wed 25/12/2024

Catholicism

Conclave review - secrets and lies in the Vatican's inner sanctum

“You either got faith or you got unbelief, and there ain’t no neutral ground,” as Bob Dylan sang, but Cardinal Lawrence (Ralph Fiennes) isn’t finding it quite that simple.The Pope (Bruno Novelli) has died, and in his last act in this world he...

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The Fabulist, Charing Cross Theatre review - fine singing cannot rescue an incoherent production

On opening night, there’s always a little tension in the air. Tech rehearsals and previews can only go so far – this is the moment when an audience, some wielding pens like scalpels, sit in judgement. Having attended thousands on the critics’ side...

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Sorcery review - a tale of shapeshifting revenge

Islands off the coast of southern Chile, to the Spanish and German settlers of the 19th century, represented the edge of the world. To the Huilliche, the people who’ve lived there for centuries, the land and its isolation are only the beginning.In...

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DVD/Blu-ray: Cabrini

“Begin the mission and the funds will come,” says feisty, tubercular nun Francesca Cabrini (Christiana Dell’Anna; Patrizia in Gomorrah) to Pope Leo XIII (Giancarlo Giannini) in 1889. She specialises in defying expectations, especially when men tell...

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theartsdesk Q&A: Marco Bellocchio - the last maestro

The last of the old maestros is standing tall. Marco Bellocchio was a Marxist firebrand when he made his iconoclastic debut with Fists in the Pocket (1965). Now aged 84, he makes intellectually and emotionally muscular, hit epics about abused...

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DVD/Blu-ray: Padre Pio

Faith and damnation frequently collide in Abel Ferrara’s films, drawing fiery performances from often starry casts. The New York master who made The Driller Killer and Bad Lieutenant now lives in Rome and, like his Pasolini, Padre Pio is a political...

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The Miracle Club review - unchallenging but enjoyable Irish drama

If I had to condense the Catholic faith of my upbringing in one sentence, I would say that it essentially comes down to two things: we're all sinners, but we are all capable of redemption. (Theological experts may take a different view.) That boiled...

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Under the Black Rock, Arcola Theatre review - political thriller turns soapy

“Darkly comic thrillers” (as they like to say) set in Ireland tracking how families, or quasi-families, fall apart under pressure are very much in vogue just now. Whether The Banshees of Inisherin will garner the Oscars haul it hardly deserves...

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The Two Popes, Rose Theatre review - sparkling with wit and pathos

It can’t have been an easy pitch. “Popes. Both foreign, yes. German and Argentinian – sorry, can’t change either. Eighty-something and the other’s a decade younger. Mainly just talking about their pasts and their different approaches to Roman...

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Treason The Musical In Concert, Theatre Royal Drury Lane review - plenty of musical gunpowder but not enough plot

A semi-staged concert performance of a musical is a little like a third trimester ultrasound scan. You should see the anatomy in development, the shape of what is to come and, most importantly, discern a heart beating at its centre. But you can’t...

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Sister Act the Musical, Eventim Apollo review - the West End meets the Westway

If jukebox shows occupy one end of the musical theatre spectrum and Stephen Sondheim's masterpieces the other, Sister Act The Musical is somewhere in-between.We get songs we know (Alan Menken's score, heard first on the West End and then, in 2011,...

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Last Easter, Orange Tree Theatre review - over-performative and strangely off-putting

Last Easter has become a lot more relatable since it was forced to postpone this run at the Orange Tree Theatre, originally scheduled for 2020. It’s about a group of theatre-makers – an actor, a drag performer, a prop-maker, and a lighting designer...

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