sun 08/06/2025

America

Gleeful: The Real Show Choirs of America, E4

An American show choir emoting for all they're worth

My excuse is that I was comfortably settled on the sofa next to my wife when the first episode of Glee aired, and I just got drawn in. I know, it’s not much of an excuse - and it hardly explains the fact that I then went on to watch the next 20...

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The Crucible, Regent's Park Open Air Theatre

Usually a seasonal home for the pastel-coloured delights of drawing-room farce, musical comedy and the odd Shakespeare pastoral, Regent’s Park Open Air Theatre is this year offering a programme of rather darker hue. With Macbeth to follow later in...

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The Killer Inside Me

We’ll never feel the real impact - an all too apposite word - of the violence in Michael Winterbottom’s The Killer Inside Me, given that it has dominated pre-release publicity for the film. The suspense of waiting for it will surely distract viewers...

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All My Sons, Apollo Theatre

A young Arthur Miller wrote this highly moralistic, redemption-seeking play soon after the Second World War, a parable about an older generation’s dubious pragmatic principles versus the bewildered idealism of their children who were Miller’s...

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Leonard Bernstein: West Side Story

Nigel Simeone’s engaging study of Bernstein’s score of West Side Story could almost be entitled “Collaboration: The Manual”, so deftly does it interweave Bernstein’s originality with the contributions of his stellar team-mates. Jerome Robbins...

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The Bad Lieutenant: Port of Call New Orleans

Werner Herzog is your go-to guy if you want a film about extraordinary madness. The German director's legendary partnership with Klaus Kinski yielded such wild and wonderful monuments to insanity as Aguirre, the Wrath of God and Fitzcarraldo. Theirs...

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Chalk a line around it: Law & Order is dead

One of 'Law & Order's many cast combinations

American television network executives more concerned about remaking old dramas (Rockford Files 2010, anyone?) than maintaining a powerhouse drama which has wowed critics and fans for 20 years have finally killed off Law & Order. Custom has...

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With Friends like these...

The accepted wisdom that Americans screw up every British comedy they buy the rights to is to be given a post-modern twist. Shooting was announced this week for a new sitcom called Episodes. It features a pair of British comedy writers – they also...

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American: The Bill Hicks Story

Bill Hicks: his dark, subversive material was before its time

If I had a fiver for every time I have heard a comic described (usually by the comic himself) as “the new Bill Hicks”, I would be rather comfortably off. It’s tosh, of course, and, as his brother astutely says in American: The Bill Hicks Story, only...

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theartsdesk in Chicago: Radical Invention in the Windy/Second City

A fresh look at Matisse: 'Bathers by a River', 1916-17

On my previous trip to the Second City in 2009, the much-awaited Art Institute of Chicago extension wasn’t quite ready for visitors, but is now about to celebrate its first birthday, and it’s a treat. The Modern Wing adds 35 per cent more space to...

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The real reason Enron flopped on Broadway?

This week, after a performance of Enron at the Noel Coward Theatre, I chaired a Q&A session with director Rupert Goold, writer Lucy Prebble, actor Sam West and most of the rest of the cast. What no one in the room knew then, though Goold and...

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Modern Masters: Warhol, BBC One

Alastair Sooke ponders the inescapable coolness of Andy Warhol

I wondered how long it would be before Andy Warhol’s "15 minute" quote came up. From the whizzy, flash-bang opening credits  I knew it wouldn’t be long. I was right: but less than seven minutes? Less than five?  I didn’t time it, since I was still...

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