Reviews
Tim Cumming
This is the third Songlines Encounters festival at Kings Place. Wednesday’s programme featured Balkans, Polish and Georgian music, Thursday had Egyptian Baladi Blues and Louisiana’s Sarah Savoy, and Friday featured West Africa, Spain and Palestine.Malick Pathé Sow opens with a short solo set on the Senegalese ngoni, the hoddu, singing in a high, clear, declaiming style, the big, deep ghimbri-like bass notes of the large hoddu punctuating and emphasising the verses. Then he is joined by Senegalese kora player Bao Sissoko, with touches of percussion on the calabash, for a song representing “the Read more ...
Tom Birchenough
Given the breadth of Marcus du Sautoy’s cultural scholarship, it was a small surprise that British poet Andrew Marvell wasn't name-checked at the start of the presenter’s new three-parter Precision: The Measure of All Things. “Had we but world enough and time,” the great Metaphysical wooer called to his Coy Mistress, touching directly on the subjects of episode one, “Time and Distance”. Time was equally of the essence for du Sautoy, who barely caught breath in his (more respectable) urgency to explain everything behind his subject, and how it touched on the world we live in. The unforgiving Read more ...
aleks.sierz
One of the promises of artistic director Nicholas Hytner when he took the helm of this flagship 10 years ago was to stage new and innovative musicals. His problem, of course, is that these don’t grow on trees. So after the triumph of Jerry Springer: The Opera in 2003, we had to wait eight years for London Road, the venue’s next British hit. In the meantime, the United States has occasionally plugged the gap — and now provides this current musical, in the shape of a critique of American capitalism by New York’s the TEAM.First seen here in 2011, at Edinburgh, Mission Drift is about the pioneer Read more ...
Marina Vaizey
Sir Anthony Caro, OM, is wowing them in Venice with his masterly retrospective, but for those of us who can’t get there, there is a generous helping of his characteristic late work in his first show in Gagosian’s airy large gallery. Late Caro (he’s 89, a titan of sculpture) is a revelation in the irresistible vitality with which he imaginatively and consistently finds new things to say using one of his favourite materials: rusted mild steel.There is a palpable communication of the artist’s own enjoyment, his intelligence and his delightThe 10 constructions are massive and once were envisioned Read more ...
Roderic Dunnett
With the Albert Dock just a few hundred yards down the road, and Liverpool the launchpad for two centuries of Atlantic crossings, it’s perhaps not too shocking to hear Wagner’s intercontinental Ride of the Valkyries resound round Philharmonic Hall.Though perhaps that was the problem: in the first half of this Scouse tribute to the bicentennial Saxon, under an (initially) slightly deferential Vasily Petrenko, the first half somehow failed to shock. One problem is those naffly abrupt cut-offs, which even Stokowski couldn’t sidestep: common chords snatched at, like rounding off Read more ...
Adam Sweeting
"Maybe everything that dies someday comes back," Bruce Springsteen posited in "Atlantic City". The residents of the French Alpine village at the centre of The Returned may conclude that he had a point. The Returned (Les Revenants in the original French) might sound superficially as if it's the latest in the ongoing vogue for zombies which (along with a parallel strain of photogenic vampires) is exerting a stranglehold on the entertainment industry. Brad Pitt goes to war with a global zombie plague in the new movie World War Z, The Walking Dead needs no introduction, and we've had Read more ...
carole.woddis
What kind of legacy will the Blair years lave on ordinary people? Some predictable answers but also some unexpected, haunting personal accounts emerge in a drama inspired by the spectacularly successful 1974 play Kennedy's Children from American actor-playwright Robert Patrick. Written for five characters in fragmented but interlinking monologues, Kennedy's Children caught all the thrill, madness, and contingent loss of innocence of the 1960s when the world seemed to turn on its axis. (The cast of its maiden London outing at the King's Head included Pat Starr and Deborah Norton.) And a Read more ...
stephen.walsh
The Marriage of Figaro is so much a part of Glyndebourne’s history that it’s sometimes hard to recall the details of this or that production. Michael Grandage’s current staging, though, will be easily remembered for its strong characteristics, both good and bad: for Christopher Oram’s marvellous Alhambra sets, for the brilliance and occasional vulgarity of Grandage’s direction, for its perfection of movement and timing and its almost total obliteration of the social distinctions on which the plot hinges. Saturday’s revival was a fine example of how a spectacular misconception can be validated Read more ...
Zsuzsanna Ardó
Cornelia Parker came to prominence with various acts of destruction/resurrection. Some of the most famous examples include a blown-up garden shed in Cold Dark Matter: An Exploded View, 1991, the charred remains of churches in Mass (Colder Darker Matter),1997 and Anti-Mass, 2005, and pearls fired through a shotgun in Suit, Shot by a Pearl Necklace, 1995. But within the ambiguity of creation by destruction, there is also the artist as archeologist.These angular pieces of urban archeology are hovering above the ground as if frozen in spaceIn Subconscious of a Monument, 2005, shown at the Royal Read more ...
Kieron Tyler
Burt Bacharach: The Art of the Songwriter - Anyone Who Had a HeartSometimes, greatness takes a while to surface. Tommy Sands’s 1961 single “Love In A Goldfish Bowl” didn’t return the hopeful teen idol to the charts. He’d had his day in 1957 with "Teen-age Crush", a slice of ersatz Elvis which rose to number two in the US. “…Goldfish Bowl” was hokum of the highest order, written by Burt Bacharach and lyricist Hal David for the film of the same name. “It’s love in a goldfish bowl” hiccups Nancy Sinatra’s then-husband. But it was less silly and less fun than 1958’s “The Blob”, by The Five Read more ...
Tom Birchenough
The last two years have seen the Tiger Lillies hit a prolific peak of activity, to be found as often on the theatrical as the concert stage, drawing on plenty of influences from outside the UK to boot. Mike Pickering came on board last year in place of drummer Adrian Huge, who’d been part of the trio’s line-up from its founding back in 1989, but there was no let-up in levels of intensity last night from lead performer Martyn Jacques, who gave his all to a 90-minute set drawn from numbers from their last four albums, from 2011’s Woyzeck & the Tiger Lillies through to this year’s Either Or. Read more ...
bruce.dessau
When the Stone Roses first made a splash with their eponymous debut album in 1989 they were almost perfect. The only mistake was a brief flirtation with flared trousers. Nearly a quarter of a century on in north London the strides were strictly straight-legged. The only flares were the red ones some clot in the audience kept lighting. I don't envy his prospects if health and safety ever get hold of him.As for the music, this show, the first of two nights in the capital, certainly burnt brightly, but only in places. At times Ian Brown's vocals sounded flatter than the sozzled audience Read more ...