Film
LFF 2017: Film Stars Don't Die in Liverpool / Professor Marston and the Wonder Women reviews - stellar turns by Annette Bening and Rebecca HallSaturday, 14 October 2017
Screen biographies are tricky things to pull off when the person portrayed has left behind an indelible screen presence. It was hard to love Michelle Williams dragging up for My Week with Marilyn; Grace of Monaco was far from Nicole Kidman... Read more... |
LFF 2017: Mindhunter / My Generation - Fincher comes to Netflix, Caine does Swinging LondonFriday, 13 October 2017
They’re all going into TV nowadays, and here amid the cinematic runners and riders at the LFF is David Fincher directing Mindhunter. It's Netflix’s new series about the FBI in the Seventies, when the Bureau was slowly starting to realise that... Read more... |
Loving Vincent review - Van Gogh biopic of sorts lacks language to match its visualsFriday, 13 October 2017
Loving Vincent was clearly a labour of love for all concerned, so I hope it doesn't seem churlish to wish that a Van Gogh biopic some seven or more years in the planning had spent more time at the drawing board. By that I don't mean yet further... Read more... |
Blu-ray: The PartyFriday, 13 October 2017
There are two elephants in Blake Edwards’ 1968 comedy The Party. One appears literally at the film’s climax, emblazoned with graffiti. More significant, and troubling, is the metaphorical elephant in the room: that we’re invited to laugh at a white... Read more... |
The Snowman review - Michael Fassbender can't save Harry HoleThursday, 12 October 2017
The crime novels of Jo Nesbø are rampaging Nordic psycho-operas. The author's Oslo detective Harry Hole is a lofty alcoholic who takes an outrageous pummelling in his pursuit of deranged serial killers. His many adventures fill the crime shelves in... Read more... |
LFF 2017: Blade of the Immortal / Redoubtable - Samurai slasher versus the Nouvelle VagueThursday, 12 October 2017
This is the 100th feature film by Takashi Miike, Japan’s fabled maestro of sex, horror and ultra-violent Yakuza flicks, and here he has found his subject in Hiroake Samura’s Blade of the Immortal manga comics. Manji (Takuya Kimura) is a veteran... Read more... |
LFF 2017: The Shape of Water review – outsider s.f. and inter-species sex from del ToroWednesday, 11 October 2017
Fish out of water come in various guises in Guillermo del Toro’s Cold War fable, shown at London Film Festival. The Shape of Water riffs on The Creature from the Black Lagoon with its amphibious man-god, captured in 1962 to be cattle-prodded and... Read more... |
LFF 2017: Last Flag Flying review - anti-war film without a biteTuesday, 10 October 2017
Richard Linklater’s sort-of sequel to one of the great American films of the Seventies, shown at London Film Festival, stars Bryan Cranston, Steve Carell and Laurence Fishburne as old Vietnam buddies reunited as America is embroiled in another... Read more... |
DVD/Blu-ray: Belle de JourTuesday, 10 October 2017
In the most famous scene in Luis Buñuel’s Belle de Jour, Catherine Deneuve’s resplendently blonde Séverine fantasises being tied to the wooden frame of a crude outdoor eating space. There she is pelted with mud by her surgeon husband Pierre (Jean... Read more... |
LFF 2017: Good Time review - heist movie with standout performance by Robert PattinsonMonday, 09 October 2017
This is not a movie to see in the front row – intrusive close-ups, hand-held camerawork, colour saturated night shots and a relentless synthesiser score all conspire to make Good Time, shown at London Film Festival, a wild ride. An unrecognisable... Read more... |
LFF 2017: Journey's End review - classic play becomes cracking filmSaturday, 07 October 2017
There have been several film and TV versions of RC Sherriff’s World War One play since it debuted on the London stage in 1928, but Saul Dibb’s new incarnation, shown at London Film Festival, is testament to the lingering potency of the piece. Armed... Read more... |
DVD: Centre of My WorldSaturday, 07 October 2017
Director Jakob M Erwa's Centre of My World may be a coming-of-age story, but it’s definitely not a “coming out” one. Youthful hero Phil (Louis Hofmann) has barely reached the third sentence of his voiceover narration before he tells us he’s gay, and... Read more... |
