thu 06/03/2025

London

Alterations, National Theatre review - high emotional costs of ambition

Plays about the Windrush Generation are no longer a rarity, but it’s still unusual for revivals of black British classics to get the full resources of the National Theatre. Guyana-born playwright Michael Abbensetts, who died in 2016, is often...

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Jessica Duchen: Myra Hess - National Treasure review - well-told life of a pioneering musician

Myra Hess was one of the most important figures in British cultural life in the mid-20th century: the pre-eminent pianist of her generation and accorded “national treasure” status as a result of the wartime lunchtime concert series at London’s...

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Donald Rodney: Visceral Canker, Whitechapel Gallery review - absence made powerfully present

Donald Rodney’s most moving work is a photograph titled In the House of My Father, 1997 (main picture). Nestling in the palm of his hand is a fragile dwelling whose flimsy walls are held together by pins. This tiny model is made from pieces of the...

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Unicorn, Garrick Theatre review - wordy and emotionless desire

Since when has new writing become so passionless? Mike Bartlett is one of the country’s premiere playwrights and his new play, Unicorn, is about radical sexuality and desire. It’s already made a big splash by being put straight on in the West End,...

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Three Sisters, Sam Wanamaker Playhouse review - Chekhov's anatomy lesson on the human condition

Russia.It’s impossible to be ambivalent towards that word, that country, indeed that idea, one so very similar to our own, yet so very different. You feel it in Moscow, where I spent a week exactly 40 years ago. Like London, it is a vast city,...

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Bridget Jones: Mad About the Boy review - older, sadder Bridget has started ditching the ditz

Bridget Jones has grown up: v.v.g. Our heroine is still prone to daft pratfalls and gaffes and bursts of sensational idiot dancing. But passing time has lent her an enhanced self-awareness that has nothing to do with calories consumed. This...

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Mrs President, Charing Cross Theatre review - Mary Todd Lincoln on her life alone

The phenomenal global success of Six began when two young writers decided to give voices to the wives of a powerful man, bringing them out of their silent tombs and energising them and, by extension, doing the same for the women of today. Its...

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… Blackbird Hour, Bush Theatre review - an unrelentingly tough watch

In a world tainted with racism and homophobia, the Bush Theatre is something of a refuge from prejudice. As one of the most queer friendly venues in London, it’s no surprise that this theatre is now staging babirye bukilwa’s … Blackbird Hour, a play...

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Play On!, Lyric Hammersmith review - and give me excess of it!

If you saw Upstart Crow on television or on stage in the West End, you’ll know the schtick of Sheldon Epps’ dazzling show Play On! Take a Shakespearean play’s underlying plot and characters and relocate them for wit and giggles. “Make it a musical...

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An Interrogation, Hampstead Theatre review - police procedural based on true crime tale fails to ring true

In a dingy room with dilapidated furniture on a dismal Sunday evening, two detectives prepare for an interview. The old hand walks out, with just a little too much flattery hanging in the air, leaving the interrogation in the hands of the up-and-...

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The Lonely Londoners, Kiln Theatre review - Windrush Generation arrive in a London full of opportunities, but not for them

As something of an immigrant to the capital myself in the long hot summer of 1984, I gobbled up Absolute Beginners, Colin MacInnes’s novel of an outsider embracing the temptations and dangers of London.Written a couple of years earlier and set a...

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Album: Kele - The Singing Winds Pt. 3

Of the big UK indie bands of the 00s wave, Bloc Party were always the most austerely art-rockish. Where Arctic Monkeys, Klaxons, Franz Ferdinand all to some degree or other had a dose of the vaudevillian and a bit of party “woohoo!”, BP adhered way...

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