Reviews
Adam Sweeting
"Does he know she's a bit odd?" asks one of Saga Noren's Swedish police colleagues, on hearing that Danish copper Martin Rohde (Kim Bodnia) is working with Noren on a new murder case. Well, he's begininning to get the idea. He's seen her forbid an ambulance to cross her crime scene perimeter, even though it was carrying a new heart for a critically ill patient. She drags Rohde out of bed in the middle of the night to track down a piece of evidence, then when he delivers it to her at police HQ she barely says thanks and shuts the door in his face. Apparently she never eats meals.With her long Read more ...
Jasper Rees
"Shakespeare’s Coming Home," boasts the strapline of a highly ambitious strand of London 2012’s Cultural Olympiad. Between now and 9 June, 37 productions of the complete canon by Shakespeare (with apologies to Two Noble Kinsmen fans) will be seen at Shakespeare’s Globe by 37 different theatre companies from all over the world. Hence the catchy title, Globe to Globe, which forms only a part of a World Shakespeare Festival continuing until September and taking place all over England and Wales, from Stratford-upon-Avon to the National Eisteddfod.But the whole thing is starting this weekend at Read more ...
Mary Mazzilli
The Young Vic together with American Repertory Theater, Boston have taken on a huge challenge in staging the lengthy yet gripping memoir by Chinese writer Jung Chang that became an instant success when first published in 1991. Wild Swans was one of the first accounts of mainland China to be introduced to the West and as such it paved the way for other stories to be told from China.Wild Swans describes a journey of pain, trauma and survival of three women that, however, goes beyond the period of the Cultural Revolution as it spans over three generations from the early 19th century to the late Read more ...
Jasper Rees
From the moment the first series came eyepoppingly to the boil, the loyal fanbase of Lip Service began clamouring for a second helping. That was back in November 2010. Eighteen months later, their wish has finally been granted, and audiences are once more free to plunge headlong into the world of the Glaswegian L Word. Some things are reassuringly very much as you were. Two characters were down to their smalls within a minute of the start, while the Friday-night bar scene is still a low-lit den of drugs, booze and casual same-sex nods, winks and frots. This remains in-your-face entertainment Read more ...
graham.rickson
John Adams: Harmonielehre, Short Ride in a Fast Machine San Francisco Symphony/Michael Tilson Thomas (SFS Media)John Adams’s expansive, hyperactive three-movement work emerges more powerfully than ever before in this live recording from San Francisco. The bass lines in this Harmonielehre have staggering presence – listen too loudly through headphones and your brain begins to liquify. Those low notes are all-important, occasionally giving us a fleeting sense of harmonic stability in music which really soars. Adams’s control of tempo is remarkable; at times it’s virtually impossible to Read more ...
Thomas H. Green
It became clear, midway through support act Toddla T that this was going to be a bit special. With a view from the front of the first tier balcony, I could see the melee below and the two balconies above. The Shepherd’s Bush Empire is a gorgeous 109 year old theatre that’s been a music hall and BBC studio in its time but no-one was sitting down tonight, far from it. Those on the upper tiers were leaning forward over the balconies, whooping and waving their arms, everyone everywhere seemed to be moving. I turned to my companion and ventured, “This is a bit like a rave.” Within a short time I Read more ...
Ismene Brown
William Forsythe's position as the most articulate, fascinating, provocative ballet choreographer of the past 25 years is demonstrated by the Royal Ballet of Flanders' brief visit to Sadler's Wells for three nights with his epic, maddening, engrossing creation, Artifact. The cutting edge of theatre and ballet at its premiere in 1984, it is a four-act ballet, no less, that pays homage to the early court spectacles out of which ballet was born, and the superb physical elegance into which classical ballet then evolved.I append below Forsythe's own explanation to me of what it's about, but in Read more ...
ash.smyth
Since it obviously can't be taken in any way seriously, one big plus for Donizetti’s deeply silly (and, narratively, extremely sketchy) operetta is that it offers everyone plenty of room for manoeuvre(s), an opportunity the Covent Garden team had clearly decided they were not about to miss when putting together this twice-revived production.It is the Swiss Tyrol, sometime in the heyday of the Napoleonic empire, and the local peasants are fleeing from the advancing French troops. Chief among them is the Marquise de Berkenfeld, an elderly dowager type (beleaguered butler as standard) who sounds Read more ...
Sarah Kent
Yesterday I fell in love with a black boy less than half my age and half my size – or, rather, a sculpture of a black boy. At just over two feet tall, Ron Mueck’s Youth is utterly beguiling. His silken skin, slender fingers, low-slung jeans and paisley patterned underpants are seductive enough; what made me lose my head, though, was the suggestion of dirt under his neatly clipped toenails. This beautifully observed detail made me want to kiss his exquisitely modelled feet.Mueck’s hyper-real sculptures have the same presence as Madame Tussaud’s waxworks; this is scarcely surprising since Read more ...
howard.male
The fact of the matter is that this young, supremely talented Brazilian singer-songwriter is no great performer. But is this an issue when the music she makes is so immersive and seductive in its own right? On record, her songs are like ragged collages held together by scraps of tape. They sound like they might dissipate or disintegrate at any moment were it not for the calm authority of her voice holding everything together. This is music that exudes sophistication. But not the easily faked sophistication of smooth-as-cream bossa nova. It’s a post-modern sophistication that credits the Read more ...
Jasper Rees
This one sounds like a hard sell: a muted, taciturn, cautious film from Austria about a friendless boy in a young offenders’ institution who takes a job working for the municipal undertakers. Breathing (original title: Atmen) would appear at first glance modest in scope and gloomy in outlook. But whatever the odds stacked against it, this quiet, observational debut from Karl Markovics turns out to pack a discreetly powerful punch.The name may not be familiar, but the face will be: a few years back Markovics was the poker-faced lead in The Counterfeiters, which won the best foreign film at the Read more ...
Fiona Sturges
In Louis Theroux: Extreme Love, a film about the realities of looking after children with autism, a mother of twin girls from New Jersey confessed: “I just try and make them happy because, God forgive me, I don’t get a lot of enjoyment from them.” Meanwhile Josephine, the relentlessly cheery mother of 20-year-old Brian, remarked: “To be afraid of your child is a terrible thing.”Brian’s extreme autism had caused him to burn down the family home at the age of eight, and repeatedly attack his mother, pulling her hair out in clumps. On one occasion he tried to strangle her so she called the Read more ...