Film
theartsdesk
This month's survey of the latest films released on DVD assesses the work of directors old and new, male and female. Cinema's great early romantic Frank Borzage is available in a box set. The work of French auteur Claire Denis and American maverick Gus Van Sant are assessed. There is also an Austro-Hungarian flavour, with Sacha Baron Cohen's Brüno on the one hand and Márta Mészáros's classic 1984 study of communism, Diary for My Children, on the other. British releases include Duncan Jones's debut Moon and Shane Meadows's mockumentary Le Donk and Scor-zay-zee. Hollywood supplies this month's Read more ...
anne.billson
They're back! Bella Swan and Edward Cullen (otherwise known as Kristen Stewart and Robert Pattinson) are once again smooching on a screen near you. I turned up one hour early for a showing of the new Twilight movie, and the damn thing was already sold out. Which suggests the film will do every bit as well as, if not better than, its predecessor, which made $383 million worldwide.Look on the bright side - maybe this will persuade studio executives they don't need to aim every single movie at adolescent males. The adolescent female market can be every bit as lucrative. What do young women want Read more ...
hilary.whitney
Award-winning screenwriter and children’s author Frank Cottrell Boyce, whose credits include Hilary and Jackie and 24 Hour Party People, always knew he’d be a writer. “I imagined myself in a bungalow in the Hollywood Hills, furiously typing away while someone shoved cigarettes in my mouth and I shouted, ‘Match me, Sydney!’ Or writing bits and pieces for The Paris Review." Cottrell Boyce and I are chatting in the distinctly unglamorous surroundings of a café on the concourse of Euston station. Cottrell Boyce is on his way back to Liverpool, where he has lived for most of Read more ...
sheila.johnston
If you stick with the Coen Brothers' new film until the end of the final credit crawl, you will notice the legend, in small print, "No Jews were harmed in the making of this motion picture." I wouldn't be so sure: they certainly put their hero through the trials of Job. With a title like that, it ought to be a comedy, but the Coens customarily keep a protective, ironic distance from their fictional creations, and so you never really quite know where you stand with them. Still, A Serious Man may be their most personal, most revealing movie yet.It opens, disorientingly, in a lonely, snowbound Read more ...
ash.smyth
The Regal Cinema is a charming old place. At 300 rupees for a box seat (£1.50 on a good day for the SLR), you can put your feet up, sip your Fanta in style and, peeping through the plush velour curtains that separate you from both hoi polloi and screen (if not from the nouveaux in box 9), get a disconcertingly exact idea of how the place must have felt when the young Queen Elizabeth II sat in this very seat, shortly after the place was built for her.There’s a new anthem now, of course, but you still have to stand up. Then you get the trailers for "Coming" movies (no rash promises as to when, Read more ...
sheila.johnston
Something has just happened to make Clint Eastwood's day. We refer, of course, not to the fact that he was yesterday made a Commander of the French Legion of Honour in Paris by President Sarkozky, but to the publication of Clint Eastwood, Icon, a gorgeous assembly of artwork from around the world commemorating an incredibly long-lived career.Armed with an enthusiastic and ingenuous preface by David Frangioni, the mad-keen American collector-fan whose devotion to duty over the years has made this book possible, it encompasses posters, door panels, standees (the larger-than-life-size cut-out Read more ...
joe.muggs
It's genuinely sad that last night's proceedings are not higher on the cultural agenda and that the gleaming new Kings Place auditorium was only half full. But as one of the participants pointed out, 50 years on from C P Snow's Two Cultures, there is still an arts establishment for whom sci-fi means Star Trek, and the ludicrous guff of Independence Day touches more of a nerve than Arthur C Clarke's visionary treatment of the same subject-matter in Childhood's End. The event, the last in a series of science discussions organised by Nature magazine, all began very sensibly with a Read more ...
sheila.johnston
Upon emerging from Sheffield railway station, one of the first things you clap eyes on is Andrew Motion’s 2007 poem What If? unfurling down the side of one of the university tower blocks and gleaming faintly in the last of the autumn sun. With its exhortation to “greet and understand what lies ahead... The lives which wait as yet unseen, unread,” it’s not a bad incidental epigram for a festival of documentary film-making whose trailer was inspired by the city’s cosmopolitan identity. Doc/Fest opened on Wednesday with Mat Whitecross’s Moving to Mars (pictured below), about a family of Burmese Read more ...
sheila.johnston
The most famous rock festival in history celebrated its 40th anniversary this summer in an orgy of nostalgia. Michael Wadleigh's Academy Award-winning 1970 documentary Woodstock was re-released, the media were flooded with reminiscences and analyses and leading film-makers felt moved to address themselves afresh to the subject. Woodstock Now & Then, a new documentary directed by the two-time Academy Award winner Barbara Kopple, plays at the Sheffield Doc/Fest, while Taking Woodstock, an oblique fictional take on the event by her fellow Oscar laureate Ang Lee, is released in the UK on 13 Read more ...
Jasper Rees
When a film shoot is in trouble, with actors dying on set, the heavens opening and other acts of God putting a spanner in the works, it’s usually a gigantic directorial ego which hauls the troubled production over the line. You think of Michael Cimino’s Heaven’s Gate, of Coppola’s Apocalypse Now and above all Herzog's Fitzcarraldo, all films characterised by epic folie de grandeur and flirtation with insanity. But no film, surely, has ever been quite so divorced from reality, in almost every sense, as L'Enfer. For a start it was never made. You can’t get a lot less real than that. Forty-five Read more ...
ellin.stein
The Victorian Gothic (with 1970s additions) maze of Cheltenham Ladies’ College is a far cry from the sun-blasted soundstages of Los Angeles, particularly at this time of year when it’s surrounded by deep piles of swirling autumn leaves. Nevertheless, this past week saw the high-ceilinged, wood-panelled College corridors filled with over 400 scriptwriters, both aspiring and established, rushing to the seminars, panels and pitching sessions offered as part of the Cheltenham Screenwriters' Festival, the only event of its type in the UK.Unlike the Cheltenham Literary Festival, which is about Read more ...
sheila.johnston
London, 1961. Duffle coats are the ne plus ultra in hipster cool, everybody smokes like fury and black people are known as negroes in enlightened society (and even enlightened society wouldn't want them moving in next door). In the congenial, shiny-surfaced world of this coming-of-age comedy, the Beatles' first LP is still two years away, and so is sexual intercourse, but not for Jenny. For Jenny, 1961 is an annus mirabilis, the year in which this skittish 16-year-old schoolgirl acquires a wealthy, worldly older admirer. And, being a deal more beautiful than Philip Larkin, she doesn't have to Read more ...