsible for songs that will live forever, songs that are part of successive generation’s cultural furniture. Yet although the title was The Nation’s Favourite Bee Gees Song, the question asked on the ITV website was: “Just what is the greatest Bee Gees song ever?” Favourite and greatest aren’t the same thing. They can be, but they aren’t.This kitten-soft stroll through 20 of The Bee Gees’ evergreens wasn’t concerned with any such existential Read more ...
David Nice
Now that Margaret Price is no more and Kiri's well past her heyday, whose is the most limpid soprano of them all? "The beautiful voice" was a label slapped by PR on Renée Fleming, but that fitfully engaging diva is all curdled artifice alongside Anne Schwanewilms, the German soprano who shines in Strauss and should be an example to any singer for ease, charm and what to do with the hands in the exposed light of song recital. Here she duly took the palm for the two loveliest songs of all time, Mahler's, but worked her way towards them through a myriad of humorous, otherworldly and earthy Read more ...
joe.muggs
Clever people often make terrible music. Not always: the best pop is smart as well as direct - but an inability to stop analysing, comparing and explaining is the anathema of the pleasure principle, and encyclopedic knowledge often leads to bone-dry discourse. These are problems that all of the performers at last night's show have run up against, and dealt with in different ways; in particular, the headliner Green Gartside has spent his entire three-decade-plus career with various versions of Scritti Politti more or less successfully finding ways of reconciling the immediacy and concentrated Read more ...
Ismene Brown
I don't want to get the blues at The Nutcracker of all ballets. It should be all snow and Christmas, flowers and presents, firelight, moonlight, candlelight and unearthly brilliance. What with the lush magic of the Birmingham Royal Ballet Nutcracker and the solemn rapture of the Royal Ballet one, English National Ballet have always had a daunting task to be both different enough and distinguished enough to compete, but their current one kills itself none too softly with its lighting.Every few years their Christmas bankroller switches flavour and tone, and last year their joshing modern Read more ...