thu 05/12/2024

Film

The Boy and the Heron review - elegiac swan song by the Japanese anime master

Admirers of Hayao Miyazaki will find much to love in The Boy and the Heron, which he has said will be his final feature before retiring from film-making at the age of 82. It’s a beautifully crafted piece of work with all the tropes...

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Sweet Sue review - delightfully hopeless Brits

You don’t have to be a casting director to know that Britain has a remarkable reservoir of unstarry middle-aged actors who might, just occasionally, get top spot in a movie – Joanna Scanlon in the wondrous After Love (2020) being an excellent...

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Powell and Pressburger: The Composers

Unlike, say, Hitchcock and Bernard Herrmann, Michael Powell’s working relationships with musicians were cordial, particularly his collaborations with composers Allan Gray and Brian Easdale.Gray, born Józef Żmigrod in Poland in 1902, had met Emeric...

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Powell and Pressburger: A Celtic storm brewing

“Nothing is stronger than true love,” a young laird says to a headstrong young woman in Michael Powell and Emeric Pressburger’s I Know Where I’m Going! (1945), his voice heard above the sounds of wind and waves. She replies, “No, nothing.”Even as...

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Michael Powell: a happy time with Bartók’s Bluebeard

In his final years Michael Powell mooted the possibility of a Bartók trilogy. He wanted to add to the growing popularity of his work on Bluebeard’s Castle, the deepest of one-act operas, an idea he had previously rejected of filming the lurid "...

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Every Body review - heartfelt American documentary

This fascinating American documentary tackles the societal and medical treatment of the 1.7% of people born with intersex traits that leave them with sex characteristics (chromosome patterns, genitals, gonads) that aren’t obviously male or female....

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Anselm review - post-war German reckonings in 3D

Water glassily reflects in a bridal train, the sun moves between trees, giving way to metal book-leaves, and inside a warehouse so vast he cycles through it, stored cliffs of Anselm Kiefer’s work loom over him. Wim Wenders’ 3D cameras bring you...

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Please Don't Destroy: Treasure of Foggy Mountain review - Dude, where's our map?

Despite an ominous title, there’s always fair weather in the debut comic adventure film featuring Please Don’t Destroy, a NYC sketch comedy trio that’s hit it big with viral videos and on the long-running NBC series Saturday Night Live. (So long...

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Wonka review - a confusingly mixed bag of bonbons

As the 117 minutes of Wonka tick by, the question it poses gains momentum: who is this film actually for? Children of all ages?It’s an “origins” story, standard now for all manner of film character, showing the sunnier side of Roald Dahl’s eccentric...

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Smyrna review - Greece at twilight

The Smyrna Catastrophe of 1922, in which tens of thousands of Greeks and Armenians were slaughtered by Turkish soldiers, is a topical subject for our dark times. Unfortunately the intervening century hasn’t put an end to ethnic cleansing or to...

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The Peasants review - earthbound animation

After a few years of cinema, the wow factor of seeing actual things moving about on a screen wore off a bit and showmen saw that jump cuts and stop-motion – the dawn of animation – could lift audiences some more. The liberation from gravity, in fact...

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Monica review - sombre American drama

There’s a rich seam of folk stories about changelings, infants snatched from home and replaced with a substitute child, to the horror and bewilderment of their parents. The myth taps into parental anxieties that rear up when their offspring doesn’t...

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