Reviews
Daniel Baksi
Trilogies (it is noted, in the term’s Wikipedia entry) “are common in speculative fiction”. They are found in those works with elements “non-existent in reality”, which cover various themes “in the context of the supernatural, futuristic, and many other imaginative topics”. All of these apply in some sense to The Things We’ve Seen, the latest novel from Spanish writer Agustín Fernández Mallo. The title owes itself to a line by the poet Carlos Oroza; the full version (“It’s a mistake to take the things we’ve seen as a given”) is one of a number of cut-phrases that loop and reverberate at Read more ...
Adam Sweeting
We last saw John Simm on ITV in 2018’s Hong Kong-based murder mystery Strangers, a product from the Jack and Harry Williams script factory which wasted its exotic backdrops with a plot which mooched about in a dispirited fashion before dozing off entirely. This new two-hour detective drama, adapted from Peter James’s novel Dead Simple, starred Simm as Detective Superintendent Roy Grace. No doubt the hope is that Grace will blossom into a hardy perennial destined eventually for permanent rotation alongside Poirot, Morse, Foyle and the rest of ITV3’s roster of indestructible ‘tecs.It's by no Read more ...
David Nice
Some pianists would take the chance of a birthday celebration to pioneer a solitary epic. Not the ever-collegial, unshowy, some would even say visionary Steven Osborne. For this ultimately unforgettable Wigmore Hall concert, he’s devised a programme of two Schubert and two Ravel masterpieces, trios from himself and four ladies encasing piano works duo and solo. It’s all first rate, but technical weaknesses in the sound presentation mean it only all comes into proper focus in the second half of what remains, owing to the nature of the times, a relatively short event.Why, you wonder, can’t we Read more ...
Markie Robson-Scott
“Bringing out a luxury magazine in a blitzkrieg is rather like dressing for dinner in the jungle,” wrote Audrey Withers, editor of British Vogue, in December 1940. No slacking was allowed, even in the midst of an air raid. Everyone kept a suitcase beside their desks, not for spare clothes or a toothbrush, but for lay-outs and copy, though Withers put on her gas-mask and carried on writing anyway as shelling blew out the windows around her. And in the basement shelter, six floors down, everyone resumed work immediately. Even fashion shoots took place underground. Nothing can stop Vogue. Beauty Read more ...
Kieron Tyler
Bill Nelson knew February 1978’s Drastic Plastic was the last Be-Bop Deluxe album. In his essay for the book coming with the new “deluxe expanded” box-set reissue, he writes “that, as far as I was concerned, was that, the final Be-Bop Deluxe studio album, an era ended and a new one was about to begin. As the songs developed, I felt that the album might provide a kind of bridge to what might happen further along the road. It was definitely a half-way house between Be-Bop Deluxe and Red Noise.”Be-Bop Deluxe split in August 1978 and Nelson’s new band Red Noise first played live on 2 February Read more ...
Tom Birchenough
There’s something of an anomaly in Filipino director Raymund Ribay Gutierrez’s debut feature between its fast-moving dramatic opening, defined by an agile hand-held camera, and the much slower, more static scenes that follow. That early material, charting the moment when recurring domestic abuse finally pushes a wife to break from her violent husband, has an impressive immediacy that seems largely dissipated when, about a third of the way into this two-hour film, Gutierrez’s focus moves into the protracted courtroom procedure that, as its title suggests, comes to dominate Verdict.That Read more ...
Tom Baily
Like the sun-happy LA of this film’s setting, there’s a hard-to-pinpoint sham quality to Wander Darkly. It feels like too much phoney dialogue crept in to the final script of this “serious” film by writer-director Tara Miele. Sienna Miller is a formidable centrepiece in the drama about a couple forced to review their relationship history after a car crash. But she is held down by a story that feels like it was clipped together in a rush.Adrienne (Miller) and Matteo (Diego Luna) are in an unmarried relationship with a young child, and they’re struggling. Adrienne is in and out of creative jobs Read more ...
Veronica Lee
Chinese Arts Now was founded in 2005 and aims to produce and present work that explores Chinese themes, stories and art forms in the UK. Its annual festival includes a comedy night (presented in conjunction with Soho Theatre), and this year three comics of Chinese heritage – Evelyn Mok, Ken Cheng and Phil Wang – performed.The event, livestreamed from the comics' homes, was in a novel format; Mok (who was born in Sweden and describes herself as Scandinasian) introduced, and we saw clips of them performing, followed by them discussing the themes in their material.It kicked off with a clip from Read more ...
Graham Fuller
There aren't many unforgettable moments in The Columnist, but one occurs when the eponymous Dutch journalist Femke Boot (Katja Herbers) clambers from the skylight of her house and, unseen by her middle-aged neighbour (Rein Hofman), who's doing DIY on his roof, tips him to his death on his patio. It's the offhandedness of the murder that's impressive – it recalls the young thug blithely tipping the bound woman into a lake in both versions of Michael Haneke's Funny Games (1997/2007). This first revenge slaying of a misogynist internet troll by Femke precedes others that turn her into an Read more ...
Daniel Lewis
The horror novelist Sarah Langan recently compared motherhood to being treated like a game of Operation. “The point of the game is to correct us by removing our defective bones, to carefully pick us apart. It’s open season.” For the Mexican writer Brenda Navarro motherhood is also a sort of hollowing out, but it’s a different kind of open season. For her, mothers must “be empty houses ready to accommodate life or death, but, when it comes down to it, empty.” In her harrowing debut novel Empty Houses, it feels as though Navarro opens every door to every room.The book tells the tale of a child’ Read more ...
Adam Sweeting
There comes a time when every successful formula can do with an overhaul, and that particular bell may be tolling for Unforgotten (ITV). Regular viewers will be familiar with writer Chris Lang’s modus operandi – a corpse (usually grotesque and of indeterminate age) is discovered, and before you can say “autopsy” cold case experts Cassie Stuart (Nicola Walker) and Sunny Khan (Sajeev Bhaskar) are poking around in the innards. Then they track down a network of potential suspects who were connected with the deceased.This latest case adheres to the blueprint with unswerving exactitude, though it’s Read more ...
Peter Quantrill
The reputation of Nikolai Myaskovsky has long been cast into shadow by the more exportable extroversion of his contemporaries Prokofiev and Shostakovich. Even at their darkest moments, neither of them does Russian gloom quite like Myaskovsky, but the 140th anniversary of his birth offers as good an excuse as any to listen more closely to a composer who operated at the very centre of 20th-century Russian music. With online talks through February and March and now three concerts, a festival in the city of Yekaterinburg – Sverdlovsk, as it was known in Soviet times – is belatedly making news of Read more ...