1970s
Saskia Baron
A lot has changed in the 40 years since Blow Out was first released. In 1981, American critics from Pauline Kael to Roger Ebert praised to the heavens Brian De Palma’s homage to assorted Hitchcock thrillers and his script’s mash-up of 1970s conspiracies. Certainly this handsomely restored print does justice to Vilmos Zsigmond’s cinematography. Not since Vertigo has a hotel bedroom been so artfully saturated in sickly red neon and ghastly green.But in 2021, what’s also striking is De Palma’s inability to film an actress without wanting to strip her or stick her with a knife. It’s Read more ...
Kieron Tyler
“Saunders' Ferry Lane” elegantly paints a picture of revisiting an empty, out-of-season neighbourhood to reflect on an old relationship. It’s cloudy and begins raining. The grass where the couple lay is dead. Birds have flown away. The gentle arms which held the narrator are gone. “I find no present comfort for my pain” sings a forlorn Sammi Smith. Swelling strings darken the mood, as does a plaintive pedal steel.Discomfort of a different kind is addressed by Billie Jo Spears’ up-tempo “Mr Walker, It's All Over.” After leaving Garden City, Kansas for New York to work, she fetches coffee for Read more ...
graham.rickson
Beauty and the Beast? Not quite; the Czech title of Juraj Herz’s 1978 fantasy is Panna a netvor, which translates, much more fittingly, as The Virgin and the Monster. This new release has a 15 certificate, a clear hint that the film wasn’t aimed at the under-tens. Ota Hofman’s version of poet František Hrubín’s stage script had been adapted as a children’s television film in 1971; Herz was initially unenthusiastic about directing a further adaptation, feeling that Jean Cocteau’s La Belle et la Bête couldn’t be improved upon. Panna a netvor makes for a darker, chillier companion piece to Read more ...
Saskia Baron
How lovely it must be to direct a documentary about your favourite musicians and have no one stop you from cramming in everyone who has ever loved them too. The British director Edgar Wright, best known for his feature films (including Hot Fuzz, Baby Driver and Shaun of the Dead) and TV work (Spaced), is a superfan of the American musicians Ron and Russell Mael. With The Sparks Brothers, Wright gets to chronicle in loving detail, every moment of their 50-plus years in the music business.It’s a sugar rush of a documentary, very few of the 80 interviewees get to speak for more than 30 seconds, Read more ...
Kieron Tyler
The book included with this splendid box set dedicated to British jazz innovator Chris Barber includes a series of quotes paying tribute to his standing. Billy Bragg says "Chris Barber's influence on British popular music, be it through playing jazz, creating skiffle or promoting R&B, has been immense. His role in inspiring the world-beating British groups of the 1960s cannot be overestimated."Van Morrison declares “It is very apparent to the critical observer that all roads lead to Chris, from the skiffle with Donegan period, through Big Bill Broonzy, Sonny and Brownie and the Read more ...
Kieron Tyler
Karen Black’s connection with music was never hidden. In Robert Altman’s 1975 film Nashville she played a country singer. In 1970’s Five Easy Pieces she was a would-be country singer. In Nashville, two of the songs she sang were self-penned. She also dueted with Kris Kristofferson in 1972’s Cisco Pike.Hollywood logic usually dictates that an actor with musical inclinations – however shaky – issues a record. Hence releases by William Shatner, Leonard Nimoy, Peggy Lipton, Annette Funicello and a million more. Yet nothing from the evidently musically capable Karen Black. (In 1965, there had Read more ...
Kieron Tyler
A new band called the Sex Pistols played their fifth live show on 28 November 1975. The appearance at a ball at Kensington’s Queen Elizabeth College got them their first mention in the press. New Musical Express remarked “they are all about 12 years old. Or could be 19.”The same day, The Count Bishops released their debut record, the four-track, seven-inch EP Speedball. It’s reissued on pink vinyl with new mastering which doesn’t seek to sound as clear as possible in a straight-from-the-tape way, but instead adds a punch lacking on an original pressing. It sounds authentically vintage, but Read more ...
Thomas H. Green
The latest edition of theartsdesk on Vinyl combines the best new sounds on plastic with the vinyl reissues that are pressing buttons. Ranging from heavy rockin’ book-style boxsets to the funkiest summertime 7”s, all musical life is here. Dive in.VINYL OF THE MONTHThis Is The Deep The Best Is Yet To Come (Part 1) (B3)London indie outfit This Is The Deep make wonderfully eccentric but catchy music. The Best is Yet to Come (Part 1) is a mini-album that plays at 45 RPM, whose eight songs mingle quirky post-punk dub-funk with something altogether poppier and frothier. They are unafraid of Read more ...
Kieron Tyler
In its first issue of 1979, Melody Maker included an article by Jon Savage on a Los Angeles band named Screamers. “They're ambitious, talented and they want it all NOW,” he wrote. “And they'd sell their grannies (if they have any left) to get it.” He noted their “astute combination of the right proportion of the familiar and the novel, highly, saleable. They're really quite concerned about that particular aspect.”Asked about record company interest, keyboard player Tommy Gear said "Yes, many offers for off-beat kind of things, we don't feel compelled…I mean, why should we? What's having a Read more ...
Rachel Halliburton
This blistering, fearless play about an 18-year-old black entrepreneur on the King’s Road raises a myriad of uncomfortable questions that resonate profoundly with the Black Lives Matter debate. It’s just one remarkable aspect of The Death of a Black Man that it was written 46 years ago, and another that such a radical work was first staged not at the Royal Court but at the Hampstead Theatre, to which it now makes its return.The playwright Alfred Fagon is currently best known for the award for black writers which bears his name: past winners include Roy Williams and Michaela Coel. Fagon died Read more ...
Tim Cumming
Back in the mid-Eighties, BBC television started broadcasting The Rock'n' Roll Years, one of the first rock music retrospectives. Each half-hour episode focused on a year, with news reports and music intermixed to give a revealing look at the development of rock culture against the context of current affairs.That is more or less the basic template employed by the makers of Apple TV+’s new eight-parter, 1971 - The Year that Music Changed Everything, ballooning that half-hour to around about six hours of great music, incredible footage, and more great music. It’s loosely based on David Read more ...
Kieron Tyler
Sunshine Theatre were based around Aberdare in South Wales. In 1971, they recorded their only single. Fifty copies of “Mountain” / “I Want” were pressed. The quartet also used the name Albert and gigged with fellow Welsh outfits Budgie and Man. In August 1972, they played at Malvern Festival. There was an appearance on the Welsh TV pop programme Disc a Dawn. And that was it. Sunshine Theatre became less than a footnote, a forgotten band.However, what’s forgotten is often rediscovered and requires evaluation. The single made its way to the internet and has been for-real reissued. It is Read more ...