1970s
Kieron Tyler
It didn’t take long for The Stooges to acquire an afterlife. They played their final show in February 1974. In May 1975, Nick Kent wrote a multi-page feature for NME on the ups and downs of Iggy Pop and Co. In September 1975, Sounds reviewed a new album by the defunct band titled Metallic KO. One side of it was recorded at that final show.“I'm a tasteless little bastard and I really enjoy it,” wrote Giovanni Dadomo of the wreckage captured on the vinyl. “It's no great rock 'n' roll record per se. What I do believe is that it's an astonishing piece of documentary work, revealing as it does the Read more ...
Matt Wolf
"What's happening?", or so Jean (Rachel Brosnahan) asks time and again in I'm Your Woman, voicing the very question posed by an audience. Bewilderment would seem to be a constant state of being in director and co-writer Julia Hart's film, which doesn't so much derive suspense from withholding information as revel in an opaque narrative that I, for one, tuned out of well before the close. There's no denying Brosnahan's commitment to material that couldn't be further from her star-making work in TV's The Marvelous Mrs Maisel, but you can only tease a spectator along so far before one's patience Read more ...
Thomas H. Green
The music year draws to a close and theartsdesk on Vinyl presents its festive selection. We go easier on the cheesier at this time of year, but there are also gold nuggets in there too. Time to buy the vinyl lover in your life a little something? Here's a vibrant cross section of many, many kinds of music on plastic, running the gamut from Neil Diamond to a feminist concept album about mermaids. Dive in!VINYL OF THE MONTHTiña Positive Mental Health Music (Speedy Wunderground) + Tom Sanders Only Magic (Mosho Moshi)Usually December’s Vinyl of the Month is a Christmas album but this year, for Read more ...
Owen Richards
Frank Marshall might not be the biggest household name, but his footprint on Hollywood is unrivalled. He has produced hits ranging from Indiana Jones and Back to the Future to Jason Bourne and Jurassic World. He also takes occasional forays into directing, such as the madcap Arachnophobia and cannibalistic rugby tale Alive. Who better then to chart the career of The Bee Gees, a band far more influential than ever given credit for?How Can You Mend a Broken Heart is a top-tier music documentary, filled with world tours, lost demos and family drama. Marshall expertly balances the band's history Read more ...
Kieron Tyler
Fifty years after their first album The Garden Of Jane Delawney was issued in April 1970, Trees seem to be better known than when they were active. Despite Françoise Hardy’s cover version of the title track a couple of years after it hit shops, the UK band’s debut album was a poor seller. Original pressings fetch upwards of £200. It’s the same with its follow-up, January 1971’s On The Shore. This one sells for at least £250.The band formed in London in 1969, split in 1972 and even though they recorded seven BBC radio sessions as well as the two albums, it took a while for their reputation to Read more ...
Matt Wolf
A top-rank cast swims against the tide in Uncle Frank, writer-director Alan Ball's well-intentioned but fatally contrived film that presumably contains more than a trace of the Oscar-winning filmmaker's own past. Telling of a gay southerner called Frank (Paul Bettany) who is called back to his native (and bigoted) roots from the freedom he has found as a university professor in New York, Ball's narrative begins intriguingly before swerving towards implausibility and melodrama that not even the always-terrific Bettany and a distinguished cast can forestall. The film begins as a memory Read more ...
Kieron Tyler
“During 1975, 1976 and the first half of 1977 punk was the future but, after the highpoint of ‘God Save the Queen’, London punk already seemed spent. By the time that the Sex Pistols ‘Pretty Vacant’ was tumbling out of the charts in early September, there had been two huge hits that changed the way I heard music. Donna Summer’s ‘I Feel Love’ and ‘Magic Fly’ by Space made it clear: electronics were the future. And it didn’t matter whether it was post-punk or the despised disco.”So begins the titular writer’s essay accompanying Do You Have The Force? (Jon Savage’s Alternate History Of Read more ...
Saskia Baron
Director Claudia Weill’s landmark feature debut benefits from Criterion’s high quality re-issue, which was made possible after the American Library of Congress put the movie on the United States National Film Registry for preservation last year. Made piecemeal over four years, Girlfriends was the first American film to be wholly funded with grants and has been described as the grandmother of independent cinema. Back in 1978, this neo-realist comedy about two young women struggling to find their professional and romantic identities in New York became a festival hit; Woody Read more ...
Joseph Walsh
“Films are about the mystery of fate or the mystery of faith,” proclaims director William Friedkin in Alexandre O. Philippe’s latest documentary, Leap of Faith. At 84 years old, Friedkin proves himself to be a master of storytelling, not only behind the camera but in front of it, spiritedly discussing the genesis of his horror masterpiece with Philippe.Unlike the Swiss filmmaker’s previous works 78/52, which tackled the shower scene in Pyscho, or Memory: The Origins of Alien, Leap of Faith consists mainly of a single talking-head interview with Friedkin. It could feel like a DVD extra, or a Read more ...
Kieron Tyler
Manchester’s Slaughter and the Dogs were perfect for 1977. In May, their debut single “Cranked up Really High” sported bee-in-a-jar guitar, a hoarse vocal and an unstoppable forward motion. Its follow-up, September’s impeccable “Where Have All the Boot Boys Gone?”, was more muscular and prefigured the chart-bound terrace-chant punk of Sham 69. Next, in November, the brash “Dame to Blame” revealed a glam-rock undertone.All great and all essential, but not necessarily reviewed positively at the time by the weekly music papers. The first was Melody Maker’s “saddest single of the week.” The Read more ...
Daniel Baksi
Shot across a period of five years, David Lynch’s creepy debut feature Eraserhead (1977) follows the story of Henry Spencer, played by Jack Nance, an employee at a print factory in a quiet, unnamed town. Henry arrives home one evening to a missed telephone call from a woman named Mary (Charlotte Stewart), inviting him to dinner at her parents’ house. Once he arrives, Mary’s mother breaks the news that her daughter has given birth to a baby, and Henry is the father.“They’re still not sure it is a baby!” If the premise sounds innocuous enough, Mary’s tortured reply sets the Read more ...
Kieron Tyler
The cultural imprint Crass were leaving was apparent while they were active. As well as their own music, their label Crass Records released records by Flux Of Pink Indians, the pre-Sugarcubes outfit Kukl and The Damned’s Captain Sensible – Crass were instrumental in him becoming a vegetarian.Crass also had significant boundaries-testing brushes with the establishment: the Penis Envy album led to court cases; a montage tape of a supposed conversation between Reagan and Thatcher was linked to Crass. Further subversion came when the song "Our Wedding" was given away with the mainstream Read more ...