mon 18/08/2025

Reviews

Unmoored review - atmospheric Swedish noir set on Exmoor

“When have you ever gone off alone?” scoffs Magnus (Thomas W Gabrielsson) when his wife, Maria (Mirja Turestedt), expresses the wish to go to England rather than Morocco for their joint sabbatical. Famous last words.Caroline Ingvarsson’s debut...

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The Two Gentlemen of Verona, RSC, Stratford review - not quite the intended gateway drug to Shakespeare

I have two guilty secrets about the theatre – okay, two I’m prepared to own up to right here, right now. I quite enjoy some jukebox musicals and I often prefer schools-oriented, pared back, slightly simplified Shakespeare to the full-scale Folio...

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Orpheus and Eurydice, Opera Queensland/SCO, Edinburgh International Festival 2025 review - dazzling, but distracting

There’s a lot to shout about in this Orpheus, especially the way it looks. In a thin year for staged opera at the Edinburgh International Festival, they’ve gone for an eye-popper with this staging of Gluck’s most influential work. Premiering at...

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Edinburgh Fringe 2025 reviews: The Horse of Jenin / Nowhere

The Horse of Jenin, Pleasance Dome ★★★★★ Alaa Shehada bounds onto the stage, all muscular energy and swaggering self-confidence, for what’s effectively a cross between stand-up and solo theatre. Is it wrong to joke about Palestine? Definitely...

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BBC Proms: Anoushka Shankar 'Chapters' review - somehow, it worked

You can't explain stage presence like Anoushka Shankar’s. It just "is". When she steps out in front of a completely packed Royal Albert Hall, and utters a welcoming, exploratory, London-ish “Hi... welcome to my Prom… Oh, my God!”, a friendly...

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Every Brilliant Thing, @sohoplace review - return of the comedy about suicide that lifts the spirits

The Fringe piece Duncan Macmillan devised with Jonny Donahoe in 2014 has since been round the world and back, finally landing in the West End. It feels as freshly minted as ever.The premise is simple: a performer takes an audience through the story...

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'We are bowled over!' Thank you for your messages of love and support

We are bowled over! We knew that theartsdesk.com had plenty of supporters out there – we’ve always had a loyal readership of arts lovers and professionals alike – but the response to our appeal to help us relaunch and reboot has been something...

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Gibby Haynes, O2 Academy 2, Birmingham review - ex-Butthole Surfer goes School of Rock

Gibby Haynes is the wild-eyed crazy man who used to front the Butthole Surfers back in the 1980s and 1990s. At the time, there was none weirder or more out there than the Texan psychedelic punks – and even Ice-T was then prepared to step back and...

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BBC Proms: Le Concert Spirituel, Niquet review - super-sized polyphonic rarities

There’s a Proms paradox that’s familiar to Early Music fans. Some works are too challenging – too big, too expensive, too uncommercial, too obscure – to do anywhere else. The trouble is, the Royal Albert Hall is the absolute last place you’d want to...

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Oslo Stories Trilogy: Love review - freed love

Love was the Norwegian climax of Dag Johan Haugerud’s Oslo trilogy, the most lovestruck vision of his city and boldest prophesy of how to live there, beyond borders and bonds of sexual identity and shame. Released here between Dreams’ meta-memories...

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Music Reissues Weekly: The Residents - American Composer's Series

George & James was originally released in March 1984. Stars & Hank Forever! emerged in October 1986. The two LPs were parts of – and, as it turned out, the only entrants in – a series of albums their creators, San Francisco’s Residents,...

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Frang, Romaniw, Liverman, LSO, Pappano, Edinburgh International Festival 2025 review - sunlight, salt spray, Sea Symphony

Right from the bracing brass fanfare that began this Sea Symphony, you know exactly where you were: right in the midst of the deck, with the spray in your face and the wind in your hair. The London Symphony Orchestra is midway through a...

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