1970s
stephen.walsh
The Marriage of Figaro is so much a part of Glyndebourne’s history that it’s sometimes hard to recall the details of this or that production. Michael Grandage’s current staging, though, will be easily remembered for its strong characteristics, both good and bad: for Christopher Oram’s marvellous Alhambra sets, for the brilliance and occasional vulgarity of Grandage’s direction, for its perfection of movement and timing and its almost total obliteration of the social distinctions on which the plot hinges. Saturday’s revival was a fine example of how a spectacular misconception can be validated Read more ...
Kimon Daltas
Comebacks may be all the rage but Elvis Costello just keeps on going. It's the third year running that he has taken his band The Imposters on the Revolver Tour, featuring The Spectacular Spinning Songbook: a giant carnival wheel of songs which audience members are brought on stage to spin and dictate the set list.Not everything is left to chance, however, and the evening began with a rollicking medley of “Welcome to the Working Week”, “No Action”, “Strict Time”, “Accidents Will Happen” and “Next Time Round”. In what was the middle of three consecutive nights at the Albert Hall, you might Read more ...
Graham Fuller
Bob Rafelson’s 1972 The King of Marvin Gardens takes its title from the Atlantic City Monopoly property, connoting the New Jersey resort’s then imminent future as a board game for real-estate developers. The conman Jason Staebler (Bruce Dern) acknowledges its status thus when his younger brother David (Jack Nicholson) arrives in town to bail him out of jail.Jason also imports David to persuade him to join in his fantastical scheme of acquiring and running a casino on an island north of Hawaii. David isn’t expected to invest in the deal, only to enjoy its fruits: the corrupt, cynical world of Read more ...
James Williams
The ICA was the perfect location for the UK debut of hotly tipped new duo Tomorrow’s World, consisting of Air’s Jean-Benoit Dunckel and English synth-rockers New Young Pony Club’s ivory tickler Lou Hayter. The venue added a prestigious edge to what promised to be an auspicious occasion. A scant crowd suggested this was more of a test run than a full-blown debut, but they needn’t have worried about the reaction. Their music spoke for itself.Support came from another alumnus of London’s New Young Pony Club, guitarist Igor Volk. His set was impressive, the newly-released single "Voice" really Read more ...
Kieron Tyler
Various Artists: We Are One - Eurovision Song Contest Malmö 2013From the British perspective, one thing stands out at this year’s Eurovision Song Contest. And it’s not our entry, the turgid power balladry of Bonnie Tyler’s sure-to-stumble “Believe in Me”. It’s the Armenian entry, “Lonely Planet” by Dorians. Although not that great a song for Armenia's return to the contest after last year's withdrawal, the composer is Black Sabbath’s Tony Iommi. Its building chorus, powerful delivery, authentic rock dynamics and plank-spanking guitar solo would easily slot into in the musical Rock of Ages. Read more ...
Nick Hasted
Robert Altman’s 1973 deconstruction of the private eye movie freely adapts and updates Raymond Chandler’s final completed novel from 1952. With Leigh Brackett (the remarkable female screenwriter who worked on Howard Hawks’s Chandler classic The Big Sleep in 1946 and The Empire Strikes Back in 1981) and his M*A*S*H star Elliott Gould, he offended purists, but caught some of Seventies LA's confusion.Gould’s Marlowe is a shambling anachronism, dawdling past his mostly half-naked, zonked hippie girl neighbours, callous police and psychotic criminals with the same laconic response: “It’s okay by Read more ...
Kieron Tyler
Killing Joke: The Singles Collection 1979-2012Killing Joke were one of the most singular British bands to emerge in wake of punk. Their metal-edged, tribal stomp didn’t fit in with anything else going on at the time. Collecting 33 tracks from their singles and EPs to date, The Singles Collection 1979-2012 shows them as single-minded, a trait bringing a timelessness and consistency. “In Cythera”, from 2012, is as impactful as 1988’s “America”.Their sound has changed though. The rough edges and bark of “Follow the Leaders” (1981) or "Let's All Go (to the Fire Dances)" (1983) have been tempered Read more ...
Adam Sweeting
The Eagles recorded their first two albums in London in the early Seventies, though they couldn't have imagined they'd be back 40 years later to present their new documentary, History of the Eagles Part One, at Sundance London. There is, as you may have surmised, also a Part Two, which is available in the DVD and Blu-ray package that goes on sale on Monday 29 April.The band now comprises Glen Frey, Don Henley, Timothy B Schmit and Joe Walsh. Former lead guitarist Don Felder, once a major stakeholder in the cash-spinning conglomerate that the Eagles became, has been cast into limbo following a Read more ...
Karen Krizanovich
Scarecrow tied for the coveted Palme D’or of 1973. Directed by Jerry Schatzberg, the man who did Panic In Needle Park and importantly Street Smart, which captured the electrifying moment when Morgan Freeman became a star, this sombre comedy stars Gene Hackman and Al Pacino. In fact, every element of Scarecrow aims for classic status. Thanks to nifty distributor Park Circus, we can now see first-hand on the big screen why this pedigreed film has been so little heard of or seen since its 1973 French triumph.As the film after Hackman's Oscar for The French Connection (1971) and The Poseidon Read more ...
graham.rickson
The author B S Johnson would have been 80 this year. An accessible "experimental" writer, cheekily described by the author Jonathan Coe as “Britain’s one-man literary avant-garde of the 1960s”, he’s best remembered for The Unfortunates, a book in which the chapters can be shuffled and read in random order. Johnson also took film making very seriously and a peek into his British Library archive shows the level of care and detail with which his film projects were planned – every camera angle and frame painstakingly prepared.Which is surprising when one watches the most entertaining item here: Read more ...
Kieron Tyler
Sandie Shaw: Sandie/Me/Love Me Please Love MeThe former Sandra Goodrich probably would have emerged in the Sixties as an embodiment of the era. She could have been a model, actress or a TV presenter. But it was music that found her, and it suited her a treat. The reissue of her first three albums – each supplemented by the relevant singles and B-sides – is a powerful reminder of her potency. When The Smiths brought her on board for “Hand in Glove”, it further stressed her pivotal role in British culture.Her naturalness obscured the fact that she was a great singer. Ease of delivery did Read more ...
joe.muggs
On hearing the opening track of this album, a friend said “I didn't expect to be listening to new albums of the YYYs 10 years on!” And this is kind of understandable: of all the new rock bands of the early 2000s – The Strokes, The Vines, The Hives, The White Stripes – they had the most air of hipsterism, their kooky demeanour and New York clubbability making it understandable that some could think they were a trend-driven flash-in-the-pan sensation.In fact it was their NYC compatriots The Strokes who all but collapsed under the weight of their own archness, while in contrast what drove the Read more ...