1970s
graham.rickson
I’m embarrassed to admit that I’d never listened to The Dark Side of the Moon until a few weeks ago. I’ve heard loads of other esoteric vintage pop, most of it terminally unfashionable and deeply obscure. Growing up in the Seventies and Eighties, I was vaguely aware that Pink Floyd had hit an uncool patch and the album passed me by. I’ve now made up for lost time. Through vintage speakers and scratchy second hand vinyl. Via weedy iPod headphones. In the car, en route to Sainsburys.Classical music critics haven’t had an illustrious track record when writing about pop. Back in the Sixties Read more ...
caspar.gomez
Pink Floyd’s David Gilmour once commented that whoever had the idea of synchronizing the 1939 Hollywood classic The Wizard of Oz (with the sound turned down) to his own band’s The Dark Side of the Moon was “some guy with too much time on his hands”. The hippy culture of the Seventies contained many who fitted that description, as well as multiple baggies of what they then called “pot” to help. As the video age dawned, poring over Dorothy and Toto’s adventures soundtracked by Floyd’s prog-angst classic became almost a rite of passage for advanced stoners.By the mid-Eighties I was in my late Read more ...
mark.hudson
In March 1973, John Lennon was 33. Elvis was 38. There was barely a musician, in the sense we understand it, over 40. No one with a mortgage – or hardly anyone – was into rock’n’roll. The Dark Side of the Moon changed all that. It made rock middle-aged. Not because of its creators’ ages – the members of Pink Floyd were still, just, in their twenties – but because the success of its easy listening, suburban philosophising announced that the Babyboomer Generation had reached the pipe-and-slippers phase.Us-us-us and them...I remember going round to a friend’s after school to hear the long- Read more ...
james.woodall
In 1973 certain world events carved themselves, a bit like the faces on Mount Rushmore, deep into the landscape of the late 20th century. No sooner had Richard Nixon begun to end the Vietnam War than Watergate broke. In the autumn Allende was overthrown by Pinochet in Chile; Egypt and Syria’s attack on Israel ignited the Yom Kippur war. A global oil crisis was to leave western economies strapped.In Britain industrial unrest forced a tottering Heath government towards the Three Day Week. The IRA began bombing London. It wasn’t, really, a happy epoch; but young, mainly male, slightly self- Read more ...
Kieron Tyler
Crispy Ambulance: The Plateau Phase/The Durutti Column: LC/The Names: Swimming/The Wake: HarmonyPre-Madchester and before New Order’s breakout single “Blue Monday”, Manchester’s Factory Records was hard to penetrate. This quartet of reissues does a fine job in both dragging some great music out of the twilight and giving voice to the words subsequently written about the label. All are on the Factory Benelux imprint, resurrected to pay tribute to Factory’s Belgian counterpart which had been launched in 1980.The label’s early releases came in abstract sleeves, and most of those on Factory were Read more ...
bruce.dessau
Having excitedly put The Messenger on I thought my iPod was playing tricks and it had unearthed a previously unshuffled gem from Miles Kane. The opening track, "The Right Thing Right", is packed to the gills with the kind of well-coiffed mod-soul thwack that has helped Kane to make his mark. It's good, but it's terribly, terribly safe. If Marr wants to stop David Cameron listening to his new music as well as stop him from listening to The Smiths, as has been suggested in the press, he's going to have to come up with something less conservative than this.As it happens, The Messenger – Read more ...
theartsdesk
The sound of a heartbeat. A metronomic ticking. Two men confessing that they’re mad (even if they’re not mad) as a cash register chings. Another man’s manic laughter. A harsh industrial grinding noise. Screams. And then some rock music, Olympian in its distance and instantly cinematic, but with a hint of the blues…If you don’t know by now you’re listening to “Speak to Me” and the start of “Breathe,” the combined sound collage/song that kicks off The Dark Side of the Moon, you’ve had your head under the sand for 40 years. Unless, of course, British prog rock was never your cup of patchouli oil Read more ...
Kieron Tyler
Family: Once Upon a TimeFamily were always difficult to place. This lavish box set doesn’t make getting a handle on them any easier. They were as idiosyncratic as Jethro Tull and, in Roger Chapman, had a vocalist as offbeat as Joe Cocker. Not that they sounded like either, more that their DNA was as sharp-edged as both. The Leicester-born band had roots in soul-pop outfit The Farinas and the psychedelic underground embraced them – they were integral to the 1969 novel Groupie, a lid-lifting, supposedly fictional, exposé of rock’s seamier side. Despite these leg-ups and their popularity, they Read more ...
Kieron Tyler
A giant arm sweeps across the rapt audience. The newly anointed onlookers all wear the same, white-framed, glasses. A chant is heard:“We are the robots.” Those congregating in the over-sized shoebox of Tate Modern’s Turbine Hall could be at a cult meeting. In gathering to pay respect, the audience share more than a passion for Kraftwerk. They also all wear the same 3D glasses. Performing their 1978 album The Man Machine in full, Kraftwerk restate the uncertainty of the natural order. Whether prophetic or not, their message still resonates.Introducing The Man Machine before its release to the Read more ...
Kieron Tyler
Various Artists: Who’s That Man – A Tribute to Conny PlankThe list of acts Konrad Plank worked with is a Hollywood Walk of Fame of Krautrock. As an engineer or producer he was behind seminal albums by Neu!, Cluster, Harmonia, La Düsseldorf and Kraftwerk. From outside Germany, Ultravox and Eurythmics came to him. Later-blooming locals like DAF sought him ought. Naturally, Brian Eno was around, both collaborating with Plank and bringing Devo to his studio to complete their first album. As the liner notes of this four-CD box set note, Plank turned U2 down, something Eno did not.Plank died Read more ...
bruce.dessau
Two very different Antipodeans are performing in London over the weekend. Having seen Nick Cave more times than you can shake a didgeridoo at, the time has come for this reviewer to scrutinise Rolf Harris – pop star, painter of the Queen, sentimental presenter of cuddly animal shows. When the spritely 82-year-old appeared to tumultuous applause I suddenly recalled that I had seen Harris on this very stage in 1999 alongside Cave, Kylie Minogue and Barry Humphries in a nightmarishly bizarre Meltdown gig. It was easy to forget his contribution. That night Rolf was somewhat overshadowed by Read more ...
Chris Mugan
“Tschernobyl… Harrisburg... Sellafield… Fukushima” reads the display above the four figures standing impassively below like toys, suddenly turning these harbingers of the computer age into proselytisers for an anti-nuclear energy policy.Kraftwerk’s reinvention as agitpop polemicists, if only for Radio-Activity, is just one surprise in a two-hour set that cements their place as a seminal cultural force whose key works reward close reappraisal. It is night two of The Catalogue 1 2 3 4 5 6 7 8, their typically thorough concerts series that sees them play eight albums over successive nights. If Read more ...