Reviews
Joseph Walsh
There’s no denying the Faulknerian ambition to the construction of Anthony Campos’ latest feature Devil All the Time. It’s a brooding, blood-soaked Semi-Southern Gothic drama spanning two generations through a plot that wrestles with the nature of good and evil like Jacob at Penuel.The film takes place in the wake of World War II and up to the outbreak of war in Vietnam, a time when the media would become weaponised as never before in the US. The pernicious nature of media was central to Campos’ previous works, Simon Killer (2012) and Christine (2016), but in The Devil All the Time, he Read more ...
David Nice
It wouldn’t be true to say I’d forgotten what a solo cello in a fine concert hall sounds like; revelation of an admittedly sparse year will undoubtedly remain Sumera’s Cello Concerto played by young Estonian Theodor Sink at the Pärnu Music Festival in July. But Alban Gerhardt, exactly the sort of enquiring musical mind likely to take up that masterpiece, brought tears to the eyes with the lower resonances and upper sweetness of what I presume to be his 1710 Goffriller instrument in the Wigmore Hall. It offers a superlative acoustic for stringed instruments, if less kind to pianists, though Read more ...
Saskia Baron
This warm-hearted and informative documentary series about life in a Welsh special education school probably isn’t going to be a ratings buster for the BBC but it’s one of the most touching and well-made shows I’ve seen in a long time.A Special School adheres to the classic format originated in Educating Essex back in 2011. We are rapidly introduced to a cast of quirky teachers, loving parents and the remarkable young pupils they support. Producer-director Ffion Humphries filmed the series last year at Ysgol y Deri near Cardiff, which claims to be the largest special school in Read more ...
David Nice
Music going back to nature, or rather the managed nature of a London park, can make you think and feel quite differently about great composers’ responses to the world around them. To hear Dvořák’s blissful “American” Quartet the Friday before last in the tender hands of the Maggini Quartet was to realise something of the circumstances around its swift (16-day) composition on a summer holiday in the Czech community of Spillville, Iowa, and to go back to the essence of rustic music-making as well, of course, as the essence of folk music which links the composer’s native Bohemia with Afro- Read more ...
Marina Vaizey
Fires are raging: by human agency – unthinking greed – in the Amazonian rainforest, by climate change, arson and accident in California and the American Northwest, and barely under control in Australia, another country whose leading politicians and media deny climate change. But these were only the awesome symbols, the underlying context, in which Extinction: The Facts reached BBC One, under the aegis of the broadcaster’s "Our Planet Matters" banner.Under attack in Extinction was the biodiversity, the ecosystems of our planet that allow life in all its guises to – well – carry on. There are Read more ...
Sebastian Scotney
“It’s SO good to be back,” said Catherine Bott, and it would be impossible to disagree with her. She was presenting the livestream of the first concert to be performed in front of an audience at Wigmore Hall since March. The rules as originally in place (presumably from Westminster council) were going to limit that audience to a meagre maximum of 56 people, or just 10% of the seats, but the ruling was suddenly overturned, and the capacity last night was expanded to accommodate 112 of us fortunate souls.It felt not just like an imperative, but also a duty and a pleasure, to be able to produce Read more ...
Saskia Baron
ITV’s Sunday evening costume drama slot is filled for the next six weeks with this lacklustre adaptation of JG Farrell’s satirical novel, The Singapore Grip. Set in 1942, it was written in 1978 as the final part of his trilogy about British colonialism in Ireland, India and the Far East.In the Seventies, Farrell was at the cutting edge of reappraising English colonial history, crafting ingenious novels that were both ripping yarns with colourful characters and refreshingly clear-eyed re-evaluations of manipulative expats and the damage they wrought in the countries they asset-stripped. Read more ...
Marina Vaizey
This is a biography like no other, more or less dictated by Lucian Freud. William Feaver spoke with the artist perhaps almost daily for nearly 40 years, visiting frequently, taking notes, recording, and being shown work in progress. The second volume of the resulting kaleidoscope – the two together, the first published last year, come to over 1,100 pages – is a mesmerising, entertaining account of Freud’s life and art. Freud’s own comments on other artists, his own paintings, and art in general, its purposes and his own aesthetic, are intelligent, enlightening and absorbing.Feaver’s Read more ...
Sarah Collins
Nick Hornby’s protagonists are worlds apart. Joseph is a Black 22-year-old with a “portfolio career", which includes shift work at a butcher’s and a leisure centre and the distant dream of becoming a DJ. Lucy, a regular customer at the butcher’s where Joseph works, is a white, forty-two-year-old mother, recently divorced from an addict ex-husband and Head of English at a local “troubled inner city school.” When she asks Joseph to be a babysitter for her two children, the pair embark on an unexpected romantic relationship. Just Like You charts the highs and lows of that journey, as they Read more ...
Boyd Tonkin
The man called Piranesi lives in a House (he likes Capital Letters, and he tells the story). This House consists of an endless labyrinth, like “an infinite series of classical buildings knitted together”. Each of its Halls measures “approximately 200 metres in length and 120 metres wide” (pretty much the Golden Ratio of classical art and architecture). Alcoves and niches in each Hall contain a multitude of symbolic Statues that resemble Baroque tableaux of ancient myths. Piranesi’s favourites include “the Gorilla, the Young Boy playing the Cymbals, the Woman carrying a Beehive, the Elephant Read more ...
Kieron Tyler
The standard recitation goes like this. In the early Seventies a London scene evolved, centring on bands playing in pubs. Music was taken back to the grassroots. Finesse was unnecessary. What happened was dubbed pub rock and it laid the ground for an even more basic style: punk rock. Pub rock fed into and helped foster punk rock.This is charted by Surrender To The Rhythm: The London Pub Rock Scene Of The Seventies and 1978: The Year The UK Turned Day-Glo, a pair of three-CD sets. Although the specifics of 1977, the year punk was most boldly platformed are leapfrogged, the two packages Read more ...
Daniel Lewis
Strange, that novels like this, which seem to have their finger on the pulse of the zeitgeist, already have a tinge of sepia about them. Set in a bustling east Berlin, this sharply plotted tale of start-up bliss and blunder, then bliss again, sees characters commuting on public transport, working in an office, attending first-thing-in-the-morning “hype sessions” to run-of-the-mill meetings, bouncing in and out of bar-cafes, going on dates in restaurants, jetsetting on same-day return flights, and schmoozing potential clients and buyers at soirees buoyed by champagne, canapes (the least “safe Read more ...