Reviews
James Saynor
The Iron Claw is the sort of solid, mid-market Hollywood “programmer” that is often said to no longer exist on the big screen, and this family saga set in the world of Texas wrestling certainly has the feel of a museum piece. Many have warmed to it, perhaps for that nostalgic reason. American sports movies tend to do poorly in overseas markets, so it’s a little surprising that this one has the prominent involvement of BBC Film. It tells the true-ish story of Fritz and Doris Von Erich and four of their sons, who entertained the public with their tight-trunked slaprobatics in the 1970s and Read more ...
Sarah Kent
Under the guidance of director Ralph Rugoff, the Hayward Gallery seems hell bent on reducing art to the level of fun for all the family. And as though to prove the point, cretinous captions strip the work of all meaning beyond the banal, while press pictures showcase kids gazing at large sculptures.Their latest exhibition, When Forms Come Alive consists of sculptures by 21 artists, all of whom employ organic rather than geometric forms. “Dynamic, exuberant and playful, the works in this show, take visitors on an adventure into a world of fascinating forms,” says Rugoff.The “adventure” begins Read more ...
Sarah Kent
From its opening shot – of a flock of sheep backlit by the sun’s rays – The Settlers is visually stunning. But the beauty ends there; as the narrative unfolds, it becomes clear that everything else about this episode in Chile’s history is cruel and ugly.The year is 1901, the location a sheep farm in Tierra del Fuego, a wind-swept island at the southern tip of South America. Don José Menéndez (Alfredo Castro), who owns large swathes of land in Argentina and Chile, is erecting a fence to prevent the indigenous people from killing his livestock.A scream rends the air; the fencing cable has Read more ...
Ed Vulliamy
Antonio Pappano is at a hinge in his illustrious career, as the exciting transfer across London from Covent Garden to the London Symphony Orchestra proceeds, and the word "Emeritus" is added to his title as Music Director of his home-from-home in Rome. A good moment, then, for him to make a statement of commitment to the latter, with a shattering, searing account of probably the most terrifying piece of music ever written: Verdi’s incomparable Messa da Requiem.The evening was dedicated – on the 10th anniversary of this death – to Claudio Abbado’s contribution to Santa Cecilia over 26 seasons Read more ...
Gary Naylor
Detective Chief Inspector Othello leads a quasi-paramilitary team of Metropolitan Police officers investigating gang activity in Docklands. With a chequered past now behind him, he has reformed and has the respect of both the team he leads and his superior officers. But his secret marriage to Commander Brabantio’s daughter, Desdemona, unleashes a stream of racist invective from her father, triggering memories of abuse that are never far from the surface. Meanwhile his Detective Sergeant, Iago, lurks in the shadows, plotting revenge for his slight in being overlooked for promotion. Ola Ince’s Read more ...
Helen Hawkins
As the man himself says, he was awarded an MBE last year, despite the dirt, for services to comedy – though which services weren’t specified… On paper that isn’t a remotely risqué remark, but Skinner can milk innuendo from anything that comes out of his mouth.His new West End set, road-tested in Edinburgh last year, raises an interesting question, though: has his act got less dirty over the years, or audiences more so? My memory of past Skinner sets is of a man revelling in stories that would have made the mainstream entertainment censors twitch before he arrived in the early 1990s, but Read more ...
Kieron Tyler
You’re here. I’m so happy you’re here. You’re alive. You’re doing so well. Living is so hard. We’re alive. Have you suffered? When we’re alive, we suffer. We suffer to be alive. You must have suffered.Paraphrasing Alabaster DePlume’s on-stage discourse alludes to its disconcerting quality. It takes a while to get used to it. At first, it is perplexing. He looks surprised to see the audience yet speaks directly, initially saying he does not know anything. His intensity suggests he’s seeking to convert his audience to questioning why they – and he and his bassist and drummer – exist. It doesn’t Read more ...
aleks.sierz
Franz Kafka’s Metamorphosis is a novella whose cultural resonance has echoed loudly down the years. As a modernist metaphor for alienation in our times it has frequently been adapted for the stage. There have been classic, and popular, adaptations by Steven Berkoff and by David Farr and Gísli Örn Gardarsson for Vesturport theatre company.This latest version, by national treasure Lemn Sissay, comes to the Lyric Hammersmith after opening its national tour at the Curve, Leicester, last September. It is produced by Frantic Assembly, whose work specialises in a mixture of exciting dance moves, Read more ...
Sarah Kent
In Titian’s painting Diana and Actaeon,1559, a cluster of naked beauties bathes beside a stream. Scarcely visible in the right hand corner is a black woman helping the goddess hide her nudity from Acteon who has stumbled into her private glade. The servant’s clothing and dark skin contrast with the pearly pink flesh of the nymphs – so much so that she almost merges with the tree trunk behind her, as though she were just part of the scenery.In her intaglio version of Titian’s painting, Barbara Walker bleaches out everyone except the black woman, whom she lovingly highlights in pencil. This Read more ...
Gary Naylor
When entering a particular, well-populated region of MusicalTheatreLand, one has to check in a few items at the border. Weary cynicism, the desire for narrative coherence, that nerve that starts to throb when sentimentality oozes across the fourth wall – all need to be left behind. Like pantomime and opera, if you bring those attitudes with you, a dry desert is all you will see, but if you buy in, sometimes, not always, you’ll find oases too.So it is with Bronco Billy The Musical, based on Clint Eastwood’s 1980 film from his somewhat uncomfortable period between flint-eyed gunslinging Read more ...
Sarah Kent
American artist Barbara Kruger started out as a graphic designer working in advertising, and it shows. Her sharp design skills and acute visual intelligence now produce funny, clever and thought provoking installations in which words and pictures illuminate the way language is (mis)used to cajole, bully, manipulate and lie.The Serpentine Gallery show opens with one of her most iconic pieces – a hand holding up a card which reads: “I shop therefore I am” (pictured below), a witty rejoinder to the famous maxim “I think, therefore I am” penned by philosopher René Descartes in the 17th century. Read more ...
Adam Sweeting
When Colombian drug potentate Pablo Escobar made his comment that “the only man I was ever afraid of was a woman named Griselda Blanco,” he ensured that Ms Blanco would achieve immortality in the annals of crime. Netflix’s new series about Blanco, starring and produced by Sofía Vergara, claims to depict Blanco’s life “as faithfully as possible”, though that famous line “when the legend becomes fact, print the legend” feels a bit nearer the mark.Blanco’s tangled biography has been considerably simplified for this Netflix version, but what emerges is a lurid, high-octane ride packed with sex, Read more ...