wed 14/05/2025

Reviews

The Last Musician of Auschwitz review - a haunting testament

“It is so disgraceful, what happened there,” says Anita Lasker-Wallfisch, in a comment that is the understatement of the century. She is referring to the genocide perpetrated by the Nazis in concentration camps like Auschwitz-Birkenau, where she was...

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Giulio Cesare, The English Concert, Bicket, Barbican review - 10s across the board in perfect Handel

Is Giulio Cesare in Egitto, to give the full title, Handel’s best and shapeliest opera? Glyndebourne’s revival of the legendary David McVicar production last year made it seem so, not least thanks to the presence of two of last night’s soloists,...

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Music Reissues Weekly: Roots Rocking Zimbabwe

“Soul Scene,” by Echoes Limited, is built from elements of the James Brown sound. But it’s put together in such a way that the result is unfamiliar. The angular drum groove edges towards a 5/8 shuffle. The circularity of the guitar suggests...

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Louis Cole, Roundhouse review - nothing is everything

London's iconic Roundhouse, packed to the rafters, provided the perfect setting for the UK premiere of Louis Cole's groundbreaking album nothing – his fifth album and third on Brainfeeder. This one-night-only performance, featuring Cole on drums and...

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Here We Are, National Theatre review - Sondheim's sensational swan song

You don't have to be greeting the modern day with a smile unsupported by events in the wider world to have a field day at Here We Are. The last musical from the venerated Stephen Sondheim has only grown in import and meaning since I caught its New...

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Riefenstahl review - fascinating fascism? Portrait of the Nazis' favourite film-maker

There used to be an unwritten rule among BBC commissioners about how long an interval had to pass before greenlighting a new documentary on a familiar subject – Shakespeare, Ancient Egypt, Andy Warhol – they all came round again with a decent...

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Giant, Harold Pinter Theatre review - incendiary Roald Dahl drama with topical bite

When Mark Rosenblatt was preparing his debut play, the miseries of the assault on Gaza were still over the horizon. Now they are here, another terrible moment in human history that resonates all through Giant. Since the play opened at the Royal...

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The Trunk, Netflix review - stylish, noir-ish Korean drama wrapped around a beguiling love story

The trunk in the title is a luxury item, worth 50 million won – just north of £27,000 – shown sinking in deep water in the opening credits. It weaves through one of the classiest recent collaborations between Netflix and Korean TV, a haunting...

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House of Games, Hampstead Theatre review - adapted Mamet screenplay entertains but is defanged

There is so much that is right about Jonathan Kent’s new production of House of Games – the casting, the staging, the direction. But the flaw it can’t overcome is that the 1987 David Mamet screenplay on which Richard Bean based this stage version in...

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Karim Said, Leighton House review - adventures from Byrd to Schoenberg

William Byrd, Arnold Schoenberg and their respective acolytes go cheek by jowl, crash into one another, soothe, infuriate and shine in their very different ways This is all in a typical programme of pianist, conductor, composer and all-round pioneer...

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Stile Antico, Wigmore Hall review - a glorious birthday celebration

There was a wonderful festal spirit at the Wigmore Hall last night, as the vocal ensemble Stile Antico ran through a Greatest Hits selection in celebration of their 20th anniversary, in front of a packed and enthusiastic audience. The 12-strong...

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PUP, SWG3, Glasgow review - controlled chaos from Canadian punks

According to PUP lead singer Stefan Babcock, the Toronto foursome practiced together a grand total of twice before embarking on their current UK and European tour.Given the band’s well-known habit for disagreements and teetering on the edge of...

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