tue 26/08/2025

Reviews

Meek's Cutoff

Kelly Reichardt’s quietly radical vision of the Wild West is a slender, provocatively ambiguous work and the antithesis to the genre’s muscular action-packed epics. It’s a western which aligns us with those who don bonnets rather than Stetsons, and...

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The Tsar's Bride, Royal Opera

All weddings for the Russian rich end in tears: Paul Curran's updated Rimsky-Korsakov at Covent Garden

Long before the curtain rose on this soapy operatic tale of power and poison, one big question loomed: could director Paul Curran, could anyone, bring Rimsky-Korsakov's sweet, doomed and very Russian bride to convincing life? The music's mostly...

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Tim Vine, Touring

Normally, comedy critics maintain the polite convention of not writing comics’ jokes in reviews - it spoils the fun for punters if they then see the show and already know the punchline. But even if this review was peppered with gags from Tim Vine’s...

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Thamar/ Sheherazade, Les Saisons Russes, London Coliseum

Irma Nioradze as Thamar: Laser light show and see-through pink leopard spots all part of the new Diaghilev experience

We’ve been so well educated or so roundly brainwashed to expect a certain high standard of Russian ballet that to experience the first two programmes of the three offered by the “Russian Seasons" team at the Coliseum, so-called tributes to...

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Lykke Li, Shepherds Bush Empire

As her black robe swirled around a black leotard, Lykke Li became the anti-Stevie Nicks. Instead of conjuring the mellow California feeling, she sang “sadness is a blessing”. Yet this Swede’s pop is as uplifting, as transporting as any good vibe...

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Monroe, Series Finale, ITV1/ Rubicon, BBC Four

(Left to right) Sarah Parish, James Nesbitt and Tom Riley on the alert for flying one-liners in 'Monroe'

So Monroe reached the end of series one, and I still couldn't read what its tone was supposed to be. Some artsdesk readers have expressed enthusiasm for the theme tune, but I find its jogging Celtic jauntiness symptomatic of Monroe's wider...

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Fidelio, Opera North, Leeds Grand Theatre

Steven Harrison as Florestan (left) and Emma Bell as Leonore (right)

Unpleasant feelings of confinement and claustrophobia hit you when the curtain rises after Beethoven’s disconcertingly jolly overture; one small room is visible on stage, framed by black curtains. The sun shines oppressively through the barred...

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Revealed, Turner Contemporary

The opening of Turner Contemporary is being heralded as one of the most important cultural events of the year. Described as "a national and international venue in the regions" the gallery, it is hoped, will attract visitors from London and abroad...

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Turner Contemporary, Margate

The opening of Turner Contemporary is being heralded as one of the most important cultural events of the year. Described as "a national and international venue in the regions" the gallery, it is hoped, will attract visitors from London and abroad...

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Betty Blue Eyes, Novello Theatre

Foot fetishists will have a field day at Betty Blue Eyes, given that the producer Cameron Mackintosh's latest venture is also the first in my experience to sing of bunions, calluses and corns, the last encompassing a passing reference to a lyric...

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Miloš Karadaglić, LPO Foyle Future Firsts, 100 Club

Bear with me while, like supergroomed rising star Miloš Karadaglić retuning his guitar to a mellower vein, I adjust my concert-hall vocab and describe this as a no-gimmicks sell-out gig underground with young musicians from the London Philharmonic’s...

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If Walls Could Talk: The History of the Home, BBC Four

Lucy Worsley: Engaging and jolly, and a tiny bit like Queenie in 'Blackadder'

I prefer "living room", but I have a friend who insists on "lounge". For some reason that probably goes deep into the psyche, I cringe at "sitting room". Same goes for "front room". As for "reception room", I’ve only ever seen that in the windows of...

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