America
The Handmaid's Tale, Series 1 finale, Channel 4 review - exquisite to look at but glacially slowMonday, 31 July 2017
Come awards time, it’s inevitable that Elisabeth Moss will be collecting a few for her portrayal of Offred, the endlessly-suffering lead character in The Handmaid’s Tale (her real name is June). But I reckon the real stars of the show are... Read more... |
Girl from the North Country, Old Vic review – Dylan songs hit home, the rest is weirdnessThursday, 27 July 2017
Plays with songs in, or more precisely plays with famous songs in, can feel like the uncanny valley of theatre. They’re not quite musicals and not quite tribute shows. They deliver on familiar tunes and disconcert with fresh narrative. You’re... Read more... |
The Big Sick review - enchanting romcom about mixed marriagesWednesday, 26 July 2017
The Big Sick is an enchanting film from the Judd Apatow comedy production line. Don’t be put off by the terrible title. There are two forms of sickness on display in the story of Kumail Nanjiani, a Pakistani American who plays himself in his own... Read more... |
Blu-ray: Terror in a Texas TownTuesday, 25 July 2017
Many of the best Westerns, that quintessentially American genre, are rooted in a Christian view of the world: the dark forces of Satan pitted against angels, saints and the figure of Christ the Redeemer. In Terror in a Texas Town, Joseph H Lewis's... Read more... |
Orange Is the New Black, Season 5, Netflix review - counterpoint in a three-day prison riotFriday, 14 July 2017
Rippling outward from the initial story of a seemingly nice WASP woman who finds herself having to adapt in a women's prison, Orange Is the New Black quickly developed into the most multilayered, almost indigestibly rich of American TV dramas. By... Read more... |
The Beguiled review - silly but seriously well-madeFriday, 14 July 2017
An isolated girls' school finds its hermetic routine shattered by the arrival of Colin Farrell, who wreaks sexual and emotional havoc as only this actor can. Playing a Civil War deserter with a gammy leg, Farrell's Corporal McBurney is at first... Read more... |
Spider-Man: Homecoming review - fresh, funny version of the arachnid avengerWednesday, 05 July 2017
First introduced into the burgeoning “Marvel Cinematic Universe” in last year’s Captain America: Civil War, Tom Holland’s incarnation of Spider-Man is another triumph for this exuberant franchise (even if some might feel a pang for the fine and... Read more... |
The Mentor, Vaudeville Theatre review - having fun with artistic integrityWednesday, 05 July 2017
German writer Daniel Kehlmann’s light-touch 90-minute comedy is a chic satire on the slippery business of making art – and especially on the difficulty of assessing it. Whose judgement matters, after all? This production now in the West End was... Read more... |
DVD/Blu-ray: Daughters of the DustTuesday, 04 July 2017
Julie Dash’s remarkable 1991 film tells the story of the Peazant family, the descendants of freed slaves who live on the Georgia Sea Islands, an isolated community on the South-Eastern seaboard of the USA, more in touch with African traditions than... Read more... |
Lady Day at Emerson's Bar and Grill, Wyndham's Theatre review – searing stuffWednesday, 28 June 2017
Broadway so frequently fetes its visiting Brits that it's nice when the honour is repaid. That said, it's difficult to imagine audiences anywhere remaining unmoved by Audra McDonald's occupancy – "performance" seems too mundane a word – of the... Read more... |
Classical CDs Weekly: Falla, Ravel, Antoine Tamestit, The American Brass QuintetSaturday, 24 June 2017
Falla: Nights in the Garden of Spain, Ravel: Piano Concertos Steven Osborne (piano), BBC Scottish Symphony Orchestra/Ludovic Morlot (Hyperion)Steven Osborne's solo Ravel anthology is among the best available, and it's good that he's now... Read more... |
Gloria, Hampstead Theatre review – pretty gloriousFriday, 23 June 2017
As with life, so it is in art: in the same way that one can't predict the curve balls that get thrown our way, the American playwright Branden Jacobs-Jenkins defies categorisation. On the basis of barely a handful of plays, two of which happen now... Read more... |
