Reviews
David Kettle
Heartbreak Hotel, Summerhall ★★★★ If the show’s title leaves you expecting schmaltz and dodgy Elvis impressions – well, you might be disappointed, and possibly pleasantly surprised. This quietly powerful two-hander from New Zealand-based company EBKM is a cool, sometimes almost clinical dissection of heartbreak and break-up, one that delves with unflinching clarity into the physiological and psychological aspects of loss and grief when a relationship comes to an end.Yes, at times it feels a bit like a lecture – if one delivered with songs, courtesy of Karin McCracken’s new-found Read more ...
Miranda Heggie
Attending an outdoor event anywhere in the UK – especially given the summer we’ve not been having this year – is always a bit of a gamble. And it’s fair to say Glasgow’s in a bit of a high risk category, but fortunately Tuesday’s weather was glorious for American synth-pop band Future Islands as they played at Kelvingrove Bandstand and Amphitheatre as part of this year’s Summer Nights series. Opening with the first track from their newest album, People who Aren’t There Anymore, King of Sweden was delivered with the visceral soulfulness juxtaposed with upbeat rhythms the band’s Read more ...
David Nice
Under its master music director, the once-torpid Royal Philharmonic Orchestra has given us some of the most brilliant concerts of the 2023-4 season. Their Prom together changed course from the Elgar/Rachmaninov theme and dared even more, placing together four works in three parts each – two with atmospheric outer sections flanking vivid ceremonials (Ives, Debussy), two placing the lyricism at the dead centre (Ravel, Tchaikovsky).To label it a vintage Prom in form, a new work would have been necessary. But Charles Ives’ Three Places in New England still sounds like one, and its big symphonic Read more ...
Helen Hawkins
“Family-friendly fun” seems to have mutated over the years into elaborate films featuring high-octane animation, starry voicing and often mushy sentiments. In older children’s TV, gone are the days of actual humanoids mucking about with stun guns. Only Doctor Who has continued to deliver the teatime goods. So the arrival of Taika Waititi and Jemaine Clement’s Time Bandits on Apple TV+ is to be relished. It’s rated PG, I’m not sure why, unless its scary bits are considered just a tad too scary. Having your uncaring parents incinerated into lumps of carbon would strike me as an event Read more ...
theartsdesk
The weather is perfect. Rare at a festival in this country. The sun shines. Occasional clouds pass. There’s a light breeze. Flamingods are on the Charlie Gillett stage. They are a London-based unit of primarily Bahraini origin who make psychedelic-electronic rock tinged with exotica and Middle Eastern flavour. Very WOMAD, in other words.All around are iterations of hippy, from gnarled Sixties originals, lined and lived-in, batik-patchwork panted, to psy-trancey youths, half-clad, sleek in bodypaint and retro pink Lennon shades. We jog and nod. The music is likeable, not ecstatic. The vibe, Read more ...
Katie Colombus
I sometimes think I’ve done the festival thing the wrong way round. When my babies were at their littlest, we did the big ‘uns – Latitude, Wilderness, Blue Dot, and the like – all family "friendly", but with slightly wilder, bigger, more adulty vibes. I figured if I was going to be up all night with babes in arms I may as well be in a field, on the fringes of some great music and colourful experiences.It’s only now that my Small Folk are older – in the realms of teens and tweens – that I’m experiencing the UK’s ultimate family summer festival for the first time. This year the real question Read more ...
Sarah Kent
Peter Kennard: Archive of Dissent at the Whitechapel Gallery includes many of the artists’s most iconic political photomontages. Beginning in the 1970s, Kennard created images that by speaking truth to power, gave protest movements like CND (Campaign for Nuclear Disarmament), the Anti-Apartheid Movement and Stop the War Coalition the visual equivalent of marching songs.Influenced by John Heartfield who, in 1930s Germany, used his scissors to create lacerating images denouncing Nazism, Kennard has similarly gone on the attack to reveal the hypocrisy of politicians, his revulsion at war Read more ...
Veronica Lee
Rahul Subramanian is a well-established comic in his native Mumbai, as evidenced by the appreciative audience of Indian expats gathered at Soho Theatre. His sellout dates in London acted as previews to his debut run at the Edinburgh Fringe, which starts on 2 August.Subramanian is one of several South Asian comics Soho Theatre has introduced to London and Edinburgh comedy fans, and it's a mutually productive arrangement; last year, Urooj Ashfaq, another star of the Mumbai standup scene whom the theatre promoted in the UK, made her Fringe debut and walked away with the best newcomer gong at the Read more ...
Sarah Kent
It’s been a long time since the Whitechapel Gallery has presented three seriously good exhibitions at the same time. Already reviewed are Gavin Jantjes’ paintings on show in the main gallery. He is now joined, in gallery 2, by Dominique White, winner of the Max Mara Art Prize for Women and in galleries 5, 6 & 7, by Peter Kennard.Funded by the Max Mara Fashion Group, the Art Prize provides the winner with a six month residency in Italy and, in an interesting film, White describes the research she was able to carry out during that time. The four powerful sculptures now on show were Read more ...
Kieron Tyler
Still Willing opens with “Upper Ferntree Gully,” a seven and three-quarter minute workout twice as long as most of the other nine tracks on Personal Trainer’s second album. A portmanteau piece, its most direct sections have the chug of vintage Pavement, some stabbing early Tame Impala guitar and chunks of Sonic Youth-like squall. Yo La Tengo also aren’t far.Personal Trainer are based in Amsterdam, and fronted by the Australia-born Willem Smit. As "Upper Ferntree Gully" takes its name from a suburb of Melbourne, the song presumably nods to his past. Equally probable is the surmise that the Read more ...
Kieron Tyler
The conundrum central to library music is that it was not meant to be listened to in any normal way. Yet, in time, this is what happened. What ended up on the albums pressed by companies like Bruton, Chappell, De Wolfe and others was heard by subscribers – the records did not end up for sale in shops or on the record players sitting in the nation’s homes.Those receiving this music were from the advertising, film and television industries. They were looking for material which could feature in their productions without the need to book a recording studio and employ an arranger, composer, Read more ...
Rachel Halliburton
What is Englishness? Over the last century the answer has changed substantially. Yet last night’s Prom, which – according to the programme – set itself the task of celebrating “all things English” had a very particular answer.This was an England of Eric Ravilious paintings, Earl Grey tea, the vibrant greens of a hedgerow, the gentle plop of croquet mallets against croquet balls. The compositions spanned more than a century, and their reference points more than half a millennium, yet they all had an elegance and subtlety that evoked a very homegrown pastoral tradition.From the outset, Read more ...