Reviews
Miloš Karadaglić, LPO Foyle Future Firsts, 100 ClubThursday, 14 April 2011
Bear with me while, like supergroomed rising star Miloš Karadaglić retuning his guitar to a mellower vein, I adjust my concert-hall vocab and describe this as a no-gimmicks sell-out gig underground with young musicians from the London Philharmonic’s... Read more... |
If Walls Could Talk: The History of the Home, BBC FourThursday, 14 April 2011
I prefer "living room", but I have a friend who insists on "lounge". For some reason that probably goes deep into the psyche, I cringe at "sitting room". Same goes for "front room". As for "reception room", I’ve only ever seen that in the windows of... Read more... |
Seun Kuti and Egypt 80, Royal Festival HallThursday, 14 April 2011
Given that Seun Kuti and Egypt 80’s new album nearly blew my speaker covers off with its focused punch and irrepressible energy, the band really shouldn’t have had a problem making an impression on Tuesday night’s lacklustre Later… with Jools... Read more... |
Cold WeatherWednesday, 13 April 2011
To describe this movie as slow-burn would be like saying snails live in the fast lane. The latest work from indie auteur Aaron Katz (Dance Party USA and Quiet City) who wrote, directed and edited, is 97 minutes long, but nothing happens for its... Read more... |
The Blue God/ The Firebird, Les Saisons Russes du XXI Siècle, London ColiseumWednesday, 13 April 2011
Anyone who feels, as I do, that the Aesthetic Movement's "cult of beauty" now on display at the Victoria and Albert Museum can't compare with the fabulous Ballets Russes exhibition which went before it can dine again on a feast of Russian colour at... Read more... |
Josh Ritter, Liquid Room, EdinburghWednesday, 13 April 2011
I’ll say this much for Josh Ritter last night, he was happy to be there. I’ve never seen a man grin quite so much on stage, and apparently with complete sincerity. Before the Idaho-born singer-songwriter played a note he promised that “we’ll have a... Read more... |
Alice, Scottish Ballet, Glasgow Theatre RoyalWednesday, 13 April 2011
As the young waitress said in the restaurant where we ate after last night’s world premiere of Ashley Page’s Alice in Glasgow, she hadn’t ever been to ballet, but she was tempted to go for this - “It’s Alice after all, isn’t it? Wonderland. I’d love... Read more... |
Moonlight, Donmar WarehouseWednesday, 13 April 2011
One wants to be antagonised by Harold Pinter. In his substantial early dramas (The Homecoming, The Caretaker, The Birthday Party), aggression and menace coil through the texts like rattlesnakes. He was, then, revolutionary. Maybe it's glib -... Read more... |
Britain's Next Big Thing, BBC TwoTuesday, 12 April 2011
The talent show search - not for another star but for another field to devour - has reached its logical conclusion. Whereas most such shows - The X Factor, for example - are ostensibly about one skill or another as a pretext for marketing, Britain... Read more... |
Your HighnessTuesday, 12 April 2011
In the end, the media-industrial complex which takes responsibility for entertaining the planet doesn’t put your needs and mine near the top of the pile. But I think we know this already. Why am I even saying it? Saying it again. Bears make their... Read more... |
Thrill Me, Tristan Bates TheatreMonday, 11 April 2011
Does the perfect murder make for the perfect musical? One doesn't have to make undue claims for the work's chamber-size appeal to warm to Thrill Me, the American two-hander that has arrived at the Tristan Bates Theatre as this season's entry in... Read more... |
The Great Estate: The Rise and Fall of the Council House, BBC FourMonday, 11 April 2011
In 2004 Michael Collins wrote a fascinating book, The Likes of Us: A Biography of the White Working Class. It was part memoir of his south-London childhood, part history of the area and part polemic. Two-thirds was an excellent read, a thoroughly... Read more... |
