tue 26/08/2025

London

Album: Wolf Alice - Clearing

Wolf Alice are a band who consistently over-deliver. Their presentation is so staid, their cited influences so safe (The Beatles! Blur!), their politics so “bad things are bad, m’kay?”, that they give every impression they’re going to be bland and...

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Album: Blood Orange - Essex Honey

The more time goes by, the more it seems like Dev Hynes might be the antidote to what Guy Debord called “the society of the spectacle”. As is documented in the fantastic recent book Songs in the Key of MP3, Hynes is representative of a type of...

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Album: Mansur Brown - Rihla

I like to think I’m open to most things, but even so I never thought that I’d be getting an education in prog metal in the summer of 2025. Let alone that it would be from groovy young Brit jazz players. But so it goes. Last week I interviewed the...

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Top Hat, Chichester Festival Theatre review - top spectacle but book tails off

After 76 years, you’d have thought they could’ve come up with a better story! Okay, that’s a cheap jibe and, given the elusive nature of really strong books in stage musicals, not quite as straightforward as meets the eye.More of that later and, let...

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The Daughter of Time, Charing Cross Theatre review - unfocused version of novel that cleared Richard III

Following confirmation that he was the owner of the bones found in a Leicester car park in 2012, Richard III has never been a hotter, or cooler, subject. So his fans will welcome a new play, based on an old book, about the misrepresentation of his...

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Maiden Voyage, Southwark Playhouse review - new musical runs aground

As the nation basks in the reflected glory of The Lionesses' Euro25 victory, it could hardly be more timely for the Southwark Playhouse to launch a new musical that tells the tale of The Maiden. That was the boat, built and sailed by Tracy Edwards...

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Brixton Calling, Southwark Playhouse review - life-affirming entertainment, both then and now

What a delight it is to see the director, the star, even the marketing manager these days FFS, get out of the way and let a really strong story stand on its own two feet. Like a late one at the Brixton Academy itself, this is a helluva night out....

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Inter Alia, National Theatre review - dazzling performance, questionable writing

Rosamund Pike is back. For her first stage appearance since 2010, when she played Hedda Gabler in Adrian Noble’s production for Bath Theatre Royal, the Hollywood superstar has chosen Inter-Alia, Suzie Miller’s follow up to her smash hit Prima Facie...

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theartsdesk Q&A: writer and actor Mark Gatiss on 'Bookish'

Having played Sherlock Holmes’s politically involved older brother Mycroft in the BBC’s hit crime series Sherlock, Mark Gatiss may not be an obvious candidate to now follow in the footsteps of the famous detective. But with his new murder ...

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Don't Rock the Boat, The Mill at Sonning review - all aboard for some old-school comedy mishaps

Now 45 years in the past, its dazzling star gone a decade or so, The Long Good Friday is a monument of British cinema. Its extraordinary locations, caught just before London’s Docklands were transformed forever, speaks to a past world. But the...

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The Estate, National Theatre review - hugely entertaining, but also unconvincing

The first rule for brown people, says the main character – played by BAFTA-winner Adeel Akhtar – in this highly entertaining dramedy, is not to let white people know how badly non-whites treat each other. This provocative statement comes towards the...

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Youssou N'Dour and Super Étoile de Dakar, Roundhouse review - the best of Africa

There is a freshness about a show by Youssou N’Dour that never seems to lose its glow. He still has one of the great voices of Africa, a versatile and richly-textured tenor that doesn’t show the sign (at 65) of growing old and tired.At the...

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