Reviews
Happy Valley, BBC OneWednesday, 30 April 2014
There is no one writing more brilliantly for television at the moment. Sally Wainwright’s star has risen on the back of two hugely popular series that, more or less cheerfully, celebrate women of a certain age. After the female buddy cop show Scott... Read more... |
Blue RuinWednesday, 30 April 2014
Ah, revenge. Why does something so bad sometimes feel so necessary? Particularly in its most bloodthirsty form, it's a concept well explored onscreen, from almost every western and martial arts film to the final act of so many horrors – and the... Read more... |
In BloomTuesday, 29 April 2014
The teenage heroines of In Bloom may be only 14, but in the world in which they live – the film is set in the Georgian capital Tbilisi in 1992 – they are forced to act much older, to take on responsibilities beyond their ages. The action of the film... Read more... |
Prey, ITVTuesday, 29 April 2014
"Policeman wrongly accused of murder" is possibly not history's most original story idea, but in Prey, writer (and TV debutant) Chris Lunt has turned it into a platform for a skilfully-controlled thriller that keeps your brow sweaty and your breath... Read more... |
Hinterland, BBC Four / Rev, Series 3 Finale, BBC TwoTuesday, 29 April 2014
We have all learned to genuflect at the altar of Nordic noir in recent years – see The Tunnel, the Anglo-French remake of The Bridge, and the American Killing, not to mention the news that Borgen creator Adam Price and Michael House of Cards Dobbs... Read more... |
La Calisto, Hampstead Garden OperaMonday, 28 April 2014
Baroque operas are like buses. You wait years for some Cavalli to come along, and then three of his operas arrive almost at once. It all started with English Touring Opera’s Jason last October – a witty and endlessly shape-shifting work – followed... Read more... |
Sundance London 2014: They Came TogetherMonday, 28 April 2014
It might be putting it bluntly, but hell - American rom-coms didn't always suck. The screwball comedies of the 30s and 40s made bickering artful and aspirational and Woody Allen added his own neurotic spin in the 70s. Now the commercial end of the... Read more... |
Vera, Series 4, ITVSunday, 27 April 2014
She drinks beer, drives a Land Rover and can never remember the names of her sidekick’s wife and daughter: welcome to the offbeat world of Vera Stanhope, deliciously imagined by writer Ann Cleeves and actor Brenda Blethyn. ITV’s Sunday night cop... Read more... |
Generation War, BBC TwoSunday, 27 April 2014
This German-made drama about World War Two scored huge ratings when it was shown in its homeland last year, but has also prompted scathing criticism. Chiefly, its detractors don't buy the series' portrayal of five photogenic young German friends as... Read more... |
Tippett Retrospective, Osborne, Heath Quartet, Wigmore HallSunday, 27 April 2014
For those of us who’d held fast to the generalisation that Michael Tippett went awry after 1962, it seemed emblematic that pianist Steven Osborne and the Heath Quartet were never to meet in a concert of two halves. After all, didn’t Tippett’s music... Read more... |
Quatrain/Kin./Les Rendezvous, Birmingham Royal Ballet, Crescent TheatreSunday, 27 April 2014
It is proof, as if more were needed, of how very right-on Birmingham Royal Ballet’s director David Bintley is, that he chose to open the International Dance Festival currently taking place in that city with two specially commissioned ballets... Read more... |
Sundance London 2014: Obvious ChildSunday, 27 April 2014
Debut writer-director Gillian Robespierre strikes the perfect balance between humour and humanism in this New York set comedy about unplanned pregnancy and abortion which sees stand-up comedian Donna Stern (Jenny Slate) get dumped and fired from her... Read more... |
