Film
The Delinquents review - escape to the country, Buenos Aires styleThursday, 21 March 2024
This latest outing from Argentine director Rodrigo Moreno is a wry parable about escaping the urban rat-race and searching for the meaning of life, viewed through the prism of a pair of world-weary Buenos Aires bank workers. Morán (Daniel Elias)... Read more... |
Blu-ray: Beautiful ThingTuesday, 19 March 2024
Beautiful Thing’s opening scene plays out like a sweary take on Bill Forsyth’s Gregory’s Girl, Meera Syal’s potty-mouthed PE teacher lambasting her Year 11 pupils with language that would now have her hauled up in front of a professional conduct... Read more... |
The New Boy review - a mystical take on Australia's treatment of its First PeoplesSaturday, 16 March 2024
This is writer-director Warwick Thornton’s third feature film, his first since 2017's excellent Sweet Country, and it took him 18 years to bring it to the screen. He describes it as “a really special one” with “a lot to say”, though viewers may find... Read more... |
Monster review - superbly elliptical tale of a troubled boyFriday, 15 March 2024
Monster is one of those films that you really shouldn’t read too much about before you see it, and if you are anything like me, you’ll want to watch it all over again when it ends. It’s an intricately told psychological drama that grips from the... Read more... |
Drive-Away Dolls review - larky lesbian road movie with some iffy gear changesFriday, 15 March 2024
There’s a Coen brother directing, plus a cast that includes Matt Damon, Pedro Pascal, Oscar nominee Colman Domingo and Margaret Qualley, the standout hitchhiker in Once Upon a Time in Hollywood… so why does Drive-Away Dolls feel so insubstantial?... Read more... |
Janey review - fitting punchline for a contentious comedianWednesday, 13 March 2024
The Glaswegian comedian Janey Godley, the woman who put the punch in punchline, has what she would call a “mooth” on her. It delivers pith and grit and lots of short words needing asterisks. Though possibly not for much longer, as she is in the... Read more... |
The Last Year of Darkness review - a loving portrait of a Chengdu gay barTuesday, 12 March 2024
Yihao is a disaffected 20 year old living in Chengdu, capital of Sichaun Province. A thriving centre for business and commerce, Chengdu looks like any other modern city. You could mistake it for downtown Chicago except that, apart from the Walmart... Read more... |
Oscars 2024: politics aplenty but few surprises as 'Oppenheimer' dominatesMonday, 11 March 2024
Oppenheimer as expected dominated the 96th Academy Awards, winning seven trophies whilst runner-up Poor Things took four prizes, including Emma Stone in the hotly contested category of best actress.There was a pro forma feeling to the roll call of... Read more... |
High & Low: John Galliano review - Kevin Macdonald charts the fashion designer's rise and fallFriday, 08 March 2024
“Fashion has a very short memory. Maybe that’s part of its charm,” says Robin Givhan of The Washington Post in Kevin Macdonald’s documentary. Whether anyone can forget John Galliano’s drunken anti-Semitic and racist outpourings at La Perle, his... Read more... |
Origin review - bursts of brilliance in an unwieldy frameFriday, 08 March 2024
Isabel Wilkerson’s book Caste: The Origins of Our Discontents, about the key role caste systems play in subjugating whole racial groups, was a runaway success in the US in 2020. Here, the Pultizer-Prize winning black journalist is not so well... Read more... |
Do Not Expect Too Much From the End of the World review - bonkers in BucharestFriday, 08 March 2024
Filmmakers of note make long movies for different reasons. Sometimes they may want the viewer to be so immersed in the movie they become “kidnapped” by it, to borrow an idea from Susan Sontag. (Epics by auteurs like Greece’s Theo Angelopoulis or... Read more... |
Dune: Part 2 review - sombre space operaSunday, 03 March 2024
Dennis Villeneuve’s Dune sequel is a sombre science-fiction spectacle that insists on the scale of cinema: erupting sandworms are Cecil B. DeMille colossal, the sound design centred on Hans Zimmer’s score thunderously enveloping. In a genre once... Read more... |
