Reviews
London Film Festival 2023 - monsters, ghosts and diabolical peopleMonday, 16 October 2023
Poor Things, Yorgos Lanthimos’s follow-up to The Favourite, is an intoxicating achievement, a ravishing, twisted, very funny and even radical fable that must be a major contender in the awards season that gets into gear as the London Film... Read more... |
Masque of Might, Opera North review - a tale of ecological virtueMonday, 16 October 2023
Sir David Pountney’s creation of a “masque” performance for our times, recycling music Purcell wrote for his, is downright good entertainment even if the plotline’s a bit incoherent.Now that’s a virtue, if you look at the 17th century models he’s... Read more... |
Music Reissues Weekly: Ibrahim Hesnawi - The Father of Libyan ReggaeSunday, 15 October 2023
Initially, it doesn’t sound so unusual. The collection’s first song is titled “Never Understand.” Sung in English, it’s poppy reggae with a light feel, twinkling keyboard lines and a lengthy, rock-oriented guitar solo. The singer appears to be a fan... Read more... |
Bach B Minor Mass, SCO & Chorus, Egarr, Usher Hall, Edinburgh - smiling faces all roundSaturday, 14 October 2023
As any good choral singer knows, you can’t deliver too emphatic a “k” for the opening Kyrie Eleison of any one of thousands of Mass settings. Well, almost. The Scottish Chamber Orchestra Chorus produced such a distinct, detached, and powerful... Read more... |
London Film Festival 2023 - movies in a musical veinSaturday, 14 October 2023
The Rolling Stones are winning plaudits for their Hackney Diamonds album, but Alexis Bloom and Svetlana Zill’s documentary Catching Fire: The Story of Anita Pallenberg is a brilliant and sometimes painfully emotional portrait of the woman who helped... Read more... |
Dead Dad Dog, Finborough Theatre review - Scottish two-hander plays differently 35 years on, but still entertainsSaturday, 14 October 2023
I know, I was there. Well, not in Edinburgh in 1985, but in Liverpool in 1981, and the pull of London and the push from home, was just as strong for me back then as it is for Eck in John McKay’s comedy Dead Dad Dog. Back in London for the... Read more... |
Lies We Tell review - fear and gaslighting in 1860s IrelandSaturday, 14 October 2023
It is 1864 and the lush green lawns of Knowl, the stately home in Ireland that Maud Ruthyn (Agnes O’Casey) will inherit when she reaches the age of 21, are beautifully kept. Everything is in its place. Maud expects deference, especially from... Read more... |
Sunset Boulevard, Savoy Theatre review - Nicole Scherzinger stuns in an exceptional productionFriday, 13 October 2023
Jamie Lloyd has the gift that keeps on giving. Hot on the heels of recent productions on Broadway and at the National Theatre, the visionary director is back in the West End with a stupendous reimagining of Andrew Lloyd Webber’s modern classic... Read more... |
Songs of Wars I Have Seen, RSNO, Dunedin Consort, Slorach, Queen's Hall, Edinburgh review - moving portrayal of wartime diariesFriday, 13 October 2023
Songs of Wars I Have Seen is an hour-long through=composed work by contemporary German composer Heiner Goebbels which combines the music of 17th century composer Matthew Locke, the text from the wartime diaries of American Jewish writer Gertude... Read more... |
The Miracle Club review - unchallenging but enjoyable Irish dramaFriday, 13 October 2023
If I had to condense the Catholic faith of my upbringing in one sentence, I would say that it essentially comes down to two things: we're all sinners, but we are all capable of redemption. (Theological experts may take a different view.) That boiled... Read more... |
Frasier, Paramount+ review - he's back! But should he be?Friday, 13 October 2023
F. Scott Fitzgerald said there were no second acts in American lives, but here’s Frasier Crane coming back for his third. Frasier first appeared on TV in the third series of Cheers in 1984. After Cheers bit the dust in 1993, Frasier was... Read more... |
Blue Mist, Royal Court review - authentic, but not entirely convincingThursday, 12 October 2023
Multiculturalism, according to the Home Secretary, has failed, so where does that leave British Black and Asian communities? Well, certainly not silent. In Mohamed-Zain Dada’s vigorous 90-minute debut play, Blue Mist, the pronouncements of the... Read more... |
