Reissue CDs
Kieron Tyler
Any compilation with a track credited to “Unknown Artist” is always going to entice, especially when it’s one which goes the full way by digging into original master tapes to find the best audio sources and previously unearthed nuggets. In this case, it’s not known who recorded “To Make a Lie”, a dark, menacing cut where a disembodied voice intones about the threat of a giant willow tree (“it’s coming!”), evil, pain and walking into eternity over a doomy organ, spiralling guitar and draggy drums. As it ends – a female scream. Bad trip vibes.“To Make a Lie” was found in the archives associated Read more ...
Kieron Tyler
The Sun Shines Here - The Roots Of Indie-Pop 1980-1984 is three-CD set in a clamshell box with 74 tracks. The opener is “Better Scream”, January 1980’s debut single from Wah Heat! The closing track was issued in November 1984: The Jesus And Mary Chain’s first single “Upside Down”. In between: Mo-Dettes, The Monochrome Set, Microdisney and Marine Girls. Lori & The Chameleons, Ludus, The Loft and The Lines too. There’re also the pre-fame Pulp, Prefab Sprout, Hurrah! and lesser-knowns like Junes Brides offshoot The Ringing and The Page Boys, who spawned 1000 Violins.The Sun Shines Here is Read more ...
Kieron Tyler
Over 1974 to 1978 Graham Collier issued five albums on his own imprint Mosaic. There was another in 1985 and eight releases on Mosaic by other musicians, but for its first four years the imprint was dominated by the British jazz composer, bassist and bandleader’s own work. In the same period, three books Collier had written came out. There was Jazz – A Students' and Teachers' Guide, published by Cambridge University Press, Compositional Devices, published by America’s Berklee College and Cleo and John, about Laine and Dankworth. Collier was busy.He had graduated from Berklee in 1963 and went Read more ...
Kieron Tyler
Between August 1966 and November 1967, The Syn played 36 shows at London’s high-profile Marquee Club. In June and September 1967 they issued two singles on the happening Decca subsidiary Deram, an imprint scoring hits with releases by Cat Stevens, The Move and Procol Harum. The Syn’s singles were voguish: tracks included the flower-power referencing “Flowerman” and “14 Hour Technicolour Dream,” its title borrowed from the recent underground event at Alexandra Palace. Amongst The Syn’s members were Peter Banks and Chris Squire, who went on to Yes. Regardless of all this, The Syn did not click Read more ...
Kieron Tyler
While there’s undoubtedly some of “Papa Was a Rollin' Stone” in Rare Earth’s “Come With me”, another correspondence also immediately springs to mind – the Melody Nelson-era Serge Gainsbourg. And maybe, due to the female moaning, the “Je T’Aime”-period Gainsbourg too. The track-by-track commentary in the booklet with Psychedelic Soul - Produced By Norman Whitfield notes the resemblance of the 1973 single to the creations of France’s prime musical provocateur, but also says that “Come With me” was anomalous for Rare Earth, a band which usually traded in a form of soul-rock. It was Norman Read more ...
Kieron Tyler
“There should be some kind of spirit there which is outside whoever is in the band. The spirit of the band, wanting still to play songs, real songs, wanting to play complicated music to a certain extent. Fairly dense arrangements, also difficult pieces of music, not to be difficult but just because that’s a challenge. To do all that and then also play with a degree of anarchy, chaos, and fire and spirit. That’s the spirit of Van der Graaf.”So said a drawn-looking, jumpy Peter Hammill on 17 June 1978. He’s on Austrian TV, sitting on an unmade bed in a hotel room, with a cigarette in his hand Read more ...
Kieron Tyler
Looking for answers to what qualifies an album for a makeover and its attendant return to record shop racks can cause heads to spin. Multiple variables are at play but, still, it merits pondering. Market factors come into consideration, including the prices fetched by original pressings, even if the album isn’t obscure.Take Spiritualized’s Ladies and Gentleman We Are Floating in Space, originally released in June 1997. The band’s third album was then issued in a collector-friendly range of formats and packages. The double-album version currently sells for around £260. The CD edition – with Read more ...
Kieron Tyler
“Reaffirmation” is the sound of a San Francisco ballroom in 1968. The 12-minute long track opens mysteriously with what might be a Mellotron on the flute setting. A bubbling bass guitar arrives, along with jazzy piano. At 02.50, the tempo picks up and the guitar, which until then has delicately picked its way through the arrangement, begins to soar. There’s a vaguely funky section and, just over half-way in, a dive into an almost free-form spiralling section. This is top-notch psychedelia. Dungen have passed through similar territory.Other parallels include the first-album Steve Miller Band Read more ...
Kieron Tyler
In October 1964, New York’s Goldie & the Gingerbreads boarded the RMS Mauretania for Southampton. In the midst of the British Invasion, they were taking on the beat boom at its coal face. The Beatles, Animals, Dave Clark Five, Rolling Stones and more were cleaning up in their home country but – counter intuitively – Genya Zelkowitz aka Genya Ravan aka Goldie and co went in the opposite direction. Their champions in this venture were The Animals and their manager Mike Jeffrey. Rolling Stone Keith Richards also claimed to have discovered them at a New York party he’d attended with Stones’ Read more ...
Kieron Tyler
“She is a 20-year-old white New Yorker who sings like a 55-year-old black lady from Mississippi. The experts say she will do for soul pop what Dylan did for folk.” Lillian Roxon’s verdict on Laura Nyro appeared in her ground-breaking 1969 book Rock Encyclopedia, issued before Nyro’s third album New York Tendaberry.In January 1970, Life magazine ran a feature on Nyro which was headed “The Funky Madonna of New York Soul.” By then, New York Tendaberry was out. Her follow-up, Christmas And The Beads Of Sweat, was being recorded when the article appeared.Both descriptions demonstrate a unanimity Read more ...
Kieron Tyler
When I Hit You - You’ll Feel It opens with “When I Was Walt Whitman”. A French-language answer-phone message is abruptly cut off by a massive-sounding percussive pulse over which a borderline menacing voice enigmatically murmurs words which are hard to make out. There’re snatches about “repeating tiny fragments” and “when I was Walt Whitman you should have seem me…the words wrote themselves.”It ends with “Fragment #2”, a comparatively lighter piece which comes across as a distant relative of Suicide’s “Cheree”. Again, Leslie Winer's close-miked voice is near to a mumble. Full attention is Read more ...
Kieron Tyler
Despite their implosion three years earlier, 1977 was a good year for The Stooges. The CBS budget label Embassy reissued their 1973 Raw Power album in the wake of their songs cropping up in the repertoires of The Damned and Sex Pistols. After the arrival of Autumn 1975’s Metallic KO live album and punk rock reviving their commercial profile, it was confirmation of The Stooges’ endless afterlife. Former frontman Iggy Pop was on the up too, treading the boards with old friend David Bowie as his unobtrusive keyboard player.Also in 1977, two singles arrived which were in-tune with the spirit of Read more ...