Reviews
David Nice
It must have felt very strange to Mark Wigglesworth that he returned to the London Coliseum under such unanticipated circumstances. ENO’s shortest-lived but also (many of us think) best Music Director campaigned from the start for direct communication with the audience, in that magic triangle between composer, performers and spectators, and lived it to the full in all the productions he conducted (“we underestimate the public as performers at our peril,” he told me in 2015 before taking up the post). Now, replacing a self-quarantining Martyn Brabbins, his successor, he had his back to an Read more ...
Liz Thomson
Rock documentaries are so often disappointing, the result less a portrait than a whitewash. A J Eaton’s 90-minute rock doc David Crosby: Remember My Name, which premiered on Sky Arts, was an unflinching close-up, utterly absorbing and all the more affecting for its searing honesty in showing a man who’s gone through the fire and is willing to show the burns. That he was the arsonist only adds to the power of the story and to the viewer’s sympathy for the man at its heart, though sympathy is probably not what he wants.Croz has been part of two of the 20th century’s most distinctive bands: The Read more ...
Kieron Tyler
Manchester’s Slaughter and the Dogs were perfect for 1977. In May, their debut single “Cranked up Really High” sported bee-in-a-jar guitar, a hoarse vocal and an unstoppable forward motion. Its follow-up, September’s impeccable “Where Have All the Boot Boys Gone?”, was more muscular and prefigured the chart-bound terrace-chant punk of Sham 69. Next, in November, the brash “Dame to Blame” revealed a glam-rock undertone.All great and all essential, but not necessarily reviewed positively at the time by the weekly music papers. The first was Melody Maker’s “saddest single of the week.” The Read more ...
peter.quinn
Oh to have been in the beautiful surrounds of Cadogan Hall last night – not just to have experienced the gorgeous wall of sound, heartfelt artistry and musical camaraderie at first hand, but also to have been able to show our appreciation for a concert which takes months of preparation.Social distancing measures saw the EFG London Jazz Festival Ensemble reduced from its customary 40-plus musicians, but while the textural palette may not have been quite as luxuriant as usual, the slightly leaner charts provided their own rewards. This was a necessarily different Jazz Voice, but even a computer Read more ...
Matt Wolf
Love triangles rarely feel more truthful or more tender than in No Hard Feelings, a beautiful film that announces debut director Faraz Shariat as a filmmaker worth reckoning with. The semi-autobiographical story of a young German-Iranian man's budding relationship with a closeted asylum seeker whose countrymen think that being gay is "shit", the movie also comes with one of the loveliest depictions of sibling affection and support to be seen in years: the triangle here embraces sexual desire, to be sure, alongside currents of feeling within families and between friends that help defend Read more ...
Joseph Walsh
Listen to "The Blues are Brewin", "You Better Go Now", or even "I’ll be Seeing You", and you can hear the hurt reverberate in every note Billie Holiday sang. Her voice rang with the wisdom of experience – perhaps too much experience. She lived a wild, impulsive life, until it was cut short by cirrhosis of the liver when she was only 44, handcuffed to a hospital bed with only $700 to her name. Now, director James Erskine offers a fresh, albeit harrowing, insight into the singer’s life with his new documentary Billie. Erskine elegantly demonstrates that while the drink was a problem (as Read more ...
Peter Quantrill
There have been quite enough Beethoven tribute-acts and remixes during the 2020 anniversary year. We, and he, deserve better than composers riding pillion on that reckless, purring beast of a 700hp compositional engine. True to form, Magnus Lindberg offers something quite different with Absence, given its UK premiere last night in an Covid-conditioned Lighthouse Hall by the Bournemouth Symphony Orchestra, belatedly welcoming back their Ukrainian maestro Kirill Karabits after a pandemic-protracted absence of his own.Sure, you can pick the Beethovenian bones out of Absence – a proto-Wagnerian Read more ...
Laura de Lisle
Women have an awful time of it in the Greek myths. Raped, abandoned, blamed for murdering people, blamed for not murdering people – you name it, it’s happened to an Ancient Greek woman, and they didn’t even get to talk about it themselves. Ovid picked up on this discrepancy, and, in a rare flash of wokeness, wrote The Heroines, 18 letter-poems from the neglected women of the myths. 15 Heroines, an epic new series of monologues commissioned by Jermyn Street Theatre and streaming this week, is a tricksy, playful adaptation of those letters, written, acted, and (mostly) directed by women. Read more ...
Daniel Lewis
Like the novel, painting and God, the city has long been pronounced dead – along with a few other things, like civil politics, society and the art of conversation that were said to have thrived there. As with all the above, historian Ben Wilson suggests in this omnivorous, adventurous and generous history of the city, the death knell of “humankind’s greatest invention” has been tolled since time immemorial – and always too soon.Cities have a habit of reviving, reimagining and reorganising themselves, much to the chagrin of the warlords, emperors, dictators and modernist city planners (a Read more ...
Joseph Walsh
The first series of the BBC and HBO’s fantasy adventure His Dark Materials felt even more timely than when author Phillip Pullman first published Northern Lights twenty-five-years ago. The second season builds on the heady mix of philosophy and theology, and more than a touch of environmentalism, all delivered as a thrilling adventure yarn in the mould of C S Lewis but with a very different attitude towards religion. The main thrust remains sure-footed in teaching young and old that speaking truth to power is no bad thing when the power is authoritarian in nature. At the centre of Read more ...
Kieron Tyler
After their final records were released in 1969, that seemed to be it for Apple and Jason Crest. Releases by both psychedelic-leaning British bands had first hit shops the previous year, and neither oufit made any waves commercially. Of course, that wasn’t the end of the story.Just over a decade later, Apple’s dark, mysterious “The Otherside” featured on 1980’s seminal-for-real compilation Chocolate Soup For Diabetics. Gathered alongside it were equally extraordinary but barely known gems such as Tintern Abbey’s “Vacuum Cleaner” and Dantalian's Chariot’s “The Madman Running Through The Fields Read more ...
Matt Wolf
Adam (Charlie Plummer) is being tested for glaucoma at the start of Words on Bathroom Walls, the director Thor Freudenthal's adaptation of Julia Walton's 2017 Young Adult novel. In fact, the indrawn teenager is suffering from schizophrenia and will soon embark upon a disorienting sequence of events that finds him on meds and then off again, in and out of school, experiencing bullying from a group of boys and the possibility of romance with an especially clever girl. All the while, the frequently straight-to-camera narration promises that a difficult story is not going to go all Hollywood on Read more ...