Reviews
Boyd Tonkin
Loneliness haunts the solo song – not simply all those solitary wanderers and defiant wayfarers of the Lied tradition, but the forsaken lovers and questing pilgrims who fill the folk-song repertoire of many lands. So, amid the general poignancy of the Wigmore Hall’s lockdown concerts for Radio 3, the vocal performances have carried a special frisson. Warmly communicative voices have projected their anguish over, or resignation to, solitude into ranks of seats empty save for one or two engineers and announcers. This week, both soprano Ailish Tynan (accompanied by pianist Iain Burnside, on Read more ...
Laura de Lisle
A British-Jamaican man is confused. It's the Second World War, and he signed up for the RAF on the understanding that he would serve as a pilot overseas. But instead he's ended up as ground crew in a grey Lincolnshire village. "You are overseas, aren't you?" sneers his sergeant. That question – of how great the distance between Jamaica and Britain was and is – lies at the heart of Small Island, Rufus Norris's epic, big-hearted production of Andrea Levy's 2004 ode to the Windrush generation, adapted for the stage by Helen Edmundson. It's also one of the reasons that the National Theatre Read more ...
Marina Vaizey
Tut in colour, and he is! The new painstaking technique of colourising vintage black and white photographs and film was touchingly exploited in this documentary for BBC Four to narrate the most thrilling and best-known archaeological discovery ever made, that of the tomb of the boy king Tutankhamun in Egypt’s Valley of the Kings in 1922.The news went worldwide, a 5,000-year-old burial bringing some sunshine to a world traumatised by World War One and the Spanish flu. The newly-coloured images made the narrative of this awesome discovery feel stunningly immediate. The charming Oxford Read more ...
Demetrios Matheou
Frenchman Olivier Assayas is a writer/director who can produce small-scale, cerebral dramas (Personal Shopper, Clouds of Sil Maria) and muscular genre pieces, such as five-hour true-crime epic Carlos. Wasp Network falls into the latter camp, though given its spectacular, real-life material, it’s a disappointingly unengaging political thriller. The story concerns The Cuban Five, a pro-Castro spy ring based in Miami in the 1990s and charged with infiltrating Cuban-American organisations responsible for terrorist attacks on the island. Carlos star Édgar Ramírez Read more ...
Davide Abbatescianni
After the success of the sci-fi crime drama 1983 (2018), another Polish original series has landed at Netflix. The Woods, directed by Leszek Dawid and Bartosz Konopka, is a six-part mystery thriller adapted from Harlan Coben’s novel, set in two main time spans: 1994 and 2019. The story centres on the Warsaw prosecutor Paweł Kopiński (Grzegorz Damięcki), who is still grieving the loss of his sister Kamila (Martyna Byczkowska) 25 years earlier, when she walked into the woods at a summer camp and was never seen again.In 2019, the discovery of a homicide victim – presumably Artur Perkowski, a boy Read more ...
David Nice
"Touch her and you die," sings Masetto in telling Don Giovanni to keep away from his Zerlina. There's certainly trouble, though not instant death, when fingers briefly meet. Mozart's dark comedy has much in Da Ponte's text about hands-on business but only a few points where it's actually seen; love and sex don't really happen, though there are two skirmishes, one fatal. So Andrew Staples' Swedish Radio studio staging can just about pass as the first social-distancing ensemble opera of the C-19 era (★★★★) - when it works, it's excellent - and Daniel Harding palpably fires up a team of world- Read more ...
Owen Richards
Thank goodness no-one’s going anywhere this year, because 7500 does for planes what Jaws did for bright yellow lilos. Set entirely within the cockpit of a passenger jet, this thriller trims all the fat, leaving a taut nightmare that pulls no punches.Joseph Gordon-Levitt stars as Tobias Ellis, a mild-mannered pilot on a routine flight from Berlin to Paris. His biggest worry is his child not getting into a preferred kindergarten, something that far more bothers his partner (who also happens to be part of the flight crew). Both character and actor aren’t your typical action protagonist, but Read more ...
Markie Robson-Scott
Yoram (Menashe Noy), a vet in a Tel Aviv safari park, knows how to treat a sick jaguar (startling to see such a magnificent beast in an oxygen mask) but he has no idea how to comfort his troubled 17-year-old daughter Roni (a powerful Zohar Meidan). Both are mourning the death of Roni’s mother a year ago, but all they can offer each other is a tortured silence.Writer-director Nimrod Eldar’s first feature, which premiered on HBO in February in the USA, is quirky and atmospheric, with extraordinary desert scenes and a bracingly unpretentious, understated feel to Yoram and Roni’s knotted Read more ...
Adam Sweeting
The poisoning of Sergei and Yulia Skripal with the nerve agent novichok in 2018 was one of the more bizarre episodes in recent memory, a kind of delayed-action echo of the Cold War. Sergei, a former Russian military intelligence officer who acted as a double agent for Britain’s MI6 in the 1990s and early 2000s, had relocated to the UK in 2010 under a spy exchange agreement and was living in Salisbury, but evidently never felt entirely safe. As he was quoted as saying in this BBC One dramatisation of the affair, “Putin’s gonna get me”.Typically of the goings-on in the worlds of espionage and Read more ...
Adam Sweeting
Setting his third series of A House Through Time in Bristol (BBC One) was a stroke of inspired prescience for historian and presenter David Olusoga. His chosen house, Number 10 Guinea Street, had been built in 1718 by the slave-trafficking Captain Edmund Saunders, at a time when Bristol was becoming one of the leading slaving ports in Britain.The recent furore over the statue of the city’s most notorious slaver, Edward Colston, which was hurled into the river Avon by Black Lives Matter protesters, was a lurid reminder of how the legacy of slavery continues to burn a hole through time. Current Read more ...
Heather Neill
What could be better for a lockdown summer night "out" than a virtual visit to Shakespeare's Globe? Simultaneously in a theatre and the open air, we can share the visible enjoyment of hundreds of others, the very opposite of self-isolation and social distancing. And this Elizabethan-dress production of A Midsummer Night's Dream, directed by Dominic Dromgoole in 2013, exploits the unique qualities of the Globe to the full. The cast, led by its present artistic director, Michelle Terry, as Titania/Hippolyta and John Light as Oberon/Theseus with Pearce Quigley as a hilariously bossy, attention- Read more ...
Miranda Heggie
I'm not sure if it was the beauty of Roderick Williams’s velvety vocals, the poignant delight of seeing a live performance in a concert hall after all this time, or my generally unusual frame of mind during lockdown that caused me to immediately burst into tears at the opening bars of Schubert’s "Gretchen am spinnrade" ("Gretchen at the Spinning Wheel"), but the fact no other audience members were around to witness my impromptu blubbering was certainly one plus point to watching Williams and pianist Joseph Middleton’s Wigmore Hall recital at home on my laptop. Having listened to most of the Read more ...