tue 05/08/2025

Reviews

Messiah, Irish Baroque Orchestra, Whelan, Wigmore Hall review - wonderful, easy, light and dark in perfect poise

This Palm Sunday served up an epiphany. Previous encounters with Handel's Messiah, in whatever version, and whether listening or performing, turned out to have been through a glass darkly. And here we were face to face with undiluted genius, served...

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Diana Evans: A House for Alice review - lyrical sequel to Ordinary People

Diana Evans specialises in houses, their baleful quirks and the meaning of home. In her acclaimed third novel, Ordinary People (2018), formerly happy, black couple Melissa and Michael live in a crooked, malevolent Victorian terraced house in south...

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Berthe Morisot: Shaping Impressionism, Dulwich Picture Gallery review - lightning speed brushwork by an Impressionist maestro

When Berthe Morisot organised the first Impressionist exhibition in 1874, along with Monet, Degas, Renoir and co, she’d already exhibited at the Paris Salon for a decade – since she was 23. That’s not bad for someone refused entry to art school...

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For Black Boys Who Have Considered Suicide When the Hue Gets Too Heavy, Apollo Theatre review - a turbo-charged, game-changing piece of theatre

For a show that comes with a trigger warning about the themes of racism, gang violence, toxic relationships, sexual abuse, child abuse, domestic violence and suicide it will tackle, For Black Boys… is unexpectedly joyful.Its thorny subjects are...

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Rabbit Hole, Paramount+ review - sabotage, subterfuge and corporate skulduggery

Kiefer Sutherland has proved to be a hardy perennial over the decades, from movies like Young Guns and Flatliners to TV shows including Designated Survivor and especially the much-lauded 24. And he seems to have picked another winner with Rabbit...

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Chiejina, BBC Philharmonic, Collon, Bridgewater Hall, Manchester review - something scenic, and something else

An evening of “scenic orchestral works”, according to the programme booklet, was on offer from the BBC Philharmonic on Saturday. Scenic was certainly true of the Seven Early Songs of Alban Berg and Richard Strauss’s Alpine Symphony. But Tom Coult’s...

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In the Middle review - the true grit of grassroots referees

In the Middle profiles 10 football officials who referee and run the line of lower-league games in south-west London and north-east Surrey. Pondering what drives these apparently sane individuals to do such an onerous job, director-producer Greg...

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Music Reissues Weekly: McNeal and Niles - Thrust, Wilbur Niles and Thrust - Thrust Too

An original pressing of 1979’s Thrust fetches at least £1000. Its 1980 follow-up Thrust Too can be a relative bargain at around £400. The prices are partly explained by J Dilla having sampled Thrust Too’s “Survival of the Funkiest” and Thrust’s “...

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Villeneuve Pironi: Racing's Untold Tragedy, Sky Documentaries review - a macabre slice of motor racing mythology

Netflix’s hit show Drive to Survive has proved that F1 can grab ratings, but Villeneuve Pironi: Racing's Untold Tragedy (Sky Documentaries) is a more esoteric offering.It’s a story from the annals of early-Eighties Formula One, in which filmmakers...

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Cinderella, Royal Ballet review - the first British ballet learns the language of flowers

The urge to redesign a heritage ballet is a curious one, given not just the expense but the fact that the main draw of an old ballet is the steps and the music, which stay the same whatever the stage dressing. The Royal Ballet was keen, however, to...

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Colin Herd and Maria Sledmere: Cocoa and Nothing review - arts of sinking

In his mock-poetic manual Peri-Bathos (1728), Alexander Pope opens by describing the afflictions which beset inhabitants of the lower Parnassus. The aristocracy living further up the mountain commit burglaries, and, "taking advantage of the rising...

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Williams, Dunedin Consort, Truscott, Wigmore Hall review - star soprano, total teamwork

When your special guest is a young soprano with all the world before her, the total artist already, your programme might seem to run itself. Yet the Dunedin Consort’s sequence seen and heard in Glasgow, Edinburgh and (last night) London followed a...

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