folk music
graeme.thomson
Lucinda Williams’s current tour might be billed as “intimate”, but anyone who has seen her perform before will know that intimacy tends to come with the ticket. It is true, however, that this pared-down format, in which she performs drummerless and accompanied – splendidly – by Doug Pettibone and David Sutton on guitars, pedal steel, bass and harmonies, brings the audience even closer to her extraordinary voice and unflinching words. In Edinburgh last night, the effect wasn’t “intimate” so much as visceral: at times it felt like placing a microscope over an open wound.Two of the first three Read more ...
peter.quinn
While the melodic and rhythmic subtleties of traditional Irish music are best experienced through listening to the solo performer, it's very much through groups that the music has reached a global audience. While some so-called "supergroups" have promised much and delivered very little – being nothing more than a session on stage with no thought for arrangements, pacing or mood – in this much anticipated UK premiere The Gloaming spectacularly fulfilled, and surpassed, all expectations.This surely has something to do with the fact that four-fifths of the group - fiddler Martin Hayes, guitarist Read more ...
Tim Cumming
There have been memorable nights at the Foundling Museum recently, with Alasdair Roberts delivering a superb solo show in April, while on Friday the Nest Collective hosted a double bill of Zimbabwean-born singer Eska and Bristol’s masters of English folk minimalism, Spiro.I’d seen Eska at Essaouira’s Gnawa Festival last year, performing with Soweto Kinch and Hamid El Kasri – she was so good they invited her back with her own band this year – and on the strength of her opening set in the Picture Gallery, the folks in Essaouira have chosen well. She has a powerful, emotive, and mellifluous Read more ...
Lisa-Marie Ferla
Frank Turner has been setting his life to music ever since he re-emerged as a heart-on-the-sleeve singer-songwriter type some time in 2005, and so it’s hard to avoid the temptation to play therapist when considering his most personal collection of songs to date. Tape Deck Heart, his fifth album since then, is more love and loss than love and ire.It’s been billed as a breakup album so it’s not surprising that loss of the romantic kind features right from the opening track. On first listen, “Recovery” comes across as upbeat indie-rock-by-numbers but its jaunty chorus and effervescent wordplay Read more ...
bruce.dessau
If you want a jolting snapshot of how British pop culture has changed in the last three decades, take a look at the clip below of Billy Bragg singing "Between The Wars" on Top of the Pops in 1985. Even if the old Savile-anchored singles showcase was still around, can one imagine a contemporary singer having a mainstream hit with such a political song today? It makes you want to despair.Billy Bragg's 13th studio album, Tooth & Nail, seems to suggest that he is similarly troubled by the modern world. Despite their constant threat of nuclear annihilation, somehow the mid-Eighties suddenly Read more ...
Thomas H. Green
Fairport Convention bassist and longest-serving member Dave Pegg is a genial raconteur. He is relating how he presented the band with the song “The Eynsham Poacher”, pretending it was his when really he had purloined it by taping it off someone, thus cheating them “out of £13.50 in royalties”. A light ripple of laughter rolls across this early 19th century church deep in Brighton’s Kemp Town district.There are a good few hundred people here, including many distributed around the church’s wooden gallery. The atmosphere is seriously partisan. Fairport’s fans are clannish. There’s even a jokey, Read more ...
graeme.thomson
Richard Thompson has been stretching boundaries and defying expectations for almost half a century. An unassuming 63-year-old with a neat beard whose sole concession to showbiz is his jaunty black beret, though nominally a folk artist Thompson remains doggedly unaffiliated to any scene, trend or ethos.While still a teenager, with Fairport Convention Thompson was instrumental in concocting an organic blend of folk and rock. With his first wife, Linda, he plumbed the emotional depths of confessional singer-songwriting while also writing rude songs about licking lollipops. He has since scored Read more ...
Kieron Tyler
Hawkwind: Space RitualAlthough it was released 40 years ago, Space Ritual sounds contemporary. Hawkwind’s repetition, simplicity and single-minded focus effectively created trance-inducing mantras. Now, they cast a shadow over Six Organs of Admittance, Om and other voyagers into inner space. Space Ritual was a statement of intent and there’s no excuse not to get this reissue should your life lack one of British art-rock’s supreme achievements.In its original form, Space Ritual was a double album with a spectacular fold-out sleeve designed by the late Barney Bubbles. It was recorded live – it Read more ...
graeme.thomson
One would hope that a man whose CV includes “teacher of wilderness survival” and burlesque dancer might be well equipped to bring a better than average sense of depth and drama to a set of folk songs handed down through generations via the oral tradition. Even so, Sam Lee's achievements on Ground of Its Own surpassed all expectations.I first heard of Lee last year courtesy of a piece on theartsdesk which followed his attempt to fuse English folk music with the indigenous sounds of Sudan. His tendency to look for interesting cultural connections is equally evident on his Mercury Prize- Read more ...
Lisa-Marie Ferla
Gig-going in the winter can be a difficult business. Plummeting temperatures call for layers, thick coats and scarves - none of which are easily stowed away at your average club show. As the venue starts to fill up with similarly clad bodies the place gets sweatier and sweatier, but by the time you realise you really should have coughed up a couple of quid and the extra wait for the cloakroom you’re probably already hemmed in.It comes as something of a relief then that, following two support acts (Jim Lockey and the Solemn Sun, followed by Tim Barry, who played a jolly little song about a Read more ...
Russ Coffey
Billy Bragg recently described Jake Bugg as “a teenager with an ear for a good tune and a chip on his shoulder". He was referring to Bugg’s evocations of council estate life, which have invited comparisons to the Arctic Monkeys. Others have sneered at the youngster’s friendship with Noel Gallagher and his unashamedly retro sound. But what’s wrong with being an angry young man with a guitar? Bugg’s major influences span folk-rock written between 1965 and 1975, with a particular emphasis on the work of Donovan. On that count alone, he gets my vote.Commercially, it’s been Bugg’s rockier sound Read more ...
Kimon Daltas
Bon Iver’s eponymous second album is nearly a year-and-a-half old now, so its bigger, richer sound – compared to the homemade sparseness of the debut – is well established. Nevertheless, it was hard not to wonder how any band assembled by Justin Vernon would function in the hangar-like Wembley Arena. Would success claim another victim?Vernon’s approach is courage in numbers, and those initial qualms fall away when he leads eight musicians on stage and launches into "Perth", the opening track of Bon Iver. The sound builds to fill the space, the plaintive howl of Vernon’s falsetto soars above, Read more ...