Reviews
Adam Sweeting
“Bob’s not the kind of guy you can say no to,” said Sting, reminiscing about the origins of 1984’s Band Aid charity single “Do They Know It’s Christmas?”. “He’s persistent.”He spoke, of course, of Bob Geldof, then best known as the singer with Dublin band the Boomtown Rats, but destined to be remembered as the driving force behind Band Aid and the subsequent massive Live Aid concerts which took place on both sides of the Atlantic in July 1985. Experts believe the shows were watched by 1.9 billion people (onstage at Wembley Stadium, pictured below).The Boomtown Rats had some success on the UK Read more ...
Katie Colombus
Has Sabrina Carpenter officially conquered London? A year after bestie and fellow Disney alumni Taylor Swift declared the “Summer of Sabrina” stateside, the army of fans clad in pink cowboy hats, bloomers and kiss transfers streaming into Hyde Park would seem to suggest so.There’s no denying that she's managed to position herself as everyone's dream in some shape or form: simultaneously goddess and girl-next-door, vixen and sweetheart. Her Short ‘n’ Sweet London run is a text book display of star power captivating everyone from nine-year-olds to their accompanying dads – albeit for slightly Read more ...
Kieron Tyler
Manticore was owned by Emerson, Lake and Palmer and their manager. The organisation provided the name for the band’s label. Apart from ELP and its individual members, the best-known signees to the imprint were Italian prog-rockers PFM and former King Crimson member Pete Sinfield. Despite this new album’s title, Motörhead were not with Manticore.However, Lemmy and co used ELP’s Manticore Studio in Fulham – in what used to be a cinema – during August 1976 when they showcased for prospective record labels. The release of the album they had recently completed for United Artists appeared to be Read more ...
Sarah Kent
When he was a callow youth of 18, German artist Anselm Keifer got a travel grant to follow in the footsteps of his idol, Vincent van Gogh. Some sixty years later, work by the two artists has been brought together at the Royal Academy in a show that highlights Van Gogh’s influence on his acolyte and invites you to compare and contrast.In the intervening years, Keifer has gained a huge international reputation with gargantuan paintings, sculptures and installations. His obsession with Van Gogh led him, in 1992, to move to the south of France where he transformed a former silk factory and the Read more ...
Bernard Hughes
Siglo de Oro are a vocal ensemble who specialise in older music – and especially neglected older music – but they have also always programmed new music, and the centrepiece of this recital at the Wigmore Hall was a large-scale commission by composer Ben Rowarth, to words by Sophia Carr-Gomm. And a successful work it was, maintaining interest through its 45-minute span through its strong musical conception, the excellent playing and singing of Siglo de Oro and violinist Amy Tress, and the extra dimension of the live electronics provided by Joe Bates.The first half, though, was more Read more ...
Sarah Kent
When in the 1990s, Jenny Saville’s peers shunned painting in favour of alternative media such as photography, video and installations, the artist stuck to her guns and, unapologetically, worked on canvases as large as seven feet tall. While still a student at Glasgow School of Art, she painted Propped, 1992, one of the most challenging and memorable female nudes in the history of art (pictured below right). This enormous painting confronts you on entry to her retrospective at the National Portrait Gallery, and it is still a knock out. Perching awkwardly on a tiny pedestal is a Read more ...
Graham Fuller
Rebecca Lenkiewicz’s Hot Milk, adapted from Deborah Levy’s 2016 Man Booker shortlistee, has been described as a "psychological drama". Strictly speaking, it's a psychoanalytic one – a clue-sprinkled case study, involving talk therapy, of a woman whose repressed trauma has confined her to a wheelchair for 20 years. She’s so querulous and demanding that whether she gets up and walks at the end matters less to the viewer than her frustrated caregiver daughter’s ability to free herself from Mum’s mind-forged manacles. The world belongs to the young, after all.Former librarian Rose (Fiona Read more ...
caspar.gomez
MONDAY 30th JUNE 2025“I think you’d better drive,” says Finetime, his face sallow, skull-sockets underscored by dark brown rings. He looks peaky.“Why?” I enquire. Sweat nodules down my face, my body, everywhere. So saline-intense it leaves powdery white steaks.“My eyes,” he replies, “They’re wobbling about.”We pull over in Cannards Grave, a Somerset hamlet named for a thieving 17th century publican hanged here. Every third car passing contains battered detritus from the annual Worthy Farm pilgrimage.“You don’t look too good yourself,” says Finetime.“I’ll be fine.”But will I? Inside of my head Read more ...
Jack Barron
I recently heard a BBC Radio 4 presenter use the troubling phrase: "Not everyone agreed on the reality of that." Once the domain of Andre Breton’s Manifeste du surréalisme, such sentiments are now alarmingly commonplace: part and parcel of the BBC’s increasingly unhinged approach to impartiality. Of course, similar sentences can be heard in cafés and pubs across the country, and on social media, and within our homes, as we struggle more and more to negotiate truth’s withering state.Poets have always wondered and worried about this, theirs being a world poised at the edge of meaning. Tom Read more ...
Adam Sweeting
Some world champion racing drivers make it look effortless, but it was never that way for Damon Hill. His path to the championship he won in 1996 had been fraught with difficulties, including not just his increasingly ill-tempered on-track battle with Michael Schumacher, but also the sometimes less-than-wholehearted support he received from the Williams team. Indeed, the team had already announced they were replacing him before he won the 1996 title.Director Alex Holmes’s film often resembles a therapy session rather than a traditional documentary, with Hill sitting on a darkened set in front Read more ...
James Saynor
“Dying is an act of eroticism,” suggested one of the many disposable characters in David Cronenberg’s first full-length feature, Shivers (1975), and that slippery adage could sum up more than a few of the Canadian sensationalist’s movies in the past 50 years – not least his latest, The Shrouds, which was in competition at Cannes last year.As far back as the cheap and nasty Shivers, Cronenberg molested the line between the quick and the dead, pioneering horror motifs like inflamed-penis parasites bursting out of stomachs and plugholes and into people’s orifices. His films became famous for Read more ...
Adam Sweeting
The first Jurassic Park movie now seems virtually Jurassic itself, having been released in the sepia-tinged year of 1993. Directed with pizzazz by Steven Spielberg, it was ground-breaking (and indeed ground-shaking) enough to earn admission to the Library of Congress’s National Film Registry on account of being “culturally, historically, or aesthetically significant”.Six more Jurassic-themed movies followed in its wake (with Spielberg only directing 1997’s The Lost World: Jurassic Park), but none of them managed to match the impact of the original. Indeed, most of them needn’t have bothered Read more ...