Reviews
Opus, Circa and Debussy String Quartet, BarbicanFriday, 21 February 2014
Well! Just when you think you’ve constructed a nice tripartite schema for dance styles based on their relationship with the ground, along comes a company which tears up that rule book entirely.Last week I theorized that contemporary dance goes down... Read more... |
Brassed Off, York Theatre RoyalFriday, 21 February 2014
It takes a particularly hard heart to fail to be moved by the sheer scale of community fragmentation around the time of the Miners' Strike – for many, the single most devastating period in the north of England's social history. But maybe, just maybe... Read more... |
NymphomaniacFriday, 21 February 2014
Over many months, the release of stills and teaser trailers from Nymphomania, as well as the poster showing the faces of its stars (presumably) faking orgasms, have maximized press speculation on the nature of Lars von Trier's hardcore-laced saga... Read more... |
Avoid: Sensory OverloadFriday, 21 February 2014
Avoid: Sensory Overload is a racing game without a race. A litle bit of Wipeout, a dollop of Temple Run, a dash of Zaxxon and a hint even of Flappy Bird, it is a test of reaction times and nerve. At least, it is after a certain point.The first few... Read more... |
The Smoke, Sky1Friday, 21 February 2014
A new series about a team of London firefighters? Probably a bit like Casualty meets The Bill, with added smoke and cats stuck in trees. But no - writer Lucy Kirkwood (of Skins fame) has created a raw chunk of contemporary drama which isn't afraid... Read more... |
Stranger by the LakeThursday, 20 February 2014
The lakeside beach that is the only scene of action in Alain Guiraudie’s Stranger by the Lake is a concentrated crucible of desires. The sense of languid summer and the limpid beauty of the lake itself, beautifully and compellingly caught throughout... Read more... |
Shlomo, Purcell RoomThursday, 20 February 2014
Ever since becoming a parent – given that it's my job to look at how music connects to its audience – thoughts about what gets children engaged with it have rarely been far from my mind. It brings home a lot of questions about how much of our... Read more... |
Drenge, Hare and Hounds, BirminghamThursday, 20 February 2014
Drenge certainly pull in a diverse crowd to their shows these days. Prior to the band coming on stage for this sell-out gig, there was a group of 40-somethings in fairly new-looking leather jackets to my left, talking about Tom Watson MP (who... Read more... |
Superior Donuts, Southwark PlayhouseThursday, 20 February 2014
“Consider the donut!” One might have assumed that a significant chunk of Tracy Letts’s Superior Donuts would be a heartfelt ode to the fried dessert cake itself. In fact Letts’s play, set in a donut shop nestled in an economically and culturally... Read more... |
As You Like It, Tobacco Factory, BristolWednesday, 19 February 2014
Andrew Hilton, the creative force that drives the consistently excellent Shakespeare at the Tobacco Factory, might be playing safe by returning to a play he put originally put on in 2003. But “As You Like It”, for all its light touches, is a... Read more... |
A Taste of Honey, National TheatreWednesday, 19 February 2014
Another week, another postwar classic. Hot on the heels of last week’s revival of Oh What a Lovely War comes another legendary play from the Joan Littlewood museum of great one-offs. This time it’s a restaging of Shelagh Delaney’s 1958 play about... Read more... |
Only Lovers Left AliveWednesday, 19 February 2014
Unique, dreamy, super cool and splendidly silly, just like its maker Jim Jarmusch, Only Lovers Left Alive is a vampire flick packed full of romanticism, wit and enchanting, fuzzy music. Tom Hiddleston and Tilda Swinton are perfectly cast as a... Read more... |
