England
David Kettle
Ordinary Decent Criminal, Summerhall ★★★★★ Frankie learnt a thing or two about the police and how they work from his years as an activist. Fighting for crucial political causes, however, never seemed at odds with a sideline in drug-dealing – which, when the authorities got wind that the chocolate bars he was importing from Spain weren’t exactly Cadbury’s, earned him a few years inside. Once banged up, however, Frankie finds himself immersed in prison feuds, struggles for power, conflicts and unexpected connections.Ed Edwards’s vivid, vibrant solo play fits its performer – comedy legend, Read more ...
Every Brilliant Thing, @sohoplace review - return of the comedy about suicide that lifts the spirits
Helen Hawkins
The Fringe piece Duncan Macmillan devised with Jonny Donahoe in 2014 has since been round the world and back, finally landing in the West End. It feels as freshly minted as ever.The premise is simple: a performer takes an audience through the story of his mother’s three suicide attempts, the last one fatal, calling on them to participate when he gives his cues. An assistant director has cased the joint before curtain up, choosing people and giving them numbered cards; some will play a significant part in the story. For the play’s current run, five different performers are leading the Read more ...
Helen Hawkins
If you have never watched a single episode of the BBC period gangster drama Peaky Blinders, I am not sure what you would make of Rambert’s two-act ballet version. I have watched all six series, and I still left confused. Confused, but also impressed by the five-star standard of the dancing, by the inventive stage pictures created by designer Moi Tran and by the three onstage musicians. Led by lead guitarist/vocalist Mitchel Emms, this trio blast out a score specially written for the piece by Roman GianArthur, alongside tracks featured on the TV show by Radiohead, Frank Carter and the Read more ...
Mark Sheerin
A rare cloud form envelopes the headland and to the east and the west Folkestone is cut off from the known world. This mist shortens the visual range, drawing attention to the chalky soil, the sea gorse and the looping swifts. It also softly frames 18 site specific works of contemporary art that work in sympathy with this historic settlement. Folkestone is, as the Triennial shows, rich in local inspiration. One emblematic work is Oceans Tree of Life (all works 2025) by Jennifer Tee, installed above a coastal landslide known as the Warren (main picture). It is adjacent to a dig site where Read more ...
Gary Naylor
There’s a deal to be made when taking your seat for The Winter’s Tale. It’s one the title alone would have signalled to the groundlings as much as those invited to rattle their jewellery upstairs back in the 17th century – it’s a fairytale, a fantasy, a funny-peculiar play. Perhaps the only play outside pantomime in which a bear gets involved. The plot breaks into two halves and, whether you know that the sun will literally and metaphorically shine after the interval or not, the dark opening scenes can drag. Essentially we’re witness to what would, these days, be called a psychotic Read more ...
graham.rickson
Comedian Tony Hancock’s vertiginous rise and fall is neatly traced in the two films he completed in the early 1960s. The warning signs were already present when 1961’s The Rebel (★★★★) was released. Hancock’s BBC career had been enormously successful, his eponymous radio series featuring him sparring with a talented supporting cast. The brilliant scripts were supplied by Ray Galton and Alan Simpson. Despite the show's popular and critical success, Hancock's own insecurities were already taking root and led him to make the final season of the show's TV incarnation without regular partner Sid Read more ...
mark.kidel
Brian Clarke died on 1 July 2025, after a long illness. He was one of the most original British artists of our time – wide-ranging, ground-breaking and influential. His painting was first-class, but it was in the field of architectural stained glass, which he approached as a fine artist, and in a radically innovative manner, that he truly made a name for himself. I first met Brian, when I was making a series for BBC Two, “The Architecture of the Imagination” (1994). It was bravely commissioned by Clare Paterson and Alan Yentob, at a time when such off-piste arts explorations were Read more ...
Boyd Tonkin
From the animatronic cat on the bar of the Garter Inn to the rowers’ crew who haul their craft across the stage and the military ranks of “Dig for Victory” cabbages arrayed in Ford’s garden, all the period flourishes that helped make Richard Jones’s Falstaff such an audience hit twice before at Glyndebourne look as spruce and smart as ever in this revival.However, the opera does not belong to any director, however imaginative, nor even to his ever-ingenious designer Ultz – but to Verdi, his inspirational librettist Boito, and the singers and players who truly possess the power to restore this Read more ...
Helen Hawkins
The 2024 play at the National Theatre that put writer Beth Steel squarely centre-stage has now received a West End transfer. Its title taken from an Auden poem urging people to dance till they drop, it’s probably the most passionate show in that locale, and definitely the lewdest.It opens with the female equivalent of locker-room talk as the women of an extended family in what was once Notts and Derby pit country bicker and banter while preparing for the wedding of young Sylvia (Sinead Matthews). Topics of conversation range from the naughtiness of next door’s "sex pond”, ie hot tub, to the Read more ...
Helen Hawkins
A thirtysomething American woman with wavering self-confidence, a tendency to talk too much and a longing for married bliss with Mr Darcy at his gorgeous country pile tries to reset her life post-breakup with a grown-up new job in London. Welcome to Bridget Jones country as seen through the lens of New Yorker Lena Dunham. The 10-part Netflix series that Dunham and her English musician husband Luis Felber have created, Too Much, is just that: a welter of verbiage, weird characters and relentless squelchy sex – though the sex scenes are virtually the only occasions our heroine stops Read more ...
Sarah Kent
When in the 1990s, Jenny Saville’s peers shunned painting in favour of alternative media such as photography, video and installations, the artist stuck to her guns and, unapologetically, worked on canvases as large as seven feet tall. While still a student at Glasgow School of Art, she painted Propped, 1992, one of the most challenging and memorable female nudes in the history of art (pictured below right). This enormous painting confronts you on entry to her retrospective at the National Portrait Gallery, and it is still a knock out. Perching awkwardly on a tiny pedestal is a Read more ...
Helen Hawkins
The red, white and blue bull’s-eye on the front curtain at Sadler’s Wells tells us we are in the familiar territory of Pete Townshend’s rock musical about teenage angst in 1960s Britain. What follows isn’t so easy to recognise.Quadrophenia started life in 1973 as a double album, and six years later became a film; now it’s a contemporary dance piece with an outstanding cast. Yet it seems to be a case of diminishing returns.The powerful vocals of its songs are silenced, with just a heavenly choir in the closing numbers representing a human presence. And the thrilling axeman chords Read more ...