folk music
Tim Cumming
If you key in "Josienne Clarke" on Google, you’ll hit on the "About" section of her website, and the following declaration sets up her stall: "No label, no musical partner, no producer. Clarke is in complete control of her songwriting, arranging, producing, release schedule and musical direction."Onliness is her third solo album, following on from 2019’s In All Weather, 2021’s expansive A Small Unknowable Thing, as well as a couple of EPs, I Promised You Light, and a covers EP Now and Then. Onliness is a band album, with Clarke’s voice, guitar, piano and saxophone, backed up by her partner, Read more ...
Kieron Tyler
Two drummers are drumming. One held the beat on ABBA’s “Super Trouper”. He is Sweden’s Per Lindvall, more usually associated with jazz. The other is Norway’s Rune Arnesen, whose recording credits are also stylistically varied. Locked-in tight together, their groove provides the backbone for a band led by Norwegian trumpeter Nils Petter Molvær, whose 1996 album Khmer was his first for the ECM label. This is a live revisitation of the album.Also in the seven-piece outfit on stage is guitarist Eivind Aarset, who was on the album. Though there are solos, the groove binds together a hard-hitting, Read more ...
Liz Thomson
Anyone who’s heard even a smidgin of Reg Meuross’s music will know what a wonderful writer he is, homing in on often painful aspects of our shared history and retelling it in powerful and poignant songs that make any half-sentient listener want to explore further – both the history and his music.The weekend before lockdown, Meuross played a concert at Green Note in Camden Town, sharing the small stage with David Massengill, another extraordinary writer. Among the songs he sang that day – to a packed audience that had not yet heard of social distancing – was “The Boundary Stone,” a song about Read more ...
Kieron Tyler
On Domestic Sphere, Josephine Foster’s guitar and voice are joined by clacking crickets, a flock of sheep and wailing cats recorded in La Janda in southern Spain. There are also Colorado and Tennessee's birds and frogs. Foster’s great-grandmother is here too, her singing recorded around 1970: the voice from the past enters proceedings suddenly but not jarringly on the album’s ninth track “Reminiscence”.For Foster, this domestic sphere appears to be a figurative space which is spiritual as well as physical. Domestic Sphere ends with the suitably titled “Sanctuary” but the preceding tracks Read more ...
Tim Cumming
Ten years ago, three leading young English folk musicians got together in a room and swapped some tunes – Rob Harbron, whose English concertina graced the likes of The Remnant Kings and Emily Portman’s albums; melodeon player Andy Cutting, a three-times winner of Radio 2’s Folk Musician of the Year; and former Bellowhead alumni and fellow Musician of the Year, fiddler Sam Sweeney.Together, they chose the name Leveret, a term for a young hare, and went on to record a set of ancient English tunes, including an epic, drone-tastic take of “The Abbots Bromley Horn Dance”, and went on to revive an Read more ...
Tim Cumming
This double album takes Van Morrison back to one of his early muses – Skiffle and its repertoire, that precursor to the rock'n'roll years that took hold of Britain in the 1950s, having percolated across the USA through the first half of the century, combining folk, blues, country, bluegrass and jazz into one steaming head of home-brewed folk, hopped up on washboards, jugs, washtub bass and the like.It was arguably the first flame of the fire that consumed the music world of the 1960s as Skiffle-addicted teens like Van grew into leaders of the Sixties beat boom and the subsequent invasion of Read more ...
India Lewis
Eliza Carthy has been busy, as she always has. Recording various albums with various artists during the pandemic, her show with her band, The Restitution (and many others), at the Barbican on Saturday, was well stuffed with music, musicians, laughter, familial connections and celebrations. Arguably the reigning queen of folk in England, Eliza has inspired a generation (including a friend of mine whose imaginary friend she was), simultaneously reinventing the form and honouring her roots, the melodies and lyrics brought once more to life. This concert was an excellent way of showing this Read more ...
Kieron Tyler
It’s the sound of the sun. Panda Bear – born Noah Lennox – is singing in a voice with the purity and warmth of Brian Wilson. Beside him, Sonic Boom – Pete Kember – has more of a growl, a timbre which might make announcements in a railway station. The contrast works well. Sweet and slightly sour.And, in another way, it is the sound of the sun. Kember and Lennox both live in balmy Portugal and here they are in Aalborg, at the top end of Denmark at the Northern Winter Beat festival. It’s freezing out, with the Jutland wind coming off the Limfjord a few streets away bringing it down to a level Read more ...
Tim Cumming
Lisa O’Neill is a part of the new wave of Irish contemporary folk artists, one that encompasses the likes of Lankum, Ye Vagabonds and John Francis Flynn, all of them putting their albums out on Rough Trade, which makes the venerable English Indie label something of a centre for what the present and future of Irish folk music sounds like. (Lankum’s Radie Peat and O’Neill have also sung together, on the excellent “Factory Girl”, part of the showcase This Ain’t No Disco.)All of This Is Chance is O’Neill’s first release through Rough Trade, and her fourth album since the self-released Has An Read more ...
Miranda Heggie
In full force again for 2023, Scotland’s premier folk music festival Celtic Connections is back with its signature strand of blending and sharing musical traditions. On Saturday, emerging Scottish folk cellist Juliette Lemoine gave a superb early evening recital in Glasgow City Hall’s intimate recital room for what was the official launch of her debut album Soaring.Her band comprised pianist Fergus McCreadie – who was recently nominated for the Mercury Music Prize with his jazz album Forest Floor – saxophonist Matt Carmichael and award-winning fiddler and jazz bassist Charlie Stewart on Read more ...
Tim Cumming
The 1997 release of Time Out of Mind was the resurrection of an artist who appeared to have wandered off the reservation some years before, lost in transit on his Never Ending Tour, trailed by an army of "Bobcats" who followed him for show after grinding show. “How can you stand it?” he once asked of a woman who told him she’d seen dozens of NET gigs.While set lists shifted like tidal sands from night to night, the performances ranged from the ragged and wildly unfamiliar to the singular and revelatory. After attending one of 1991’s woeful run of shows at Hammersmith Odeon during a bitter Read more ...
Kieron Tyler
Carvings is recorded so it sounds as if Juni Habel is adjacent to the listener’s ear. The Norwegian singer-songwriter may as well be inches away. Such intimacy can be disconcerting, especially as Carvings evokes a reflective melancholy. Its eight crepuscular songs evoke twilight and wintertime, when introspection is never far.Habel’s second album is the follow-up to summer 2021’s All Ears. That was a mood piece drawing from influences including Vashti Bunyan and Jessica Pratt. Carvings is less about the atmosphere created but more about the form of the song itself, and rising and falling Read more ...