mon 30/06/2025

Reviews

Madonna, Celebration Tour, O2 review - spectacular, ambitious and occasionally bemusing

Exactly 40 years since Madonna’s first UK hit, “Holiday”, was skittering about the Top Five, she launches her global Celebration Tour at the O2.It is spectacle on the very grandest scale. In the latter half, following a video montage of tabloid...

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Dracula: Mina's Reckoning, Festival Theatre Edinburgh review - audacious and entirely convincing

An all-female production of Bram Stoker’s Dracula – well, kind of – that transplants the novel’s more local action to the northeast of Scotland, and finds a bloody new calling for one of its less ostentatious characters? Elgin-born writer Morna...

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Hiroshi Sugimoto: Time Machine, Hayward Gallery review - a Japanese photographer uses droll humour to ask big questions

A polar bear stands guard over the seal pup it has just killed (main picture). How could photographer, Hiroshi Sugimoto have got so close to a wild animal at such a dangerous moment? Even if he had a powerful telephoto lens, he’d be risking life and...

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Song of Songs, Pam Tanowitz/David Lang, Barbican Theatre review - sublime music and intricate dance bring life to a 2,000-year-old love poem

On the whole the Bible is not big on sex and sensuality, with the exception of one very short book in the Old Testament. The Song of Solomon – aka Song of Songs – is a hymn to carnal pleasure, one whose vivid descriptions of perfect flesh and...

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London Film Festival 2023 - monsters, ghosts and diabolical people

Poor Things, Yorgos Lanthimos’s follow-up to The Favourite, is an intoxicating achievement, a ravishing, twisted, very funny and even radical fable that must be a major contender in the awards season that gets into gear as the London Film...

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Masque of Might, Opera North review - a tale of ecological virtue

Sir David Pountney’s creation of a “masque” performance for our times, recycling music Purcell wrote for his, is downright good entertainment even if the plotline’s a bit incoherent.Now that’s a virtue, if you look at the 17th century models he’s...

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Music Reissues Weekly: Ibrahim Hesnawi - The Father of Libyan Reggae

Initially, it doesn’t sound so unusual. The collection’s first song is titled “Never Understand.” Sung in English, it’s poppy reggae with a light feel, twinkling keyboard lines and a lengthy, rock-oriented guitar solo. The singer appears to be a fan...

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Bach B Minor Mass, SCO & Chorus, Egarr, Usher Hall, Edinburgh - smiling faces all round

As any good choral singer knows, you can’t deliver too emphatic a “k” for the opening Kyrie Eleison of any one of thousands of Mass settings. Well, almost. The Scottish Chamber Orchestra Chorus produced such a distinct, detached, and powerful...

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London Film Festival 2023 - movies in a musical vein

The Rolling Stones are winning plaudits for their Hackney Diamonds album, but Alexis Bloom and Svetlana Zill’s documentary Catching Fire: The Story of Anita Pallenberg is a brilliant and sometimes painfully emotional portrait of the woman who helped...

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Dead Dad Dog, Finborough Theatre review - Scottish two-hander plays differently 35 years on, but still entertains

I know, I was there. Well, not in Edinburgh in 1985, but in Liverpool in 1981, and the pull of London and the push from home, was just as strong for me back then as it is for Eck in John McKay’s comedy Dead Dad Dog. Back in London for the...

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Lies We Tell review - fear and gaslighting in 1860s Ireland

It is 1864 and the lush green lawns of Knowl, the stately home in Ireland that Maud Ruthyn (Agnes O’Casey) will inherit when she reaches the age of 21, are beautifully kept. Everything is in its place. Maud expects deference, especially from...

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Sunset Boulevard, Savoy Theatre review - Nicole Scherzinger stuns in an exceptional production

Jamie Lloyd has the gift that keeps on giving. Hot on the heels of recent productions on Broadway and at the National Theatre, the visionary director is back in the West End with a stupendous reimagining of Andrew Lloyd Webber’s modern classic...

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