1970s
Kieron Tyler
Typically tagged as the originators of pub rock, Brinsley Schwarz were where Nick Lowe honed his muse. But there were twists, turns and a waywardness which makes approaching them as a linear proposition difficult. Sometimes, they pointed one way yet then headed in a different direction. Next, off elsewhere. The complete-catalogue, seven CD set Thinking Back - The Anthology 1970-1975 encapsulates all of this.They had evolved from Kippington Lodge, a straightforward pop group which had released five singles on Parlophone over 1967 to 1969. Chafing at their unadventurous persona, they rejigged Read more ...
Thomas H. Green
Welcome to the annual seasonal one-off, in which theartsdesk on Vinyl dives into festive releases, as well as the boxsets and reissues that will make fine presents. Grab a glass of something and dive in!CHRISTMAS VINYL OF THE MONTHVarious Stax Christmas (Craft)Who’s going to argue with a new collection featuring Stax artists tackling festive fare, mostly dating from the late 1960s and early Seventies? That it features a previously unreleased and impassioned version of “Blue Christmas” by Carla Thomas, as well as an alternate take of Otis Redding’s “Merry Christmas Baby” only adds to the Read more ...
Kieron Tyler
On 21 June 1977, listeners to John Peel’s radio show heard a song titled “Pretty Vacant.” It wasn’t a preview of the forthcoming Sex Pistols single of the same name, which would be in shops on 2 July, but a different song. The band lifting the title was Chelsea, a UK punk outfit whose first single, “Right to Work,” had been released on 3 June.It was bizarre. Punk fans and scene insiders alike knew “Pretty Vacant” was a Sex Pistols staple. Demos of the song were in circulation before the single was out, as were live recordings. Chelsea’s selection of the title was equivalent to a psych-era Read more ...
Kieron Tyler
High Tide were one of many late Sixties and early Seventies British bands unearthed in the early Eighties by record collectors digging into what came after psychedelia. The bands didn’t have similar musical styles but were united by their obscurity and having sold barely any copies of their albums. All were largely forgotten until their rediscovery. Ben, Gracious!, Pussy, Red Dirt, T2, more. Who were these bands? Who were High Tide?As is the way, collector interest and the sharply rising prices of original pressings resulted in digging for information and reissues. High Tide had released two Read more ...
Graham Fuller
Paul Sng’s documentary Tish is one of the best British films of 2023 – both a heartfelt tribute to the life and work of the late photographer Tish (born Patricia) Murtha and a timely reminder of the war waged on the nation’s industrial working-class by the Thatcher government and its successors. Murtha’s death in 2013 was not unrelated to that war.Her black and white documentary photos, as touching as they were trenchant, represented the politically and socially disenfranchised families of north-eastern England during the Seventies and Eighties as photographers like Dorothea Lange and Walker Read more ...
Kieron Tyler
“We got to play Stonehenge Festival when it was like just a field, a generator and stage. No rip-off burger joints. No packaged new age culture. Just good British hippiedom. A bunch of scruffy, dirty, bean-burger-eating, spliff-making hippies, and in the middle, a bunch of Hell’s Angels.”Instead of a member of an early Seventies freak-rock band, the speaker is Mark Perry, the man behind Britain’s first punk rock fanzine, Sniffin’ Glue. He was talking about the summer 1978 tour his band Alternative TV undertook with Here and Now, an avowedly hippie-oriented combo with roots in the band Gong Read more ...
Sarah Kent
The soundtrack to Tate Britain’s seminal exhibition Women in Revolt! is a prolonged scream. On film, Gina Birch of the punk band The Raincoats gives vent to her pent-up anger and frustration by yelling at the top of her lungs for 3 minutes (main picture). And in many ways, this whole exhibition is a scream of rage.Sick of being marginalised by the male-dominated art world and tired of being treated as second class citizens in every other walk of life, in the 1970s women artists went on the offensive. They began organising, protesting and demonstrating and making work that is, in itself, Read more ...
Kieron Tyler
For Finnish composer Osmo Lindeman, the decision to pursue electronic music was made in 1968 during a visit to Poland. He had recently started using graphical notation for the scores of his compositions and was having problems getting conductors and orchestras to follow what he wanted.In Poland, he met composer Andrzej Dobrowolski and visited the Warsaw School of Music’s electronic music studio. He found that Dobrowolski also used graphical notation. With electronic music, Lindeman saw that there no barriers to using any type of score. He had the way forward. He would embrace electronic music Read more ...
Kieron Tyler
Marilou lies on the ground. She’s been bludgeoned to death by a fire extinguisher. Its foam covers her body. Her murderer is a forty-something man who has become obsessed with her. She shampoos hair in a barbers, where he first comes across her. Their affair turns sour after he finds her in bed with two other men. After the murder, her killer ends up in a mental hospital.This depraved, sordid story is told on a song-by-song basis by its provocative creator Serge Gainsbourg on his 1976 album L'Homme à tête de chou. The narrative of the album whose title translates as “the man with the cabbage Read more ...
Sarah Kent
RE/SISTERS is a show about the brave women who’ve been fighting to protect our planet and the artists whose work – mainly in film and photography – is, in itself, a form of protest. The opening section, Extractive Economics demonstrates the problem – companies trashing the planet for profit, regardless of the cost to people and the environment.Simryn Gill’s photographs offer horrifying evidence of a mindset which views the earth as resource to be polluted and plundered at will. A mangrove forest in Malaysia is festooned with rubbish washed in by the tide while in Pilbara, Western Read more ...
Sarah Kent
A polar bear stands guard over the seal pup it has just killed (main picture). How could photographer, Hiroshi Sugimoto have got so close to a wild animal at such a dangerous moment? Even if he had a powerful telephoto lens, he’d be risking life and limb. And what a perfect shot! Every hair on the bear’s body is crystal clear; in fact, it looks as if her fur has just been washed and brushed.Once you start peering more closely, other anomalies begin to emerge. The sea ice looks suspiciously like expanded polystyrene dusted with flour rather than snow, and the distant ice hills are clearly Read more ...
Thomas H. Green
When ABBA split in 1982, Agnetha Fältskog went on to a solo career that was mostly overshadowed by the titanic popularity of her former band. By the 21st century ABBA’s status in pop, especially with the Mamma Mia phenomenon, had become iconic.They were as big as it’s possible to be, now cemented by the continuing success of the holographic Voyage show in London. Fältskog also finally achieved widescale solo recognition and Top 10 chart placings across the world with 2004’s My Colouring Book, an album of covers, and its successor, 2013’s A. Her new album, A+ is a reimagining of the latter Read more ...