Reviews
Thomas H. Green
Without further ado, slightly delayed by the sheer volume of releases at this year time of year, here is the latest edition of theartsdesk on Vinyl. You will not find a more extensive monthly report on the goodies newly available on plastic anywhere on the internet. Every conceivable genre is theartsdesk on Vinyl’s game so dive in and get involved!VINYL OF THE MONTHDallas Acid The Spiral Arm (All Saints)What do they put in the water in Austin, Texas? We need to dose the nation with it NOW so that millions of eyes turn upwards from the Daily Mail and look to the stars. Dallas Acid have worked Read more ...
Adam Sweeting
A tip of the hat to Julia Ormond for boldly going where many an actress might have chosen not to. In this new six-parter by Marnie Dickens, she plays Julia Day, a mother of three who’s just divorced her husband and is turning 60. Dickens’s objective, we may surmise, was to drive away the fog of invisibility which can descend irrationally upon mature women, however capable they may be, and demonstrate that age can indeed be just a number.Julia has reached a turning point, and is brooding over roads taken or not taken, and what her life is worth. As she puts it in a voice-over, “daughter, wife Read more ...
Peter Quantrill
Switch off for a phrase or two and it’s easy to miss the point in a Haydn symphony that makes each one of them odd and unique. In No. 74, played last night with understated class by the English Chamber Orchestra, that point occurs in the first movement, at the end of the second theme. All has gone just as you’d expect. A three-chord call to attention – only one more than the so-revolutionary Eroica – and straight to the business of the day, a worker ant of a melody, busying around with inscrutably purposeful energy. The second theme swoops in – then stops, like a sparrow at the end of a Read more ...
Demetrios Matheou
For a sports movie to work for more than just the fans, it has to have drama off the pitch, track or field, with characters to root for, personal demons, a good underdog. Based on a true story that also involves high-speed danger and tragedy, James Mangold’s Le Mans ‘66 duly obliges.Christian Bale and Matt Damon – Batman and Bourne if you will – let their hair down as two motor-racing legends, to the extent that the racing drama doubles as a buddy movie. Unlike 2013's Rush, which covered the personal rivalry between Formula One drivers James Hunt and Nikki Lauda, this film Read more ...
Gavin Dixon
The Prague Symphony Orchestra are in town, their Cadogan Hall concert the London leg of a UK tour. It’s ambitious, including Mahler’s epic Third Symphony in five different cities, each with a local chorus. The orchestra itself, Prague’s second band, is a spirited and distinctively Central European ensemble. And they have an interesting conductor, the young Finn Pietari Inkinen, who, since taking charge of the Prague Symphony in 2015 has also added Saarbrucken and Tokyo orchestras to his portfolio, and was recently named as the conductor for Bayreuth’s new Ring cycle next year.Cadogan Hall isn Read more ...
Adam Sweeting
“What is wrong with us? What are we doing here?” Liam Payne asked the camera, as we neared the end of his jaunt round picturesque Namibia with his quizmaster Ant Middleton. The short answer would be “it’s for the publicity, you idiot,” but of course he knows that full well. He’d just leapt off a cliff face and swung in wide circles on a rope above the russet-coloured desert far below. It looked quite fun actually.The formula here was Bear Grylls Lite, as special forces veteran Middleton took a “journey of a lifetime” across Namibia by road and rail with X Factor and One Direction veteran Read more ...
Guy Oddy
By the time Vampire Weekend reached Birmingham on their latest UK jaunt, they had unfortunately managed to mislay their support band, the colourful Songhoy Blues. This was a great shame, as the Malians would surely have added a bit of colour to the early part of an evening that would most certainly have benefitted from a bit of light and shade. Instead, the O2 Academy was treated to an extensive recording of baroque chamber music, piped through the PA system, that felt like it would never end.However, end it thankfully did and onto the stage bounced Ezra Keonig, dressed in white trousers and Read more ...
David Nice
So much was fresh and exciting about Michael Tilson Thomas's years as the London Symphony Orchestra's Principal Conductor (1988-1995; I don't go as far back as his debut, the 50th anniversary of which is celebrated this season). Carved in the memory are his concert performance of Rimsky-Korsakov's Mlada in "The Flight of the Firebird" festival, his high-octane piano playing as well as conducting in "The Gershwin Years", the transformative Prokofiev Fifth and Strauss Ein Heldenleben (both fortunately also recorded). He seems a more sober figure now, less swooping of gestures, eyes a little too Read more ...
Jasper Rees
A bit like all those people on the home front in 1940 (but only a little bit), we sit and nervously wait for news. Is World on Fire (BBC One) still listed among the living? Or even now is someone typing up the letter and sticking it in a brown envelope? “Fell bravely in the field … did its country proud etc…” Please may this ambitious Sunday-night drama live to fight another day? In seven highly impressive and involving episodes the first series has managed the near impossible and found an original way back to the Second World War.The portal in was the human heart, a messy and complicated Read more ...
Gavin Dixon
The London Philharmonic’s Isle of Noises, a year-long festival dedicated to music of the British Isles, drew towards its close with this programme of Butterworth, Elgar and Walton. Marin Alsop was a good choice to lead, especially for Walton’s Belshazzar’s Feast. Although well-known for her performances of British music, she’s not one to wallow in pastoral whimsy. Instead, she brings drive a focus, clearly defining all the rhythms and orchestral lines. And although that rarely makes for comfortable or cozy English Romanticism, it allows the LPO to demonstrate the impressive orchestral skills Read more ...
Veronica Lee
Jack Dee has made a career out of being a grumpy old man, even though he started on the comedy circuit in 1986 when he was 25. Back then, his dour, seen-it-all-and-not-impressed material was wonderfully at at odds not just with his age but also the same generation of alternative comics and their high-energy political sets.But now, at the age of 58, he has grown into the stage persona, and his unsmiling, deadpan shtick suits him perfectly.He dismisses the audience's welcoming applause with a sarcastic “Thanks anyway” but the more he disses them and their town, the more they lap it up. Of Read more ...
India Lewis
Gillian Wearing’s Arena documentary Everything is Connected (BBC Four) is a quietly innovative biography of an author whose works still resonate with their readers and the country within which she wrote. Wearing and George Eliot are a sympathetic match, both playing with a multiplicity of voices, delighting in the layman’s opinion as well as that of the expert. We see Eliot’s intellectuals, but also the modern version of her farmers, priests, and wayward sons. Wearing puts her words in their mouths, allowing them at times to slip into one another, blurring the boundaries between the speakers Read more ...