France
David Nice
Curious and curiouser. Lutosławski’s Cello Concerto, centrepiece of Esa-Pekka Salonen’s latest Philharmonia concert celebrating the Polish master’s centenary, adds ballast to the idea that the composer, like Schoenberg and Tippett, burrowed into a specially comfortless rabbit warren in his later works. On the other hand his Concerto for Orchestra, begun two decades earlier in 1950, proved its mettle as a serious audience-pleaser. Yet if you asked an unprepared listener to name that composer, the answer would most likely be – not Bartók with his work of the same name but that other, much more Read more ...
Kieron Tyler
Definitely not the M that hit with “Pop Muzik” in 1979 and then swiftly vanished. This –M- is a bona fide, stadium-filling superstar. In France, that is. In Camden though, last night, Mathieu Chédid confounded any expectations of what stadium rock ought to be. The evening was rounded off by Chédid and his band dancing in a line to a playback of last year’s single “Mojo”, just as they’d done in the video. They make open and shut gestures with their hands, mimicking a mouth. The audience do the same. Pity that this often bewildering and sold-out show, the first of –M-’s two-night London run, Read more ...
Kieron Tyler
Inevitably, in box sets collecting the works of a single director one film will overshadow the others. So it is with the four discs of The Claire Denis Collection, where 2009’s White Material expresses the temperament, texture and compositional style of a Denis film more effectively than its three companions. This doesn’t mean that White Material should be watched first, or that it’s better than Chocolat (1988), Nénette et Boni (1996) or Beau Travail (1999), just that it is the finest distillation of Denis to date.Assessing a director from four films plucked their wider oeuvre is risky, but a Read more ...
emma.simmonds
No your eyes don't deceive you - Terrence Malick has directed another film, released not even two years after his last offering The Tree of Life. If you've no idea why that's worth remarking on, the gaps between his last four offerings were respectively six, seven and - drumroll please - 20 years. To The Wonder may be in the same ballpark of beauty as Malick's previous picture, and sound as if it shares the same astronomical ambition, but where that film soared this one sometimes struggles.It starts with an attractive couple, rapturously in love. They are the Neil (man of the moment Ben Read more ...
Adam Sweeting
Jacques Audiard's follow-up to A Prophet (2009) is an off-centre but haunting piece derived from short stories by Canadian writer Craig Davidson. Marion Cotillard is Stéphanie, whom we first meet outside a nightclub on the Côte d'Azur where she has been involved in a drunken fracas. She's rescued by Ali (Belgium's Matthias Schoenaerts, from Bullhead), a bouncer, ex-kickboxer and petty criminal who's come to the coast with his young son Sam in search of some sort of existential last chance. He tells her she looks like a whore. She thinks he's a lunkheaded schmuck.It's unexpected Read more ...
alexandra.coghlan
How do you solve a problem like Medea? Euripides’ baby-killing, hell-invoking sorceress is one of literature’s most terrifying and unfathomable creations – a woman capable of murdering her own children just to watch their father’s pain. Yet with the blood on her hands now centuries-old, Medea continues to work her grim enchantments on artists. No fewer than eight operas (and an almost equal number of plays) have staged her story, but have any really got to grips with the psychology of tragedy’s wickedest witch? I’m afraid that Georg Benda’s 1775 Medea is unknown to me, as is Saverio Read more ...
Kieron Tyler
Various Artists: Who’s That Man – A Tribute to Conny PlankThe list of acts Konrad Plank worked with is a Hollywood Walk of Fame of Krautrock. As an engineer or producer he was behind seminal albums by Neu!, Cluster, Harmonia, La Düsseldorf and Kraftwerk. From outside Germany, Ultravox and Eurythmics came to him. Later-blooming locals like DAF sought him ought. Naturally, Brian Eno was around, both collaborating with Plank and bringing Devo to his studio to complete their first album. As the liner notes of this four-CD box set note, Plank turned U2 down, something Eno did not.Plank died Read more ...
Kieron Tyler
The notice saying “table reserved for Lord Chelsea” in Cadogan Hall’s foyer bar instantly signalled this show was likely to be more rarefied than your normal pop concert. It was in keeping with the grandeur of this early 20th century, Byzantine-style former church a minute from Sloane Square. The tone was further elevated by this being a rare, small-venue British outing for Jane Birkin, an actual, proper star.Arriving on stage, head bowed, Birkin began the evening with “Requiem pour un con”, a song her former partner Serge Gainsbourg wrote for the film La Pacha in 1968. Over 90 minutes, she Read more ...
Matt Wolf
Few productions give the sound designer absolute pride of place, but such is the presumably inevitable nature of a play called The Silence of the Sea that what isn't voiced counts every bit as much as what is. Gregory Clarke's aural landscape works overtime in a 95-minute piece (no interval) that couples speech with sustained silences, yes, but also with eerie ambient noises that suggest all manner of offstage activity complementing the brooding stillness on view. Engaging? Up to a point, and the acting is impeccable throughout, but even the most expert sound cues can't forestall a gathering Read more ...
Kieron Tyler
Marianne Faithfull: Broken EnglishIn 1979, there was no obvious place for Marianne Faithfull. Identified with the Sixties and the baggage which came from her relationship with Mick Jagger, she had spent part of the decade living on a wall in Soho, a drug addict with few prospects, a period harrowingly detailed in her autobiography. There was an album in 1976, the humdrum, country flavoured Dreamin’ my Dreams, but punk, surprisingly, offered a life line. She appeared on stage with pop-punkers The Boys and, in 1979, issued the extraordinary Broken English, which sounded of its time yet Read more ...
Tom Birchenough
For a man immortalised by his wails of rainy misery from the moors of Withnail and I, you would expect Richard E Grant to be very happy on the Riviera. He is, with the suave aristo manner of the Englishman abroad. Which is fitting for The Riviera: A History in Pictures, because the Riviera practically belonged to the Brits - we hivernots, winter escapers from northern cold - before the French realised it was there at all. And it came to their attention because artists from the Impressionists onwards went there.I’m not sure that A History in Pictures quite knows what it is aiming for: Grant is Read more ...
geoff brown
René Clément? Who he? Sixty years ago the question didn’t need to be asked: 1952 was the year of his greatest triumph, Forbidden Games (Jeux interdits), one of four titles being issued separately by StudioCanal to mark his centenary. A quick glance at The Deadly Trap (1971), a tension-free thriller, with Faye Dunaway and Frank Langella all at sea, will partly explain why his reputation faded. Poor material aside, Clément was also a victim of bad timing. Rising to fame just before the New Wave hit, he felt himself in his own eyes to be a New Wave precursor. To Godard, Truffaut and company Read more ...