Reviews
Adam Sweeting
Great, a new drama not by the Williams brothers. Instead it’s Dan Sefton’s second iteration of his medical thriller Trust Me, last seen in 2017 starring Jody Whittaker. Since she’s off being Doctor Who, the new series has a new cast, with John Hannah as Dr Archie Watson and Ashley Jensen as physio Debbie Dorrell.Front and centre, though, is Corporal Jamie McCain (Alfred Enoch), who’s been brought to the neurological unit of South Lothian hospital after suffering a spinal injury during a shoot-out in Syria. He’s currently in the “spinal shock” phase (in medic-speak), which has left him with Read more ...
Demetrios Matheou
Isabelle Huppert is famed for the chilly intensity of many of her performances, and a willingness to mine all manner of darkness and perversity – her recent, award-laden turn in Elle being a good example. So it’s surprising how rarely she’s played unequivocal villains. But now, 24 years after her shotgun-wielding psycho postmistress in La Cérémonie, the French legend is again letting her hair down. Greta teams her with Neil Jordan, the Irish writer-director whose career has been defined by outstanding Troubles dramas (The Crying Game) and fantasy horror ( Read more ...
David Nice
Expect no cliches about toreador pianism. Red-earth flamboyance is not Javier Perianes' style, and the seven dances he offered in his programme - eight including an encore - by fellow Spaniard Manuel de Falla were not the most consistently engaging part of the recital. The lucidity he brought to Chopin and Debussy proved of the essence, though, and something absolutely fresh and new.Perianes is serious but modest and likeable in demeanour, coming straight on to the stage to probe the interior worlds of Chopin's C minor and F sharp minor Nocturnes, Op. 48. Composed in what one can only Read more ...
aleks.sierz
About a year ago, director Rebecca Frecknall electrified this venue with an award-winning revival of Tennessee Williams's Summer and Smoke, rescuing the play from obscurity and showcasing the star qualities of actor Patsy Ferran. Now Frecknall and Ferran take on a much less obscure drama, Anton Chekhov's 1901 classic Three Sisters, which has been newly adapted by Cordelia Lynn, a young Royal Court playwright whose previous work includes the very impressive Lela & Co and One for Sorrow. But can this dream team adequately reveal the psychological richness of Chekhov’s masterpiece?Having Read more ...
Sebastian Scotney
John Mayall keeps up one hell of a touring schedule for an 85-year-old. Last night's early set at Ronnie Scott's was the first of a three-night, two-houses-per-night stint at the club. And these performances come on the tail-end of around 35 previous engagements: Mayall's quartet has been criss-crossing Europe and gigging on most days since starting off in Tampere, Finland and darkness in late February. And his diary of North American dates scheduled for June and July looks pretty full too. Mayall, of course, is a figure of unique historical significance in shaping the course of rock Read more ...
Jasper Rees
Pre-publicity for Back to Life has been all about its stablemate. This new six-part comedy comes from the same producers who brought you Fleabag, and the hope is that the Midas touch is catching. It seems unlikely, on the face of it, to follow the same path from the experimental comedy factory that is BBC Three all the way to global domination. That would not be for a lack of originality or ambition, however.Back to Life tells of an emotionally damaged single woman in her thirties on a quest for redemption. So far, so Fleabag. In fact her back story has as much in common with other dramas Read more ...
Sebastian Scotney
How do we want our fleeting, precious, close-up glimpses of the royals to be? Do we want the mystique, the aura, glamour and transcendence? Or would we rather be reassured that they are, in their way, just like us? No performer could have given more energy and dedication to a show than Bebel Gilberto did last night at Union Chapel; I was just wishing that she could have worked slightly harder at the former than the latter.Take the final section from her encore, surely her uncle Chico Buarque's tune "Samba e Amor". There she was, lying down on the stage as if she was on the gym mat at an Read more ...
Florence Hallett
What are we to make of the two circles dustily inscribed in the background of Rembrandt’s c.1665 self-portrait? In a painting that bears the fruits of a life’s experience, drawn freehand, they might be a display of artistic virtuosity, or – more convincing were they unbroken – symbolise eternity. For an artist so very conscious of his own mortality, his 80 or so self-portraits a relentless record of the passage of time, this last reading seems most unlikely.An intelligently curated exhibition at the Gagosian’s handsome Mayfair gallery provides both space and fuel for thinking about this Read more ...
Thomas H. Green
“I don’t know if I’m going to recognise any of it,” I say to my accomplice as we drain a couple of light ales amid the sea of grey beards in The Old Market’s bar. “I don’t think they’ll play the hits,” he replies, deadpan, “but don’t worry, there should be some onstage banter that’ll give you a couple of the titles.”“The hits” he refers to are composer Terry Riley’s seminal works, such as the totemic minimalist masterpiece In C and the 1969 electronica milestone A Rainbow in Curved Air. He’s right; they do not turn up. Alas, he’s not so right about the banter which is limited to a couple of Read more ...
Boyd Tonkin
Great conductors, like efficient auto engines, apply a lot of torque – they can use a little energy to achieve great surges of movement. Now aged 91, the American-born Swedish maestro Herbert Blomstedt sometimes hardly seems to raise his baton-free hands. His feet, meanwhile, remain more or less immobile. Yet, like some highly-geared sports car, last night the Philharmonia zoomed, boomed or swerved at the merest distant kiss of his fingertips.Quietly but completely in command for the second of his Royal Festival Hall Concerts with the orchestra, Blomstedt shares with his fellow- Read more ...
Owen Richards
“Our attendees are a select group, but we have a connection,” remarked Damon Albarn at the end of The Good, the Bad & the Queen’s set. He’s not wrong – much of the band had outgrown Cardiff’s Great Hall 25 years ago, but it proved the perfect venue for this musical love-in.It was a show of two halves, quite literally. The first dedicated to the band’s recent album Merrie Land, and the second to their eponymous debut (which unbelievably is 12 years old). It’s clear why: both are concept albums with their own sound and themes. This time we’ve moved out to the seaside, emphasised by the Read more ...
Sebastian Scotney
There is increasing urgency, commitment and assuredness about the way Laura Mvula performs her music. The context for her performance here was Love Supreme's day at the Roundhouse. As the event's main headliner and the stand-out performer, she really delivered the goods on Saturday night.Mvula explained that she has not been gigging much since she stopped touring her second album The Dreaming Room a couple of years ago, but rather wanted to work on new material. However, the real interest in this performance stemmed from what has happened to her performing manner. If there was once a certain Read more ...